IF this is overstating it a bit (it might be, but it might not be), at a minimum the movie is as big a seismic shift in the documentary format as Errol Morris introducing recreations of the described events in THE THIN BLUE LINE

Walking out of the movie I was thinking how interesting GONE GIRL would be as a double-feature. Both are about the unknowability of people you’re ostensibly close to, public scrutiny of private lives, and bad(?) husbands. That they both have mid-movie seismic shifts is a bonus.

YOU CAN SEE EVERYTHING is wildly entertaining and engrossing and challenges the very idea of documentaries. It has a complicated, unsure view of its subject, and it effectively warns you to be dubious of its conclusions (such as they are).

There are roughly 40 students per grade at Hogwarts, which supposedly serves all of the UK. So there’s either an incredibly robust homeschooling situation happening in the wizarding world, or the UK magic population is like 3,000-4,000 people total.

One of the best-written episodes of TV ever. Funny, endearing, poignant. There are like fifteen Chekhov’s guns (literal and figurative). This could be the only episode of the show you watch and you’d know exactly who each character is and how each relationship dynamic works.

Really sucks that 2011 is legitimately my least favorite of all of these, because my go-to Cardinals hat for the rest of my life will be the 2011 WS hat (obviously) but that patch looks so bad, especially on a red hat.

I’ve now seen 20-30 lineups and it warms my heart that **every single one** puts Scyther at CB. In these divisive times it’s nice when we can all agree on something, e.g. that Scyther’s agility and attitude (and sword hands) will shut tf down any fade and corner routes.

Someone get Tom McCarthy on the phone

Steven Spielberg made two 9/11 movies in 2005.