FJORD is not a disappointment for refusing to clarify its political allegiances; it is a disappointment because it is a limp and unconvincing oversimplification of a complex subject. Matthew Eng reviews: reverseshot.org/reviews/entr…

Dazzled by YOU CAN SEE EVERYTHING, so had to write about it. A field day for Fielder fans: reverseshot.org/reviews/entr…

Mariano Llinás sifts through the archives for his 5 1/2 hour LIFE OF JORGE LUIS BORGES, a lovable, occasionally frustrating oddity/odyssey that's as much about his own rangy, expansive artistic methods as Borges himself. Jeff Reichert reviews from #NYFF: reverseshot.org/reviews/entr…

Ken Russell's frenetic THE DEVILS opens this week in a long-anticipated new restoration. Resident Russell expert Gavin Smith digs into this heretical masterpiece: reverseshot.org/reviews/entr…

Radu Jude does it again (positive!) with the quietly lacerating THE DIARY OF A CHAMBERMAID. Shonni Enelow reviews for #NYFF: reverseshot.org/reviews/entr…

Wrapping up our extensive #NYFF coverage over the next couple of days. First up, @alexjamesmooney on Andrew Haigh's A LONG WINTER: reverseshot.org/reviews/entr…

MINOTAUR is a gripping continuation of Andrei Zvyagintsev’s trademark examinations of the spiritual rot underlying Russia. @agsims_ reviews for #NYFF: reverseshot.org/reviews/entr…

If this is to be Mike Leigh’s last word, the political and moral fire that has smoldered throughout his films is still burning. Gavin Smith reviews the wonderful TENDER LOVING CARE for our #NYFF coverage. reverseshot.org/reviews/entr…

9 TEMPLES TO HEAVEN spins off from the road-trip genre, delivering a meditative family drama in the process. The central characters’ journey becomes a microcosm of modern Thai society. Review by Đăng Tùng Bạch for #NYFF: reverseshot.org/reviews/entr…

On Hamaguchi's morally robust, dramatically fragile ALL OF A SUDDEN for #NYFF. Our festival coverage continues through the weekend: reverseshot.org/reviews/entr…