Director, Visual Storytelling @Harvard No se ve desde acá @PBS Alpha Kings @NewYorker

Los Angeles, CA
Joined December 2012
Enrique Pedráza-Botero retweeted
📣NFMLA alum @therollingcan premieres No se ve desde acá on YouTube through PBS and ReelSouth! Screened at NFMLA in 2024 and nominated for Best Documentary Short, the film moves through contemporary Miami and archival Latin American imagery to explore immigration, aspiration, and the spectacle of wealth in pursuit of the American Dream. 📺 Now available on YouTube and nationally on PBS. 🎥 Watch now: youtube.com/watch?v=suE6x0OH… Stories that resonate. Voices that matter.
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Enrique Pedráza-Botero retweeted
Watch it for FREE! Enrique Pedraza-Botero’s short NO SE VE DESDE ACÁ / YOU CAN'T SEE IT FROM HERE journeys through contemporary Miami, exploring immigration, belonging, wealth, borders, and the elusive promise of the American Dream. Now streaming on #PBS: pbs.org/video/no-se-ve-desde…
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Enrique Pedráza-Botero retweeted
“Votar, no por el menos malo sino por el que creemos, es nuestra declaración de principios”: Piedad Bonnett 🔗👇 trib.al/5mxufAp
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A reminder to film critics that it’s graceful to come from a place of appreciation first. Great lesson from William Greaves.
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Enrique Pedráza-Botero retweeted
Breaking News: More than 1,000 actors, writers and directors, including many Hollywood heavyweights, signed a letter opposing Paramount’s acquisition of Warner Bros. Discovery. nyti.ms/48xL8C3
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An IDA Exclusive: Catapult Film Fund announces the launch of Project Accelerator: Technology & Society, a new funding initiative debuting to celebrate the organization’s 15th anniversary and its first round of 18 grantees. Read more at #DocumentaryMag. documentary.org/exclusive-ne…
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Filming ICE is an act of journalism. Cell phone footage is vital source material for reporters who can’t be everywhere at once. Shooting, killing and other targeting of those documenting news is an attack on press freedom and all else good in the world.  startribune.com/videos-show-…
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Enrique Pedráza-Botero retweeted
Letterboxd Video Store. Coming early December 2025. 👀 More info: boxd.it/2OU
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Enrique Pedráza-Botero retweeted
Official trailer for the 4K Restoration of Luis Buñuel's VIRIDIANA, opening at @filmforum on November 14th and select cities soon!
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Enrique Pedráza-Botero retweeted
Noting that The Tree of Life is playing today at @MovingImageNYC at 1 in 35mm., recalling the shock that it gave to the cinematic system; in his sixties, Terrence Malick made a second first film (word x2: newyorker.com/culture/richar… newyorker.com/culture/richar…
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Enrique Pedráza-Botero retweeted
Raven Jackson's first feature All Dirt Roads Taste of Salt is one of the most original of recent movies, and one of the most (justly) influential; it's at @MoMAFilm at 7 in When the World Broke Open: Katrina and Its Afterlives, programmed by @mayascade : newyorker.com/culture/the-fr…
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Enrique Pedráza-Botero retweeted
Congrats to the @NFMLA 2025 NewNarratives grantees @therollingcan, @hansenbursic, @iris_kim7 & Meghna Chakraborty, Jen Serena & Ric Serena, and @omarskamara. Thx to @HWClimateSummit & @AthensServices for their support, and to @MattCarey for the coverage!
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Enrique Pedráza-Botero retweeted
Kids have a right to be safe at school. Kids have a right to be safe at school. Kids have a right to be safe at school. Kids have a right to be safe at school. Kids' rights are human rights.
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Enrique Pedráza-Botero retweeted
The war in Gaza is not a political issue.  It is a fundamental moral issue. Do we want to continue to spend billions of our taxpayers dollars starving children in Gaza? I don’t think so. That’s not what this country is supposed to be about.
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Enrique Pedráza-Botero retweeted
Dijon's Baby is named Best New Music 🏆 pitchfork.com/reviews/albums…
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Enrique Pedráza-Botero retweeted
Tonight's the night! Catch the Streaming Premiere of Jia Zhangke's CAUGHT BY THE TIDES — exclusively on the Criterion Channel starting at 8pm ET: criterionchannel.com/caught-…
Premiering exclusively on @criterionchannl on August 5: Jia Zhangke's CAUGHT BY THE TIDES (2024), a kaleidoscopic odyssey across time and space. The latest feature from the visionary director is an entirely original, captivating epic that draws on a 23-year collaboration between Jia and actors Zhao Tao and Li Zhubin, casting them as a pair of estranged lovers, tracking these characters across an increasingly alien China as they age in real time, from the dawn of the millennium to the COVID-19 era.
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Enrique Pedráza-Botero retweeted
Premiering exclusively on @criterionchannl on August 5: Jia Zhangke's CAUGHT BY THE TIDES (2024), a kaleidoscopic odyssey across time and space. The latest feature from the visionary director is an entirely original, captivating epic that draws on a 23-year collaboration between Jia and actors Zhao Tao and Li Zhubin, casting them as a pair of estranged lovers, tracking these characters across an increasingly alien China as they age in real time, from the dawn of the millennium to the COVID-19 era.
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