Reverse Shot is a publication of Museum of the Moving Image @MovingImageNYC, edited by Michael Koresky and Jeff Reichert. Twitter: Koresky
NYC & beyond
Joined August 2009
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David Lynch’s final theatrical feature was also his most surreal and formally audacious film since his 1977 debut.
Don't miss INLAND EMPIRE when it screens on October 2, part of our @reverse_shot presents series.
🎟️: movingimage.org/event/inland…
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Love Me Tonight, @MovingImageNYC at 1 in 35mm, has one of the great soundtracks—indelible songs (by Rodgers and Hart) and musicalized dialogue, lively singers (Maurice Chevalier and Jeanette MacDonald); Rouben Mamoulian's direction is busier than stylish; still, go and hear!...
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Our @reverse_shot presents series returns with Jane Campion's highly unusual, evocative, and exquisitely shot erotic thriller IN THE CUT.
Screens in 35mm on September 5.
🎟️: movingimage.org/event/in-the…
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For my latest Text of Light column @reverse_shot, I wrote about Carlos Casas's KRAKATOA, Stan Douglas's BIRTH OF A NATION, Johann Lurf's FOREVER… FOREVER, and seeing experimental cinema in the proper and intended context and format. reverseshot.org/features/348…
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Had the great pleasure of reviewing Kurosawa Kiyoshi's THE SAMURAI AND THE PRISONER, one of the most stunning films of the year and an unlikely culmination of its master filmmaker's aesthetic and genre interests, for @reverse_shot: reverseshot.org/reviews/entr…
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Talked with Kent Jones, the consummate cinephile/ critic/archivist/programmer who is now a full-fledged director. Glad to talk about LATE FAME and DIANE with him for @reverse_shot
reverseshot.org/interviews/e…
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I had the absolute privilege of sitting down with director Ngozi Onwurah to talk about her explosive 1995 film, WELCOME II THE TERRORDOME for @reverse_shot.
it was incredible watching the new restoration from @janusfilms!
reverseshot.org/interviews/e…
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I wrote about TEENAGE SEX AND DEATH AT CAMP MIASMA for @reverse_shot. I think it is an extraordinary film - a dizzying, unabashedly kitschy stoner rom-com. I sung its praises + did a temp check on "Trans Cinema" below:
reverseshot.org/reviews/entr…
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Some words on Take Care of My Cat, one of my longtime letterboxd top 4 and among the greatest Korean films of this century so far, for @reverse_shot. Thank you @kani_releasing for bringing this gem to North America at last!
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Re: THE ODYSSEY: I don’t think the IMAX works. I have other, similarly ambivalent thoughts, and towards the end they get spoiler-y, so proceed accordingly.
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Introducing Hold Everything Dear – John Berger and Cinema: A multi-venue Film Comment: Live series celebrating the writer’s centennial. filmcomment.com/events/film-…
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One of the great films of early 80s, and a cornerstone of the cresting wave of low-budget American independents, SMITHEREENS remains a still-potent transmission from a grimy-beautiful lost New York.
See Susan Seidelman's smashing debut feature on July 26: movingimage.org/event/smithe…
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A seminal masterpiece of labor solidarity and immigrant uprising, SALT OF THE EARTH used actual miners and their families in a neorealist vision of one strike in a small mining community.
Screens this Sunday!
🎟️: movingimage.org/event/salt-o…
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Todd Haynes took the independent film scene by storm with his Sundance-awarded breakthrough, an entirely unexpected rule-breaker that jumps intuitively among 3 different narratives, each its own cinematic genre.
POISON screens in 35mm this Sunday.
🎟️: movingimage.org/event/poison…
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Marlon Riggs’s TONGUES UNTIED is an unclassifiable masterpiece that breaks formal boundaries in an attempt to express an exuberant, joyous, angry, irreducibly complex Black gay identity.
Screens this Sunday, part of our Culture Wars! series.
🎟️: movingimage.org/event/tongue…
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For her wildly assured and wonderful 1996 feature, multihyphenate Cheryl Dunye dives into a meta-cinematic world of cultural history, self-interrogation, cinematic dialectics, and sex and romance.
Don't miss THE WATERMELON WOMAN, this Saturday.
🎟️: movingimage.org/event/the-wa…
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QUILLS is a powerful and aptly cheeky inquiry into the artist’s role in society and knotty questions of freedom of speech.
Screens in 35mm this Sunday with writer Douglas Wright in person! movingimage.org/event/quills…
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Gregg Araki's THE DOOM GENERATION is middle-finger filmmaking of the highest order, designed to piss everyone off with its lurid style and depiction of non-normative identity and anti-assimilationist politics.
Screens this Friday!
🎟️: movingimage.org/event/the-do…
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'Carlito's Way' screens on 35mm tomorrow @MovingImageNYC: thefilmstage.com/nyc-weekend…
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LOS SURES is an incredible time capsule of South Williamsburg, Brooklyn, circa 1984, immersing itself in the vibrant neighborhood and its diverse residents pre-gentrification.
Screens this Sunday!
🎟️: movingimage.org/event/los-su…
