Jonah Goldman Kay retweeted
𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 | 𝗧𝗛𝗘 𝗢𝗨𝗧𝗟𝗔𝗡𝗗 𝗥𝗘𝗩𝗜𝗘𝗪, 𝗩𝗢𝗟. 𝟮
The #OutlandReview is back!
Volume 2 features:
@GoldmanKay on @andreasgysin & Sidi Vanetti.
@gtschwarz on @feralfile's N=12
@benoit_palop on @_takakurakazuki
@JasonIsolini on #MarkFingerhut
📰🔗👇
Jonah Goldman Kay retweeted
Ron DeSantis is revoking the liquor license of an Orlando venue following a drag queen show. That’s what happens in Florida when you do something that DeSantis doesn’t like, state power is weaponized to intimidate and censor you.
orlandosentinel.com/news/bre…
Jonah Goldman Kay retweeted
very happy to have this piece about cake/witches/the Balkans out in Joyland
"I imagined clubbing Desislava with my wooden spoon until she bled, smearing thick layers of Funfetti batter onto her wounds as revenge." — from 'Baba Smallpox' by Eleanor Stern
joylandmagazine.com/fiction/…
My little soapbox is that this would be entirely preventable if the US moved away from at-will employment. Notice periods on both sides are common in other countries but always seems to be missing in discussions about flaws in the US employment system
An extraordinary number of Americans have been quitting their jobs since 2021— some flexing their power in a white-hot labor market, others re-evaluating their priorities during the pandemic. The rise in turnover has a cost in productivity. nyti.ms/3jQ7B76
Something I didn’t touch on in my @outland_art piece is that Hirst’s apathetic approach to his work extends to his treatment of staff. He seems content to run his studio like an Amazon warehouse, seeing labor as a resource to be exploited and discarded
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For my first piece for @outland_art, I took some time to understand what Damien Hirst thinks he's doing with NFTs
𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 | 𝗕𝗨𝗥𝗡 𝗢𝗨𝗧
It's #FriezeWeek in London—and @goldmankay has the story on @DamienHirst's latest at @NPSGallery.
Better be quick about it, you never know what might get burned 🔥
🗞️: outland.art/damien-hirst-the…

ALT A view of a gallery with a monitor hanging on a white wall; the image on its screen of a multicolored dot painting reflects on two transparent hangings containing more dot paintings. View of Damien Hirst's exhibition "The Currency" at Newport Street Gallery, London, 2022. Photo by Prudence Cuming Associates Ltd. © Damien Hirst and Science Ltd. All rights reserved, DACS 2022.
Jonah Goldman Kay retweeted
Last Sunday, Saints fans from around the world gathered to watch their team play against the Vikings in London. Today on @LAConsidered, @GoldmanKay tells us a little bit more about the fan experience for Who Dats abroad.
Jonah Goldman Kay retweeted
Awesome interview by @GoldmanKay of what looks to be a must have photo book by a great Florida artist, Anastasia Samoylova. bittersoutherner.com/feature… – at Florida, USA
Jonah Goldman Kay retweeted
"The ultimate goal would be to see trees as trees, meaning naturehood, in all its rights and obligations."
@CookingSections interviewed by Jonah @GoldmanKay on OFFSETTED (2022), a book that proposes a framework for understanding the rights of trees.
bombmagazine.org/articles/th…
Jonah Goldman Kay retweeted
For my debut in @dirtxyz , I wrote about the complicated world of graphic design grunge and the pirates who take and trade virtual textures, glass shards, and Goodwill barcodes. Excited to hear your thoughts!
#GraphicDesign #grunge #texture #albumart
dirt.substack.com/p/dirt-the…
Jonah Goldman Kay retweeted
Be sure to read up on today's newsletter if you
• enjoy listening to ASMR
• are an ASMR creator or #asmrtist
• are a curator expanding your exhibition skills
• curious about any of the above!
@GoldmanKay @J_Taylor_Foster
Today we have a fascinating interview with the curator of an ASMR exhibition at the London @DesignMuseum: WEIRD SENSATION FEELS GOOD dirt.substack.com/p/dirt-wei…
My latest for @dirtxyz is an interview with leading ASMRologist (and curator of a show about ASMR at the Design Museum in London) James Taylor-Foster
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Jonah Goldman Kay retweeted
“Nava’s paintings,” on view at @PaceGallery, London, “offer a tongue-in-cheek reaction to classicizing forces, a celebration of unbridled childlike imagination underpinned by an awareness of the artist’s own tenacity,” writes @GoldmanKay. artforum.com/picks/robert-na…
Jonah Goldman Kay retweeted
i've been really interested in the academic/journalist citation twitter discussion as someone who writes often about research, speaks regularly with academics and reads academic papers a lot to inform writing/1
Jonah Goldman Kay retweeted
Machine-learning software and microorganisms become Davide Balula’s coauthors in “Some farmed, others mined” @frank_elbaz, writes @GoldmanKay. “By ceding control, Balula reveals the natural order and innate inconsistencies of these intractable forces.” artforum.com/picks/davide-ba…
Jonah Goldman Kay retweeted
"Like his criticisms of Obama or 'The 1619 Project,' Reed’s perspectives on Jim Crow are both incisive and incendiary." @GoldmanKay reads "The South: Jim Crow and Its Afterlives," Adolph L. Reed Jr.'s memoir-analysis of life under Jim Crow. lareviewofbooks.org/article/…
Jonah Goldman Kay retweeted
Roughly 3 years into freelance journalism, got a dream pub: @Polygon !
For their Next Generation of Everything, I wrote about what we can learn from killed MMOs, from Club Penguin to fictionalized worlds, to apply to the future of social virtual space.
polygon.com/23025632/metaver…
Jonah Goldman Kay retweeted
Meanwhile, @OCPSnews reduced the kid who stole and destroyed a pride flag at our walkouts expulsion to a suspension because they “couldn’t argue that it was hate speech”
Tell me how this isn’t hate speech.
Jonah Goldman Kay retweeted
A very smart @GoldmanKay reflection on the evolution of Bitchcoin. dirt.substack.com/p/dirt-pet…






















