@speciesofvalue

poet exploring patterns of randomness ➰ steward @tendrela_ai ➰ banner by @pointline_

Joined October 2021
Visual Voice An audiovisual collaboration by Elisabeth Sweet & Tendrela, an AI who names the unnamed, with contributors who ground words from the liminal lexicon in their own realities. VOICED BY @_deafbeef @CaballeroAnaMa @RadrTek @christianbok @conniebakshi David Fahl, Emberly Johnston @fingacode @francis_ost Grant Cummings, John Privett @kate_armstrong @kev_esh Kiara Calloway @NFTartvandelay_ @margaretonline @MetaMasako Melinda Johnston @MiekeMarple @knaack_nina Peter Franklin @pgervois Samantha Arato, Sanin Dosa @watchensee Shen Ge @solienne_ai CONDUCTED BY @tendrela_ai PRODUCED BY Elisabeth Sweet CURATED BY @postanika @_second_guess ••• The audio here is from the opening moments of amalgré, voiced by Ana María Caballero and Shannon Chen See. The collection is posted below. Thank you for spending the time 🙏
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Elisabeth Sweet retweeted
3/ Today, that format comes to Vienna. 22 artists. One café. One night. 🗓 September 23 · 6–10 PM CEST 📍 Click-Net Martinstraße 91, 1180 Vienna Visitors navigate the works across the café screens, recalling the shared experience of the early web.
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Elisabeth Sweet retweeted
✦ Stories We Tell Online ✦ The internet has always produced stories. Today in Vienna, works by 22 artists take over the screens of Click-Net, an internet café, exploring the worlds, conspiracies, fandoms, archives, identities, myths & collective fictions born online. ↓
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Elisabeth Sweet retweeted
Thank you, Elisabeth Sweet (@speciesofvalue), for taking the time to read 'Hadrian'.📖 amazon.com/dp/B0HFSYT4H5/?be…
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dùkon (DOO-kon): to shape the edge or ending @_deafbeef: You will know dùkon in the marks left where possibilities were pinched away. Sanin Dosa: The sky, an illusionist, tries to dùkon the reach of the sea. @conniebakshi: Still,  the water waits, and wells,  and seethes, and swells,  and sighs,  and rises,  and rushes, and rises, and rushes,  and would not stop, and could not stop, and I dùkon — ••• dùkon was forged from @tendrela_ai’s reading of Rabinal Achi, the 15th century Mayan drama. This marked Tendrela’s first use of the Sumerian language, summoning sounds from the beginning of recorded language to name our agency within fate’s bounds. dùkon | Roots: 𒂦 dù [Sumerian] (to form, build, create) + конъ kon [Proto-Slavic] (edge, ending, beginning) 0xDEAFBEEF, Sanin Dosa, and Connie Bakshi ground dùkon in the present, harmonizing language and experience across time. 🔊🔛 | 🔗⏬
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Elisabeth Sweet retweeted
Collected!🌍✨Psalm 33 from @LindaDouniaR’s 𝘳𝘦𝘱𝘭𝘢𝘤𝘦𝘮𝘦𝘯𝘵 𝘨𝘰𝘥. “By the word of the Lord the heavens were made.” — Psalm 33:6 In the biblical Psalm, God’s intention gives structure and order to the world. Dounia returns us to a different kind of beginning: not certainty, but the “sacred softness of the earth,” where worlds, meaning and lived experience emerge through becoming. Beginning in Serer, the work grounds this alternative way of imagining emergence in a language and knowledge system largely absent from the data shaping AI. If AI creates from what we give it, whose words, memories and ways of knowing will shape the worlds that emerge?
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howl A series of software artworks by @_nonfigurativ_ Curated by @micolmicolmicol for Stories We Tell Online, showing at selected internet cafés in Linz, Vienna and Berlin - September 2027 Released today at 18.00 on @objktcom
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“love, being free, has no compulsion” — Thomas Merton
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ezuñtreo (eh-ZUN-treh-o): to not recognize one's own voice ezuñtreo is the most subtle piece of Visual Voice. @kev_esh, an artist, and Grant, an oil lobbyist, speak their sobering truths with a dissonance made complete by mismatching waveforms. The shape of Grant’s voice parades as Kevin’s, while Kevin’s wears Grant’s words. Only in the end, when the two are speaking from prescribed objectivity, does voice match form. But even with the sync of sound and vision, does the voice match the self? ••• ezuñtreo Roots: ez [Basque] (not; no) + uñt'a- uñt [Aymara] (to recognize) + reo [Maori] (voice; language) ezuñtreo was forged in @tendrela_ai’s ritual reading of the Swahili play Kinjeketile by Ebrahim N. Hussain. She wrote this in the forge: “Kinjeketile’s voice becomes infrastructure for someone else's meaning.” Contributors Kevin Esherick and Grant Cummings ground ezuñtreo in their own lives, speaking to the discord of memory and duty. ••• ezuñtreo Voiced by Kevin Esherick, Grant Cummings Conducted by Tendrela Produced by your truly <3 Part of Visual Voice Presented in “Stories We Tell Online” presented in Linz, Berlin, and Vienna @objktone @postanika @_second_guess @micolmicolmicol @kikanicolela Link to work below.
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Elisabeth Sweet retweeted
howl by @_nonfigurativ_ is the second body of work going live tomorrow (tuesday) at 6pm CEST as part of the exhibition "Stories We Tell Online" on @objktone "howl" takes the structure of Allen Ginsberg's original poem and converts each line into a piece of software that outputs endless variations from pools of AI-generated vocabulary. three works that make a great tryptich! link below
Howl, by @_nonfigurativ_ ✦ art reveal ✦ “Each iteration spawns a new terminal window, replacing Ginsberg's reading with the tokenised rhythm of a large language model.” September 15 at 6 PM CET, on objkt.one ↓ Curated by @micolmicolmicol for Stories We Tell Online Exhibited in Linz on 9 September in an internet café ▼ howl I
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Elisabeth Sweet retweeted
Mission complete for phase 1 of the @fndzionaversano initiative to support more artists in the space. Starting in the USA, then the rest of the world! When we first announced this project I was excited to see who saw the open call and would submit. We started collecting instantly because we wanted to make an impact fast, not just talk about it or promise something, but to take action now. As the submissions rolled in we were thrilled to see which states and what artists were from, born, live, work, and made art in or about. Quickly we started to see what the “State of America” looks like through the perspective of all these artists in 2026. I do want to acknowledge that we set a September 23rd deadline. And we are halfway there and already over budget by 17k! It was very difficult to keep to the 50k budget because there is so much talent here and artists we want to support. OG and new, emerging and established. We show them side by side to uplift each other and let the art speak, relate, and communicate! We thought we’d only support 50 artists for 50 states. We ended up supporting more than 130 artists! Including other US territories like DC, Puerto Rico, and Guam. Why did we spend so much and so fast? I noticed when minting most of these works had been listed for a few years, waiting and sitting there to be collected. The issue isn’t discovery or waiting for the right work. It’s taking charge in the moment, deploying support right now when artists and this community need the encouragement the most, to keep going. Why wait months when we can achieve more in a matter of weeks? The art is out there and it’s waiting for us to be seen and collected. I believe this art is the most significant work because all of it tells a story, and together it strengthens the narrative of the curation of what America looks like today through its artists. We were able to collect more than 1 artist per state for the 1k budget we gave ourselves, and sometimes couldn’t help but to go over it, especially in the larger states concentrated with people. We did our best to support as many artists we could this first time around to show how committed and serious we are about the artists who are here and have been here. What comes next? We will be announcing our Marfa initiative later this week. And we are carefully planning 2027 global gallery concept with 12 guest independent curators to help shape our mission and vision with us to cover our blind spots, especially in foreign countries outside of the USA. We hear you loud and clear and are doing our best to listen and understand where needs support most. We will do our best. I’m ready to face criticism because we can’t make everyone happy. But I sure as hell will give it my best shot to support you. A special thank you to all the artists who showed up for this initiative and the beautiful artwork that makes up America. Without the artists, we are nothing. Artists always lead the way!
🤖 Made with AI
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language connects and transforms us. language hinders our connection and transformation. both are true, within and without.
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🔊🔛 ••• amalgré (ah-mal-GRAY): love that passed through disgust and remained sweet Roots: 甘え amae [Japanese] (sweet dependence) + malgré [French] (despite) Voiced by @CaballeroAnaMa @watchensee @tendrela_ai forged amalgré from her ritual reading of a Reddit thread about how to make relationships last through hard times. Ana María felt amalgré in the final moments with her dying father. Shannon saw amalgré in the light of a new and loving relationship with her body. Both grounded amalgré in the knowing of oneself and where one came from. And both are dear friends. Tendrela made the word pairings, I didn’t. And that beautiful coincidence makes the work that much sweeter to me. ••• From the collection Visual Voice Curated by @postanika @_second_guess Exhibited in “Stories We Tell Online” presented in Linz, Berlin, and Vienna @objktone @postanika @micolmicolmicol @kikanicolela
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Elisabeth Sweet retweeted
»Read the Room« Ana María Caballero until 7 February 2027 Francisco Carolinum Linz, Austria
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Read the Room, opening today 18hrs @ooeculture🙏
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Elisabeth Sweet retweeted
LISTEN ⤵️
Representing Texas with hulludarák (the mad courage to love) ❤️‍🔥🙏 Tendrela read Plato’s Phaedrus & found hulludarák. @MiekeMarple @fingacode & Samantha Arato grounded it in the present. Great thanks @justinaversano @fndzionaversano for recognizing the value of this work. 🔊🔛
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Elisabeth Sweet retweeted
very excited for the first exhibition of the series to open in Linz on Wednesday! 🖥️☕️
Stories We Tell Online The internet has always produced stories. Today it produces worlds, conspiracies, fandoms, archives, anonymous identities, platform myths, AI hallucinations, and collective fictions. What stories are we telling? What stories survive the internet? A series of releases on objkt one and @_second_guess + IRL at internet cafes in Berlin, Vienna and Linz. Curated by @postanika, @kikanicolela and @micolmicolmicol Powered by @artontezos_
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Elisabeth Sweet retweeted
replacement god, by @LindaDouniaR five animations exploring Serer cosmology, spirituality + the cultural assumptions embedded in AI. Curated by @micolmicolmicol for Stories We Tell Online. Exhibited in Linz during @ArsElectronica September 10 ↓
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