tbf, we can understand why Miyazaki needed to write this.
God of Manga passed away, and he was revered as sacred. I suppose Miyazaki wanted to take balance between the reality and Tezuka's idealized public image.
Ryan Holmberg retweeted
つげ義春さんと交流する中で、手仕事にこだわった手ぬぐいやTシャツなどを作ってきた出版社・虹霓社さんが、つげさんの没後、書店イベントにあわせて作ったzine「今宵、つげ義春。」
長年の読者や映画化した監督ら15名がそれぞれの思いや思い出を綴っています。
taco.shop-pro.jp/?pid=194369…
Ryan Holmberg retweeted
【ZENBU 136 大オークション】落札6日目!
◎黎明社/福田三省 (原作:香山滋)『怪獣ゴジラ』(1955年)
1954年の映画公開翌年に出された、ゴジラ黎明期の熱量を今に伝えるコレクター垂涎の単行本。歴史的にも極めて貴重な一冊
ekizo.mandarake.co.jp/auctio…
Ryan Holmberg retweeted
cartoony Japanese things I autistically like love to reference Mickey drawings (well this Ryan Holmberg article tcj.com/tezuka-osamu-outwits… is too sensationalized & exaggerates the idea, the drawings are pretty different, but the inspiration's clearly there) xitter.cf/Retro64__/status/21143…
Ryan Holmberg retweeted
🌟「宇宙人神合懇展」開催🌟
京都国際マンガミュージアム
開館20周年記念特別展示
2026.11/25〜2027.2/28
荒俣宏館長企画‼️バロン吉元新作絵画『宇宙人の骨』100点超展示🦴私は父の絵と荒俣館長の肖像を組み合わせてメインビジュアルをデザインしました〜ッ✊🏻荒俣×バロンコラボグッズや書籍も制作中📖
Araki Hirohiko's early style looked like Takahashi Yosuke follower. It was not necessarily a typical shonen manga's style from the beginning.
Before the current anime series, Jojo was a manga loved by manga freaks rather than casual fans even though it's from Shonen Jump.
Ryan Holmberg retweeted
澤田賢二もちば先生がいなかったらもしかして世に出ていなかったかもしれないからなぁ
高木りゅうぞうが復刻される時代ならもしかして、、なんて期待してしまいたくなるのは俺だけでしょうか
Ryan Holmberg retweeted
There are surprisingly few good books on Japanese occult and esoteric traditions in English. You'd think that in a society like ours that's certifiably crazy about anime, not to mention plenty of other aspects of Japanese culture, there would be plenty in print on the abundant and complex lore of Japanese occultism, but that's not the case. It takes plenty of digging to find even basic information about such core traditions of Japanese wizardry as Onmyodo and Mikkyo, to say nothing of the older and stranger dimensions of Japan's magic.
One fine exception to that unhappy rule is Carmen Blacker's The Catalpa Bow. An English academic, Blacker became interested in the shamanistic dimensions of Japanese folk magic and spent years visiting isolated rural areas of Japan, attending ceremonies, participating in ascetic practices, and talking with practitioners who preserved the last scraps of traditions dating back centuries or millennia. The result was one of the genuine classics of the anthropology of religion, a sensitive and sympathetic study of branches of folk magic so archaic that few Japanese these days know much about them.
This is a world inhabited by miko, female mediums who go into trance to foretell the future and give voice to ghosts and fox-spirits; shugenja, ascetics who practice harsh austerities on sacred mountains to win the power to banish evil spirits and heal supernatural illnesses; Buddhist clerics who wield the powers of esoteric mantras and mandalas; and the spiritual beings with whom all these interact and contend, from magic snakes and greedy fox-spirits through unhappy ghosts and nature spirits to the gods of Shinto and the buddhas and bodhisattvas of the esoteric Buddhist pantheon. It's a weird, wild world, and Blacker provides a fine introduction to it.
This book has a special place in my heart; I first read it in the fall of 1980 as a college freshman, and it filled a role in relation to occultism that several previous books had done in other subjects. Elizabeth Seeger's The Five Sons of King Pandu, a retelling of the Hindu epic Mahabharata for young readers, did it in the field of legend and mythology, and Lester Brooks' Great Civilizations of Ancient Africa did it in the field of history; in each of these cases and others, I'd learned a lot about the Western world's experience and then encountered the parallel experience of another continent, and the encounter thoroughly redefined my understanding of the subject. My way of thinking about occultism changed and broadened considerably because of this book.
Beyond that considerable impact, Blacker's book also showed me that it was possible to investigate magical traditions in a scholarly manner without being dismissive about them. (Long before anyone else was talking about firewalks, for example, Blacker participated in a firewalk, admitted that something very strange was going on, and simply left the matter at that.)
Finally, the book's pleasant and lively to read. If that sounds like a hearty recommendation, why, it should; I'd encourage anyone with the least interest in occult and spiritual traditions to give it a read.
Ryan Holmberg retweeted
伝説のシュルレアリスム貸本劇画『怪談 人間時計』がアメリカで出版されます。徳南晴一郎の資料(珍しいやつじゃないよ。かれの自伝とか、記事とか)をライアン・ホームバーグ氏に貸すというかたちで、微妙に貢献したのだ。エッヘン。表紙もイケてる。
PREORDERS OPEN! Tokunami Seiichiro's HUMAN CLOCK, Smudge vintage horror manga, vol 9 @LivingtheLine_. Due out: December 2026. livingtheline.com/livingthel…
PREORDERS OPEN! Tokunami Seiichiro's HUMAN CLOCK, Smudge vintage horror manga, vol 9 @LivingtheLine_. Due out: December 2026. livingtheline.com/livingthel…
Ryan Holmberg retweeted
Sho Miyake’s TWO SEASONS, TWO STRANGERS is now available for pre-order via @ocndistro !! It includes an interview with Miyake, a Behind-the-Scenes Featurette, and a booklet with a new essay by Yoshiharu Tsuge manga translator @mangaberg. Beautiful new artwork by @TylerRubenfeld
Ryan Holmberg retweeted
Tokyo developed new anti-crow posters to put up around trash collection sites. They feature geometric shapes幾何的 and eyes which apparently put crows on their guard
However, as the effect only lasts for a few days, the cities prepared several different types
The crow population in Tokyo has gone down from 36,000 in 2001 to 7500 today
Ryan Holmberg retweeted
Creo que uno de los fuertes de Battaglia termina siendo el encuadre de sus páginas
Rompe con las estructuras clásicas de los paneles, jugando con distintas formas y estéticas en favor de la imagen
Paneles escalonado, rectángulos, formas dd "T" o "L". Es un gran uso del cómic.
Ryan Holmberg retweeted
古賀新一「呪いの黒髪」轢き殺した死体が消えた!?しかしそれから次々と不可解な現象に襲われる。それにしても古賀先生の活躍の幅の広さには驚かされる。マジであらゆるジャンルの雑誌に読切を描いている。それだけに単行本未収録作の多さは残念で仕方ない。
#ホラー漫画
Ryan Holmberg retweeted
Saint Muscle no es un manga desconocido y Masami Fukushima está reivindicado por un montón de maestros como Otomo, Terada, Kurumada y muchos más. No es un autor mainstream pero hizo de todo y hasta aparece en el libro de estudio Manga Zombie del querido Takeo Udagawa.






























































