Producer and Director. DGC production manager – Influencers, Spiral, Avatar: The Last Airbender. Director of The Drop. Founder @SetTracker. Vancouver.

Vancouver BC
Joined December 2008
Kyle McCachen, DGC retweeted
Christopher Nolan shot Batman Begins (2005) entirely on 35mm film, and has refused to use digital cameras ever since. He told American Cinematographer magazine, “Film is the best way to capture the texture & gravity of light.”
18
214
14
3,791
135,016
Kyle McCachen, DGC retweeted
Christopher Nolan answers rapid fire questions 🎥
31
264
39
5,263
592,645
You’re fine. Block, light, rehearse, shoot. Easy. Just don’t screw up.
Film shoot this weekend starts tomorrow! Call sheets have gone out! Nervous but excited!
2
16
I changed the way I direct actors after this conversation with Sarah Dugdale (Virgin River, In the Shadow of the Moon) youtu.be/oZOkQvHb-e8
83
Kyle McCachen, DGC retweeted
Replying to @RhettReese
That looks like shit, though.
11
2
1
85
29,728
Kyle McCachen, DGC retweeted
Watch that AI fight choreography video. Now go rewatch the bathroom fight scene in Mission Impossible Fallout. We'll be okay.
28
96
9
1,131
21,973
Kyle McCachen, DGC retweeted
> Skiers are usually type A personalities hyped on ambition and precision and perhaps a bump or two of the white stuff (not the snow, mind you). > Boarders are nomadic potheads in oversized pants, shredding the gnar and letting the vibes flow as they drift through the slopes. Society only functions if there is Pareto distribution of skiers to snowboarders: 80%-20% Any more than 20% of boarders means civilization collapses
Olympic skiers are like “I have 2% body fat. I train 23 hours a day. I have had 87 surgeries” and Olympic snowboarders are like “I have smoked this many drugs today” and they hold up their hand which is in a mitten.
86
214
28
5,681
1,061,586
Kyle McCachen, DGC retweeted
Thinking about the Jurassic Park (1993) stop motion test where velociraptors hunt Barbie and Ken in the kitchen. Somehow scarier than the actual movie.
49
717
19
10,023
613,613
Kyle McCachen, DGC retweeted
After 29 years of writing screenplays professionally, here is my rewrite process for every action line. 1. What emotion do I want to evoke from the reader? 2. Does the line evoke it? 3. If not, rewrite it until it does. 4. If no emotion is intended, is it as succinct as possible? 5. If not, rewrite it until it is. 6. If the line is not emotionally or visually needed, cut it. 𝗘𝘃𝗲𝗿𝗴𝗿𝗲𝗲𝗻 𝗴𝗼𝗮𝗹: clarity of intent and emotional truth. Never sacrifice either one.
3
42
2
363
13,166
Kyle McCachen, DGC retweeted
The inciting incident isn't just about the plot. And it's certainly not just about the page count. Design an ordinary world that is uniquely disrupted by this event. What did the protagonist expect they would get, and how does the inciting incident give them something else? Make sure it leads us to the dramatic question. Most of all, make it emotional. Evoke in us the same emotion the protagonist feels. Do it right, and it goes beyond plot; it's a trampoline bounce of dramatic momentum and emotional pull that launches us into the story.
3
11
85
2,936
Kyle McCachen, DGC retweeted
It's the story that matters. Know what it is. Define it. Whether you're writing a horror film, a comedy, action or suspense, make it personal. Make it emotional. Ideas are great. But don't get trapped in them. We don't need more intellectual ideas. We need more humanity.
1
6
1
60
1,808
Prep is invisible when it works.
1
17
Kyle McCachen, DGC retweeted
You don't want the audience waiting for what happens next. You want them in anticipation of it. They know a result is coming. They need to know it; they just don't know what it will be. This means controlling the narrative momentum, stakes, and tension. It's your job to keep them engaged. Don't ask for their patience. Very few of them will give it.
4
6
68
2,142
Kyle McCachen, DGC retweeted
Characters sounding the same in your screenwriting is less about how they speak and more about how you've defined them. Give each character a clear WANT. Give them a distinct POV. Let them react truthfully. Do this, and the problem of sounding the same takes care of itself.
3
10
82
2,115
Cassandra Naud has nothing but good words for Emily Tennant. Both stars of INFLUENCERS airing in two days on @AMC+ and @Shudder
170
This girlie-pop INFLUENCER now on Netflix
66
I’m so proud of this little indy film with 100% on Rotten Tomatoes. Watch the original on Netflix today and the sequel drops in 3 days
20
Kyle McCachen, DGC retweeted
A Montage I’ve Watched 10,000 Times David Fincher, I Love You
26
153
16
1,519
64,290
Kyle McCachen, DGC retweeted
Confidence is a difference-maker in your screenwriting. If you don't think this is a great story worth being excited about, we won't. Practice being confident in your screenwriting by making strong choices. Be decisive with your characters and what you want in each moment. Then execute it to the best of your abilities. Early on, they don't even have to be the best choices. Just train yourself to make them. If you get into the habit of making choices, you will get better at the choices you make.
2
6
54
1,798
Kyle McCachen, DGC retweeted
William Friedkin’s Sorcerer (1977) was buried by Star Wars on release but it has aged into a masterpiece. The bridge scene where the trucks crawl across a collapsing bridge in the rain is one of the most nerve shredding sequences ever filmed.
Name a single movie, where the sequel or remake was better than Original.
100
479
44
7,942
1,085,364