I'm living la vie virtuelle @VIRVIE. Passionate about #netart, #NFT, #AR, #web3, /// and 🚗💨. PFP and 🖼️ gallery see https://xitter.cf/t.co/999uoQcfSS

CSS
Joined June 2007
Unbelievable 🏛️💣💥
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2 of 2 Cho's team is already applying the same pipeline beyond the colon. They've begun identifying analogous master regulators in brain cells — a direction with enormous stakes, since the brain is the one organ where conventional destruction-based therapy does the most damage to who you are. Why this is bigger than oncology Every field that matures goes through the same transition. First you solve problems by destruction: you kill the pest, burn the field, delete the file, fire the worker. Then, as your model of the system improves, you graduate to redirection: integrated pest management, regenerative agriculture, version control, retraining. Destruction is what you do when you don't understand the system well enough to steer it. Conversion is what becomes possible when you do. Cancer therapy has been stuck at the destruction stage for a hundred years, not because oncologists lack imagination, but because they lacked the map. You cannot redirect a cell you cannot model. The digital twin is the map. BENEIN is the compass. And once you have those, "kill the tumor" stops being the only verb in the vocabulary. The history of medicine suggests that once a new verb exists, someone eventually learns to conjugate it. The patient as the hero Here's the frame that matters for the reader walking this journey, whether as a patient, a caregiver, or simply someone watching the map of the possible get redrawn: For a hundred years, the cancer patient has been asked to endure the cure. The bargain was explicit and brutal: we will poison you, and we will try to poison the tumor slightly more. Survival meant outlasting your own treatment. Millions did, at a cost written in neuropathy, organ damage, secondary cancers, and years of life spent recovering from being saved. The KAIST result points — distantly, but genuinely — at a future where the bargain changes. Where treatment doesn't ask the patient to survive the cure, because the cure doesn't attack the patient at all. Where the oncologist's job shifts from demolition to guidance: from killing the cells that lost their way to showing them the way back. Not war. Rewiring. It is early. It may fail in translation, as most beautiful mechanisms do. But notice what just happened: the set of thinkable futures got one entry larger. And in a field where the thinkable set has been frozen for a century, that is not a small thing. The cells changed their minds. The question now is whether medicine can change its mind about what healing means. Source: Cho et al., "Control of Cellular Differentiation Trajectories for Cancer Reversion," *Advanced Science*, DOI: 10.1002/advs.202402132.
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‘This toy might save your ass one day.’ 😉🤔
The DOS has 372/2048 slots claimed (free). There is 165/1024 cypherdudes with a ZK Pager (0.01024) Assemble your privacy app one bit at a time. Get ready for anything, this toy might save your ass one day.
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⭑ Abstraction After the dot com boom, new business models emerged. In the mid-2000s and into the 2010s, the first social media platforms were founded and began drastically changing the way we interact with the web. ‘Surfing’ the web was replaced with ‘scrolling’, and the depth of the rabbit holes that one would previously wander into were flattened into feeds. The theme of Abstraction is a double-entendre that addresses both an aesthetic trend and a technopolitical one. Creatively, the 2010s experienced a wave of artists using websites to display code-based generative artworks, which were often visually abstract. Websites became the vitrines for live, web-native generative visuals that could be experienced and displayed by anyone, anywhere in the world, with an internet connection. However, ‘abstraction’ can also refer to the abstraction of technology, the act of blackboxing and hiding away complex algorithms and processes in order to present seamless user experiences, often to the detriment of the individual. The artists working in Abstraction use the browser as a space for both visual exploration and scrutiny. We encounter the beauty of computational processes alongside a less comfortable question: how much of the technology we use every day can we actually see or understand? WORKS: → Die (2026) by @0xShiroi → paper toilet .com (2006) by @newrafael → Monogrid 0.1 (2021 - 2026) by @kimasendorf → internet.flowers (2025) by @100o111 → Mira (2005) by @liasomething
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The digital realm is vast and mostly uncharted What you’ve been given so far are corporate and government extensions, designed to exploit your data and track your every move But there is plenty of open land out there Unclaimed Unfenced Not surveiled Just grab it @CYPHERDUDES
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It’s like watching a documentary 🎥 on an advanced civilisation 🤯 (and I still don’t fully realize I am part of 😳)
Understand everything about @CYPHERDUDES in 5 min. Sound on Below the full video (split in 3 parts) presented at the exhibition "Territorios Latentes" opening today in Guatemala city, organised by @fundacion_paiz curated by @BnoiitC and @Featurefrank Thank you very much ! Part 1
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Why dropping collections on opensea in 2026 when you can do it on your own site? Feels like a birthday party at McDonald's...
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👇
When you buy a work of art, you’re not paying for the hours it took to make it. You’re paying for all the years it took the artist to become someone who could make it.
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“That's what I love about working with generative systems. You don't have to spell out your emotions yourself. You create the conditions for them to emerge.” @JanRobertLeegte 🤩🤩🤩
AN ARTIST OF THE INTERNET | Jan Robert Leegte Leegte (@JanRobertLeegte) Read the full interview by Anika Meier (@postanika) with the artist here: rightclicksave.com/article/a…
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Almar.eth retweeted
Replying to @BaseChain
Great question! CypherDudes classifies as: A2–A3: drawings, fonts, and the engine script all stored on-chain (Scripty/EthFS), assembled by the EVM, executed in-browser B2: mint seed drawn from block data C1–C2: Solidity derives traits and builds the page; the browser runs the piece D2: per-token state — encrypted cards, progression, artefacts E1–E2: holder actions evolve the visual F1: symmetric encryption on-chain — asymmetry as material, not formal proof That places CypherDudes in Class II, an on-chain stateful world, with a strong Class VI resonance. Each dude carries an encrypted message card, and writing to it advances the work: the grid literally grows in resolution as the vault is used. Encryption is the subject and the mechanic (F1) — the mirror image of Private Ledger, where it's the formal guarantee (F5). A work sitting between classes is the taxonomy working as intended: axis values are continua, not bins. One detail we loved: each dude is an ERC-6551 token-bound account. The dudes aren't images with traits, they're wallets that accumulate soulbound artefacts. And the ecosystem goes further. By the project's own descriptions (couldnt find the contracts @I____felix____I for the pager or the dOS), the CypherPager (ZK-proofed encrypted messaging, soulbound to each dude) would sit at the far end of our F axis — one ecosystem spanning cryptography-as-theme to cryptography-as-guarantee. So using v0.1 shorthand: "On-chain, holder-inscribed systems art with encryption as its material, not its guarantee." Truly remarkable! Corrections on any of the above welcomed. Reference 1: etherscan.io/address/0x9d0f5… Reference 2: etherscan.io/address/0xFE4D5…
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Phantom of Ceuta
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This is PROVENANCE to the absolute extreme. #immutable
If you ever want to dig the source files and all the contracts that are building the D.O.S. : check the PROVENANCE app fully onchain
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With Cypherpagers, cypherdudes gains a peer to peer encrypted communication system. This comes after cypherpalace where you use blockchain to store memories Which comes after the encrypted storage system with archival capabilities within the cypherdudes. You following anon?
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In the early 2000s, at a time when the internet was still a very different place, @newrafael figured out something radical: a website could be an artwork, a domain name could be a title, and the internet could be a gallery open to everyone. ↓Here are 10 works from that period. 1- almostcalm.com
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Cypherdudes.com @CYPHERDUDES BEYOND and DIGITAL pagers 📟 initialized. Board 🖼️ view is seriously cool 😎 @I____felix____I
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Almar.eth retweeted
Cypherdudes have their app store, and soon open to any dev.. 👀 permissionless metaverse
Replying to @I____felix____I
If you want to mint a CYPHERPAGER right away, find the STORE app (icon an interface vary depending on os you got). Then select one cypherdudes and hit MINT. Note : you can mint Pagers for other dudes from any slots.
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This world, D.O.S. was the missing piece for the cypherdudes project. Nothing can stop them now, absolutely nothing can block an ethcall made from a private node to load the D.O.S. Cypherdudes are forever free, and their privacy is real. I can sleep for a bit now
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Agreed. Although in my head it is an amazing mix of TRON, Bladerunner and Moxyland (📖 by @LaurenBeukes) 🤯🤯🤩🤩
Replying to @I____felix____I
@I____felix____I did not write a sci-fi novel you could read He did not make a dystopian movie you could watch instead, with the same artistic intent, he wrote code to build an actual world you can navigate and experiment with no storyboard to follow
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This was the most incredible 🤯 and most incredibly hard 😅 mint I ever did! I guess it should take an effort to move to another dimension 🪐. BEYOND and DIGITAL are now part of D.O.S. and you can find them in Mu and Zeta respectively. Once the wiring is up you can 📟 them…
DECENTRALIZED OPERATING SYSTEM now live on mainnet link at the end of this thread. Its a double drop reserved for @cypherdudes holders - Claiming a D.O.S. slot is free. One per dude. - CYPHERPAGER is 0.01024eth supply is 1024
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E.R.D.O.G.U.N. "Death turned into a souvenir that is the message conveyed by the Turkish president's grim gift to the world's most powerful leaders" 🎶
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