
🎬AI Animation & Filmmaking Víctor Sánchez Email me for comissions and professional video(ads, film, TV, social media, enterprise video) [email protected]
Granada, Spain
Joined April 2013
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VoxelPlot retweeted
ラストカット以外は、ほぼ想定どおりにいけている🥹
あと何気に、ちゃんとパンツ描写してないの偉い!
seedance2.0(#tapnow)
🤖 Made with AI
VoxelPlot retweeted
I've spent the past couple of weeks refining and re-training an LTX 2.3 subject replacement IC-LoRA
The first iteration was great when you had a character LoRA or wanted to do T2V, but I wanted to see if I could add image reference capability too, which is getting closer
What has started to emerge through the 50+ rounds of training is that aside from simply swapping subject A with subject B, it's possible to blur the boundaries of what you're replacing and blend concepts - almost like a "vibe slider", which is something I'm planning to explore some more
For those who are interested in training IC-LoRAs, here are some things I've learned so far:
- Quality of training data > amount of training data. You can get great results with relatively tiny datasets (10-15 pairs) if they're good and the effect you're aiming for is clear
- first_frame_conditioning is a crucial parameter. Higher values will favour replacing every pixel and lower values will ignore reference images, but can be better when using with style LoRAs. Getting the balance right is crucial
- For general purpose IC-LoRAs it can help to train with a low learning rate (5e-5 or less) at more steps, especially if the goal is to only change part of the input video
I'm still pretty early in my IC-LoRA journey and there's lots left to learn, but I'm starting to be convinced that this kind of training is going to be key for future applications of video models
VoxelPlot retweeted
Stories shape our future. Story tellers manifest our destiny. Someone, somewhere, is writing an epic screenplay that is more Star Trek, than Terminator. A vision of a compelling and optimistic tomorrow that will shape humanity’s next few decades.
The cell phone, the internet, humanoid robots, self-driving cars, voice assistants, and Starships were all imagined in science fiction before they were built by engineers. Stories are blueprints.
Question: What if we asked storytellers around the world to envision an epic and compelling future for humanity, and then funded them to produce that film? What if we could flood the world with positive visions of the future, rather than dystopian predictions?
Announcing the Future Vision XPRIZE 🧵
VoxelPlot retweeted
Developing stories in the age of AI starts the same way it always has: with a great script. Our Head of Development, Tyler Mitchell, shares thoughts on development, collaboration, and why story still comes first in this new video below. And see link to his blog in the comments.
VoxelPlot retweeted
I start with online combat pose references,
mix them with my own character designs and lore,
and generate every key combat frame using Nano Banana.
Then I use Dreamina’s multi-frame generation to connect everything into a smooth, logical fight sequence.
This workflow solves a major AI problem right now:
random, chaotic fight animations that make no sense.
@dreamina_ai @midjourney
#aigc #aicombat #nanobanana #aianime #AIイラスト #AI创作








