@treberney

papa // director, digitization & conservation @Cornell_library, @Cornell_Digital & @CULConservation // Executive Board, @iasa_web // cultural heritage // he/him

 Ithaca NY
bsky.app/profile/treberney.bsky.social
Joined March 2009
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1.7KMedia
That’s a wrap! The 55th Annual @iasa_web Conference is done. 268 attendees from over 50 countries. Proud of this organization and the 2023-2026 Executive Board. There is much more to do but for now we take a breath and celebrate. See you next year at @uhmanoa! #iasa55
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WITNESS
@witnessorg15 Apr 2025
📹 In 2025, AI tools like #Sora & #Veo2 have made it easy for anyone to create fake #videos that look way too real! 📈⚠️Our ED, @SamGregory, breaks down the risks, trends & what the platforms and governments can do about it! If you missed his session at the International Journalism Festival 2025 (#IJF2025), you can still catch the recording here 👇🏾🎬youtube.com/watch?v=pbA3FEvt…
The speaker, Sam Gregory, in a yellow sweater, presents on stage at a conference session during the International Journalism Festival (#ijf25). A projected slide behind him highlights challenges in detecting deceptive media, mentioning audio deepfakes, plausibly denied cases, and flaws in detection tools. The room is full of seated attendees listening attentively. Image credit: Diego Figone | International Journalism Festival 2025 (#ijf25)

ALT The speaker, Sam Gregory, in a yellow sweater, presents on stage at a conference session during the International Journalism Festival (#ijf25). A projected slide behind him highlights challenges in detecting deceptive media, mentioning audio deepfakes, plausibly denied cases, and flaws in detection tools. The room is full of seated attendees listening attentively. Image credit: Diego Figone | International Journalism Festival 2025 (#ijf25)

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In the Atlantic, David Brooks writes that the last few weeks have altered his idea of his country. Also makes an argument about Trump and the working class.
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tre berney retweeted
WITNESS
@witnessorg7 Apr 2025
🤖 Can you tell what’s real and what’s fake anymore? At the International Journalism Festival 2025 (#IJF25) in Perugia, Italy, join our Executive Director, @SamGregory, and a powerhouse panel @NilChristopher (@Harvard), @CLeibowicz (@PartnershipAI), and Luisa Verdoliva (The University Federico II of Naples), as they dig into how fake videos are spreading, and what journalists and #Tech experts are doing about it. They’ll explore: 🌐Detection gaps around the globe 💻The WITNESS Deepfakes Rapid Response Force ⚖️What tech + policy can do next WHEN: Friday, April 11 | 2:00–2:50 PM WHERE: Sala delle Colonne, Palazzo Graziani WATCH: Livestream + On-demand For more information visit 👉🏾 journalismfestival.com/progr…
Poster for a panel titled “Detecting AI Deception in the Real World: Lessons Learned from the Experts,” featuring speakers Nilesh Christopher, Sam Gregory, Claire Leibowicz, and Luisa Verdoliva. The event is part of the International Journalism Festival in Perugia, Italy, taking place from April 9–13, 2025. The panel is scheduled for Friday, April 11. The bottom of the poster includes the festival logo (#ijf25) and a link to the program: www.journalismfestival.com.

ALT Poster for a panel titled “Detecting AI Deception in the Real World: Lessons Learned from the Experts,” featuring speakers Nilesh Christopher, Sam Gregory, Claire Leibowicz, and Luisa Verdoliva. The event is part of the International Journalism Festival in Perugia, Italy, taking place from April 9–13, 2025. The panel is scheduled for Friday, April 11. The bottom of the poster includes the festival logo (#ijf25) and a link to the program: www.journalismfestival.com.

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AMIA@AMIAnet3 Apr 2025
Late Tuesday night grantees in communities across the US, including CAW and AMIA, were notified that their grants had been terminated. House representatives: loom.ly/5j1CClk Senators: loom.ly/ZvE0UAg National Humanities Alliance toolkit: loom.ly/SQYse7E
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IASA@iasa_web28 Mar 2025
The IASA Executive Board is pleased to announce that Jiasui Ling is the 2024 recipient of the Carl Fleischhauer Award!🎉 #avpres iasa-web.org/blog/carl-fleis…
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Pete Hegseth today
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Go Vols.
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MediaInfo 25.03 released. Support of HDR Vivid Metadata in MXF & AVS3 Video More MP4 metadata e.g Samsung model Android/iOS/macOS versions match better their respective UI guidelines & Several bug fixes mediaarea.net/MediaInfo
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Chuck D
@MrChuckD20 Mar 2025
I made sure i covered everything possible in these 1988 liner notes. Lyrics on the other side. We refused to be lazy or young ourselves down. You had to mind up to it or get left behind…
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ALA responds to the Mar. 14 White House executive order that calls for the elimination of the Institute of Museum and Library Services (@US_IMLS). Advocates are urged to reach out to elected leaders. americanlibrariesmagazine.or…

ALA Responds to White House Assault on IMLS | American Libraries Magazine

ALA released a statement in response to the White House's March 14 executive order calling for the elimination of IMLS.

americanlibrariesmagazine.org
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Happy Sunday, everyone.
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Neil Renic@NC_Renic15 Mar 2025
"Dear editors, please find the attached draft"
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WITNESS
@witnessorg10 Mar 2025
📣New blog Alert‼️ “Tomorrow’s Great Digital Divide: Content With or Without Provenance” by our Technology, Threats & Opportunities team’s Program Coordinator, Jacobo Castellanos (@jacobocas)! 🤔🔍Our digital world is splitting between content with verifiable provenance and content without it—what does this mean for trust in information? 🔗 Read more in the blog: blog.witness.org/2025/03/tom… 🧵Keep reading! 👇🏾
An illustration featuring various digital media elements, including image editing tools, metadata information, and verification icons, surrounding a central image of two protesters raising their fists. One protester holds a sign, the other raising hand. The surrounding elements include colorful panels with sliders, magnifying glass icons, and metadata tags indicating timestamps and sources. The Title reads: Tomorrow's Great Digital Divide: Content With or Without Provenance. The color palette is warm and vibrant, emphasizing digital verification and media authenticity themes.

ALT An illustration featuring various digital media elements, including image editing tools, metadata information, and verification icons, surrounding a central image of two protesters raising their fists. One protester holds a sign, the other raising hand. The surrounding elements include colorful panels with sliders, magnifying glass icons, and metadata tags indicating timestamps and sources. The Title reads: Tomorrow's Great Digital Divide: Content With or Without Provenance. The color palette is warm and vibrant, emphasizing digital verification and media authenticity themes.

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Friends! The video presentations for #nttw8 day 1 @zkmkarlsruhe are now online! 🪄 youtube.com/playlist?list=PL…

No Time To Wait 8 - ZKM Center for Art and Media (2024)

youtube.com
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WITNESS
@witnessorg8 Mar 2025
📣This #InternationalWomensDay, we need more than tech fixes—we need systemic, structural change to tackle the crisis of technology-facilitated gender-based violence (#TFGBV). 📑WITNESS has submitted key recommendations to the @UN_HRC ( United Nations Human Rights Council Advisory Committee), demanding accountability & survivor-centered solutions. 👓Read more about our recommendations: blog.witness.org/2025/03/tec… #IWD2025
Image with a dark, glitchy digital background displaying the title: “Deepfakes and Digital Abuse: Dismantling Technology-Facilitated Gender-Based Violence.” The WITNESS logo appears in the top right corner with the tagline ‘SEE IT, FILM IT, CHANGE IT.’

ALT Image with a dark, glitchy digital background displaying the title: “Deepfakes and Digital Abuse: Dismantling Technology-Facilitated Gender-Based Violence.” The WITNESS logo appears in the top right corner with the tagline ‘SEE IT, FILM IT, CHANGE IT.’

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Remembering the Selma to Montgomery voting rights march 60 years ago today. Let us honor the bravery and courage of ordinary Americans who endured beatings and tear gas in the name of justice. One of them was John Lewis. The 1965 photo from the @librarycongress collection.
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An honor to write the canonization for "This American Life," for the Library of Congress National Recording Registry. TAL remarkably synthesizes public media genres, innovates distribution and listening practices, and emulates the Chicago disposition. loc.gov/static/programs/nati…
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I fell in love with Carl Dean when I was 18 years old. We have spent 60 precious and meaningful years together. Like all great love stories, they never end. They live on in memory and song. He will always be the star of my life story, and I dedicate this song to him. ‘If You Hadn’t Been There’ dolly.lnk.to/IYHBT
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El @IIBI_UNAM_MX te invita a la conferencia La digitalización 3D al servicio del patrimonio. 🗓 7 de marzo, 12:00 horas. 📍 Auditorio del IIBI. Piso 13 de la Torre II de Humanidades. 👉🏼 #EntradaLibre, cupo limitado.
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WITNESS
@witnessorg27 Feb 2025
📣Join our team! 🚨WITNESS is looking for an Associate Director of Communications & Engagement to lead creative and innovative strategies that help ensure video and audiovisual technology work for – not against #HumanRights. 🚀Come lead the way in reshaping how we communicate impact, strengthen tech advocacy & expand our global reach. 📍 100% Remote | Based in GMT-5 or GMT-3 📅 Deadline: March 16 🔗 More details here: witness.bamboohr.com/careers… #WITNESShires #JobAlert
Illustration of diverse individuals using various media equipment, including a camera, smartphone, and audio recording gear. The text reads ‘WITNESS IS HIRING’ with the role ‘Associate Director of Communication & Engagement’ displayed. The backdrop is a vibrant blue with the witness logo on the top right.

ALT Illustration of diverse individuals using various media equipment, including a camera, smartphone, and audio recording gear. The text reads ‘WITNESS IS HIRING’ with the role ‘Associate Director of Communication & Engagement’ displayed. The backdrop is a vibrant blue with the witness logo on the top right.

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