Pushing pigments and pixels since the 20th C.

ATL
Joined February 2009
.@ChrisMurphyCT I'd like to set the record straight. I can understand how the reaction of the tech world to your tweet was unpleasant, but please know that for myself (and many others) we were emphatically not trying to keep policymakers away from this topic. >>
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It’s vital we keep talking about @WSJ reporter Evan Gershkovich. His parents are my constituents. Russia is counting on people moving on. We can’t let that happen. I urge @StateDept to designate Evan “wrongfully detained” as soon as possible and Putin to release him.
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I think without being able to know who anyone is anymore, and with my feed being increasingly boring and messy, this site is losing its utility. Which is a bummer because I’ve met a lot of interesting people and learned a lot on here. Not leaving, but thinking about it.
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Mark Leibert retweeted
"Modern AI research resembles a digital 'enclosure of the commons,' whereby the informational heritage of humanity—a collective treasure that cannot really be owned by anyone—is seen by corporations primarily as a source of potential profit." @dellsystem theatlantic.com/technology/a…
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Woah. A mother in Nashville just took over a live stream on Fox News to call out Republicans’ opposition to gun reform. (h/t @atrupar)
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Mark Leibert retweeted
The first monument created by an indigenous artist in Atlanta since the Indian Removal Act of the 1820s is now displayed on the Atlanta BeltLine. “Naw’-tsiʔ: Bear Effigy Vessel” was created by indigenous sculptor Chase Kahwinhut Earles of the Caddo Tribe. wabe.org/beltline-sculpture-…
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A selection of JOAQUIN PHOENIX's improvised takes for his entrance on The Murray Franklin Show in JOKER (2019).
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The @gardnermuseum in Boston closed its doors on Saturday—the 33rd anniversary of the infamous heist of works worth $500m from the museum—after learning that environmental activists were panning a “guerrilla art installation” in its galleries ow.ly/ouRC50NnhN5
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Internet remains undefeated. #Credit_Suisse
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1. We missed a few artists at this historical show at @LACMA 'Coded: Art Enters the Computer Age, 1952–1982' - exhibition that explores the critical relationship between early computer art & other contemporary art movements of the time, curated by Leslie Jones. 🧵👇
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“The Ethics team reportedly offered a list of mitigation strategies—incl. blocking users from inputting the names of living artists as prompts, or creating a marketplace to support artists whose work was surfaced in search.” Microsoft says: Hold My Beer gizmodo.com/microsoft-ai-eth…
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Baldessari at the “Open Circuits” video art conference at MOMA in 1964. Hot damn.
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How would @capittalism fix Atlanta? Our quickly growing city is full of enthusiastic cyclists and limited transportation options. Building more bike infrastructure would benefit everyone. We need to do it now. tinyletter.com/GeorgiaBrewsl…
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Mark Leibert retweeted
Professor @mkirschenbaum writes on generative AI and how our relationship to the written word is fundamentally changing in @TheAtlantic: theatlantic.com/technology/a… #UMDEnglish
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Mark Leibert retweeted
The Atlanta Science Festival returns this year from March 10-25, and the programming will include several exciting events at the crossroads of science and art. Co - founder Meisa Salaita sat down with @LoisReitzes to discuss what to expect. wabe.org/10th-annual-atlanta…
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“When you let art and technology live in the same house, some really interesting things can happen," said Professor of the practice @pixelmark. Learn how @GeorgiaTech is working to humanize #STEMM for the 21st Century b.gatech.edu/3Zwe9HW
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Mark Leibert retweeted
Author Zadie Smith, 2018-19, by Toyin Ojih Odutola. The first portrait of a woman with an afro to be exhibited at the National Portrait Gallery, dubbed "a love letter to Black Britain" by the artist. #InternationalWomensDay
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Breaking: Plaza Theatre’s Chris Escobar reopening Tara cinema @mariasaporta saportareport.com/plaza-thea…
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