@FeralFilei
iAccount based inUnited States
About this account
- Account based in
- United States
- Connected via
- United States App Store
Account-level information from X, not a live location or the device used for a specific post.
Computational art for a global audience. Exhibitions + open tools. The Digital Art System: FF1 + FFP.
Internet
Joined November 2020
- Tweets6.8K
- Following980
- Followers10.6K
- Likes9.5K
MVP stopped at Generation 450 in 2022.
Today, Jonas Lund’s Most Valuable Painting is back at Feral File, curated by Nora O’Murchú. The exhibition is open now. The completion sale begins October 3.
feralfile.com/exhibitions/sh…
Feral File retweeted
A collector asked me how Feral File uses IPFS. I couldn't show her what her art actually depended on. So we audited all 39,967 works we've published. 22,214 still have artwork files that resolve only through our infrastructure. We made it public before fixing them all. feralfile.substack.com/p/wha…
Feral File retweeted
4 Orbs AP (rotated) by @Nicolas_Sassoon joins the party via @FeralFile Art Computer at Lamis Landing this week
– Do you have digital displays at home showing works from your collection? Do you have any aesthetic preferences or particular styles that resonate with you?
✦ @G4SP4RD - Yes, I do.
At home, I recently set up a screen with an FF1 computer by @FeralFile, and I find the combination really beautiful. For a long time, I was looking for a satisfying way to display digital art, especially live generative art. Before that, the experience often felt too technical, not fluid enough, or difficult to control.
With the FF1, I feel that many of those problems are solved. It is designed specifically for digital art displays, and you can feel that in the experience. The works run smoothly, and the mobile app gives you control in a very simple way.
That matters a lot to me, especially for generative art. A generative piece is not always meant to become a screenshot. It needs to run, to evolve, to exist in time.
I also sometimes print digital works on different physical supports, mostly static ones. I like the idea of living with the work physically, while the blockchain keeps the certificate of authenticity and provenance.
As for aesthetics, I noticed something over time. At the beginning, I was collecting very instinctively. But when I look back at my collection, I can see that certain palettes and moods keep coming back.
I’m especially drawn to sunset-like palettes: warm oranges, reds, pinks, purples, sometimes soft blues, often connected to landscapes or atmospheric scenes. There is something calming in those works for me. They probably reflect a part of my personality.
I think I’m attracted to digital works that create an atmosphere. Something warm, contemplative, maybe nostalgic. Works that you can live with, not only look at once.
▼ Isoglyphs of Disobedience #65
▼ cut me like a knife, by @ariasixthousand
▼ Summer Daydream #39, by @ElsifThen
FF1 is now for sale at @nodefdn in Palo Alto, the first place you can walk in and buy one. Stop by during Beeple's opening exhibition.
A final way into 𝘌𝘹 𝘕𝘪𝘩𝘪𝘭𝘰.
Casey Reas in conversation with Hans Ulrich Obrist.
Watch the full conversation:
feralfile.com/exhibitions/sh…
In @reas’ 𝘌𝘹 𝘕𝘪𝘩𝘪𝘭𝘰, the digital image moves across screen and paper. Casey Reas in conversation with Hans Ulrich Obrist. Bidding on the plotter drawings remains live through this morning on Feral File.
View the works:
feralfile.com/exhibitions/sh…
As the first release of 𝘌𝘹 𝘕𝘪𝘩𝘪𝘭𝘰 comes to a close, the exhibition now shifts from screen to paper. The five original plotter drawings open today, March 11, at 10:00am Pacific on Feral File.
Generated from the same system as 𝘌𝘹 𝘕𝘪𝘩𝘪𝘭𝘰 (𝘊𝘰𝘴𝘮𝘰𝘴), these five original plotter drawings transpose the work from screen to paper. Each drawing begins with a 24-hour auction window.
Chance, repetition, and variation sit at the heart of @reas’ 𝘌𝘹 𝘕𝘪𝘩𝘪𝘭𝘰. The exhibition is now open, and 𝘌𝘹 𝘕𝘪𝘩𝘪𝘭𝘰 (𝘊𝘰𝘴𝘮𝘰𝘴) is live on @artblocks_io. The exhibition page also includes Reas in conversation with Hans Ulrich Obrist, plus @zsvn’s essay, 𝘚𝘵𝘪𝘭𝘭 𝘓𝘪𝘧𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘰𝘴𝘮𝘰𝘴.
Exhibition:
feralfile.com/exhibitions/sh…
Auction:
artblocks.io/collection/ex-n…
Ex Nihilo is now open.
Casey Reas’ first solo exhibition on Feral File begins today with Ex Nihilo (Cosmos), a 256-work long-form generative series presented with @artblocks_io.
The plotter drawings will open as a separate auction on Wednesday, March 11 at 11:00am Pacific on Feral File.
Start with the exhibition here:
feralfile.com/exhibitions/sh…
𝘌𝘹 𝘕𝘪𝘩𝘪𝘭𝘰 opens soon!
At the center of the exhibition is the work 𝘌𝘹 𝘕𝘪𝘩𝘪𝘭𝘰 (𝘊𝘰𝘴𝘮𝘰𝘴), a 256-work, long-form generative series presented with @artblocks_io .
The exhibition opens at 9:00am Pacific on March 10, 2026.
Ex Nihilo opens tomorrow.
Casey Reas’ first solo exhibition on Feral File unfolds across a long-form generative series and five original plotter drawings.
First: Ex Nihilo (Cosmos) opens tomorrow at 9:00 AM PT with Art Blocks.
Then: the plotter drawings open Wednesday at 11:00 AM PT on Feral File.
Feral File retweeted
Replying to @artblocks_io @FeralFile
Explore algorithm: artblocks.io/collection/ex-n…
Feral File retweeted
Ex Nihilo (Cosmos) is a series of 256 artworks.
During a fixed 24-hour window beginning March 10 at 4:00PM UTC (9:00AM Los Angeles), collectors may place bids at any price at or above the minimum bid.
At the end of the window, the top 256 bids win.
All winners pay the same clearing price: the lowest winning bid. Unsuccessful bids will be refunded.
Auction link:
artblocks.io/collection/ex-n…
✦ Additionally, there will be five original plotter drawings on Bristol paper up for auction on the @FeralFile website.
Ex Nihilo opens March 10.
@REAS' first solo exhibition on Feral File, presented in collaboration with @artblocks_io .
Why we built a square panel for digital art (FFP):
feralfile.substack.com/p/a-s…
DP-1 is the open display protocol underneath (think RSS for digital art).
github.com/display-protocol/…