Yon Visuals retweeted
New Acquisition: MoMA📍
I am thrilled to announce that the @MuseumModernArt has acquired the diptych of the Mother and Daughter from my Invisible Line series. It was acquired through the generosity of Lori Ordover via Kopeikin Gallery. I love to think about how these images and their story will now be preserved into the future and share wall space with works from many artists that have influenced the way I see the world.
Daughter on the USA-Mexico Border Wall, at Friendship Park, California., Mother on the Mexico-USA Border Wall, Friendship Park, Playas de Tijuana, Mexico, 2017.
moma.org/collection/works/50…
Yon Visuals retweeted
Tomorrow I’m releasing an edition of 100 to help make Marfa happen.
A live poster of the 23 Birds shown in Marfa. It reads each Bird’s state from the Birds contract. A Bird lands on the wire only while it’s Away, and flies off when it returns Home or goes to Sanctuary.
Yon Visuals retweeted
I painted this little masterpiece for you last night. 10" x 10" acrylic on canvas. I have it available in my shop if you are interested.
"sit"
Yon Visuals retweeted
A Collaborative Animation Experiment
Jake Fried + 40 Artists. NFT NYC 2026
Scroll down to see all the amazing work ↓
Yon Visuals retweeted
24 Hours of Art: The Next Chapter
Each new era begins with measures of compass and conviction.
Our North Star remains being the source of truth for digital art's market, while respecting the art and artists within it. Our conviction is at an all-time high.
As 2026 progressed, so did an emotion: our everyday report was lagging its potential.
Setting out to remedy that became an odyssey of its own, a story for another day.
Importantly, we are now in a position to ship and iterate:
beta.24hours.art/
Welcome to v.1 of an everyday report that reflects its potential.
Among the updates:
- An interactive grid, which some might define as the heart of each everyday, and images associated with each and every artwork.
- CryptoPunks. It's about time. They will be included as a collection benchmark and, on most days, a featured market signal including sales.
- Cleaner categorization and artwork badges - primary/secondary, marketplace, etc - and linked wallets for collectors and sellers.
- Price in ETH (or native tx currency), understand in USD is a philosophy now baked fully into the report.
- Art headlines allow for the curation and recording of significant events that influence the market but are not associated with a literal price.
It's all yours. Have fun. Learn. Click things.
Whether you are an enthusiast, a Subscriber, or a Patron of 24 Hours of Art, there is plenty to explore.
DM what you enjoy most and what can be improved. Send flowers to @truedrew who spearheaded the UI.
Next steps in the coming weeks:
1. Iterate alongside your feedback
2. Add a new pillar to the Subscriber experience
3. Bring new meaning to the Patron program
Thanks for being you, thanks for being here.
Onward and upward!
Something is stirring in NFT and digital art, and if you can’t feel it you’re not paying attention.
Artists hanging in museums. On billboards. Stunning commissions. Bleeding into TCGs and across culture itself. This isn’t hype anymore. It’s infiltration.
And the ones still here? They’re not fucking leaving. Ever. They survived the bear, the mockery, the obituaries, and they’re still building, still minting, still showing up every single day. Credit where credit is due.
This is a family. A dysfunctional, chaotic, beautiful fucking family. And families like that don’t quit.
We are early. And we are going to make it.
Yon Visuals retweeted
🍾 ANOUNCEMENT 🥂
I’m incredibly proud to share that William Mapan’s Sketchbook A #64 has been acquired by the @v_and_A museum, and that Sketchbook A #55, Sketchbook B #60, Études #336, #337 and #360 have been collected by @arabbankCH. Both series were released via @solos_gallery.
For those unfamiliar, SOLOS is a gallery specialising in releasing curated projects on Verse.
Alongside our online programme, we’ve curated IRL exhibitions, produced short films, participated in art fairs, and published monographs.
We’ve also commissioned curators from institutions including the V&A, Whitechapel, Serpentine, ZKM and The Photographers’ Gallery to write about our artists and their work.
We’ll continue to work with artists whose practices we believe in and whose work we feel deserves a place in the history of contemporary art.
The biggest thank you to our collectors and artists. Your belief in us and what we’re building is what makes all of this possible.
And of course, a very special thank you to @williammapan for trusting us with two extraordinary series. It’s been a privilege, and something we’re incredibly proud to have shared. ❤️
Sketchbook A #64
Victoria and Albert Museum, London
Yon Visuals retweeted
beyond thrilled and honored to finally share the work i've spent the last 7 months bringing to life.
when @AdamWeitsman approached me for a commission, he trusted me with full creative control, and asked for one thing in return: make it my best work to date.
i knew this would be printed at massive scale for his Carl Sagan Art Residence, so it needed immense gravity. something you could get lost in.
iteration after iteration, i finally found what i'd been searching for. a beast that had been calling me all along, waiting to be brought to life.
The Bösendorfer
thank you Adam for the trust and friendship, and for giving me this incredible opportunity to showcase and install this monumental work in your upcoming museum
see the full story and experience it at unveil.ack.art
Bösendorfer by @lphacentaurikid
I’m very grateful to collect this new personal commission from ACK today that began more than seven months ago. He had complete creative freedom with this incredible work and the monumental physical will soon be displayed at the Carl Sagan Art Residence project.
Thank you ACK for your true friendship and allowing me to steward this epic piece. I couldn’t be happier 🙏
@MuseumModernArt






























