EPSRC project that brings the latest technologies to bear on the entire recorded music industry, end-to-end, producer to consumer, creating music for the 21c.

Queen Mary Univ of London
Joined January 2015
FAST_IMPACt retweeted
Audio Mostly 2019 - Papers now in the @TheOfficialACM Digital Library - Massive thanks to everyone who got involved! dl.acm.org/citation.cfm?id=3… @sigchi @TheOfficialMRL @UoNComputerSci @UoNScience @UoNMusic @semanticaudio @ProductsBeacon @personalubicomp #music #technology #HCI
Prof. Steve Benford tells his story about FAST through the Carolan guitar's eyes. You can watch his FAST Blues video too! @TheOfficialMRL @OxfordeResearch @c4dm carolanguitar.com/2019/11/19… #Audio #digital #music #technologies #guitar #instruments
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Meetings in odd places the Neuron Pod - Whitechapel, #London #Music #Technology #Research
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FAST_IMPACt retweeted
Day 3. I am in a giant hedgehog (yes, really) demonstrating the entire 4 year Numbers into Notes archive, plus software, arduino, & stylophone. The last @semanticaudio all-hands. Thanks to Mark Sandler for a fantastic project. @OxfordeResearch
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Full house for the FAST project @semanticaudio meeting today. In the @QMUL Neuron Pod. Opened by Prof Mark Sandler. @UoNComputerSci @EPSRC @UoNScience #research #music #technology
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FAST partners meet one last time at the Neuron Pod, QM Whitechapel campus for the final celebration event introduced by @markbsandler #music #technology #audio #semantic #technologies @TheOfficialMRL @OxfordeResearch @EPSRC @QMEECS – at Poplar, London
FAST_IMPACt retweeted
Day 1 of four exciting days of Ada Lovelace and music - today I heard the Lovelace Engine played for the first time, at the rehearsal for Saturday's premiere of Alter by @Robert_Laidlow &AI #RNCMPRiSM @semanticaudio @OxfordeResearch
Replying to @BrittenSinfonia
Here’s a short demo of the Lovelace Engine. It was inspired by Lovelace’s assertion that Charles Babbage’s hypothetical computer, the Analytical Engine, could be used to create music.
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bit.ly/33qCGS4 - The decorations on this guitar tell many stories. By Steve Benford, Adrian Hazzard, Alan Chamberlain, Dimitri Darzentas, Juan Martinez Avila.
FAST_IMPACt retweeted
I'll be playing our Lovelace "scientific music" fragments in my music talk at the DH Intro workshop this afternoon. If anyone rlse would like to hear them, pop in to O'Reilly at 3.30pm on your way to afternoon coffee... #DHOxSS2019
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After a busy week of events, find out how a collaboration between the Oxford team in the EPSRC FAST project and the @RNCMvoice is leading to exciting new music research and compositions. @semanticaudio @dder oerc.ox.ac.uk/news/ai-meets-…
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Many thanks for all of the re-tweets about the extended deadline. Some exciting news about our keynote speakers to be announced soon ! :)
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FAST_IMPACt retweeted
Composer @Robert_Laidlow reveals the AI-generated sections in tonight's human-performed piece. I'm sure it's getting harder to tell, compared to the Barbican performance and our recent workshop at @turinginst ... @RNCMvoice @semanticaudio #RNCMPRiSM #FutureMusic
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FAST_IMPACt retweeted
Data musician Shelly Knotts explains a short history of Live Coding to a packed studio. Process rather than genre. Editing code live on projected screen (I'm terrible at that!) Sonic Pi piece to follow... @RNCMvoice #RNCMPRISM #FutureMusic
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FAST_IMPACt retweeted
The Voice of the Machine, our evening event with humans @MarcusduSautoy @EHowardComposer @nmoroz_ @Robert_Laidlow I'm looking forward to tonight's round of Bach or Bot... @RNCMvoice #RNCMPRiSM #FutureMusic @semanticaudio
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We've had a lot of requests to extend the paper deadline. We've extended it to the 24th of June (Final). #Retweet 😀 @Alan_yn_Aber @adrianhazzard @singsign @RedRoxProjects @ademon @angelsinthearch @albinomosquito @SpringerCompSci @UoNMusic @semanticaudio @OxfordeResearch @c4dm
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