Art moves. Collections grow. Stories continue. ✦ Explore what's moving on objkt ↓ objkt.com

✦ *fluxus_01a* by @ex_mortal_ Collected by @Absurdeity for 805 ꜩ. Created with a modular audio/video synthesizer system, the work combines chance-driven music and real-time analog video synthesis, with sound directly influencing the visuals.

✦ *Carol + Lucian* by @kev_esh Collected by @ARTANDVAULT for 500 ꜩ. Part of *Just Say Yes*, presented in *Stories We Tell Online* and curated by @kikanicolela. The work transforms fragments of personal conversations into a portrait of human connection.

✦ Midnight Ramen.exe by @ALIENQUEENART 5 editions collected at 69 ꜩ each, totaling 345 ꜩ. Collectors: @joffnft, @JimenaBuenaVida, @embii4u, @toadswiback & one anonymous collector. Part of *Faces* on @objktone, the animated work captures two friends sharing a moment offline. Curated @bygrida for @AsiaNow_Paris

✦ WHAT'S MOVING ✦ 🍜 Midnight Ramen.exe by @ALIENQUEENART 🌸 Just Say Yes by @kev_esh 📹 fluxus_01a by @ex_mortal_ A closer look at recent acquisitions ↓

The **e/pi:/dermis** collection was first presented at *Art on Tezos: Berlin* last year. Explore the collection on objkt: objkt.com/exhibitions/e-pi-d… More soon from our collaboration with Wintercircus. This is just the beginning. 🚀

Exploring the esoteric side of computation, @p1xelfool investigates the shifting boundaries between synthetic and organic entities. His practice explores machines not just as tools, but as interfaces for embodied and phenomenological experiences. For CONSENT, he presents **e/pi:/dermis 0:1** on Wintercircus’s LED wall. Behind its computer-generated images lies a deeply physical process: for at least 30 uninterrupted minutes, the artist types on a handmade keyboard fitted with cast-metal keys, using a pseudo-language of his own invention. Software, sculpture and performance converge in an exercise in endurance — where the body becomes both the operator and the interface.

Our first step: @p1xelfool joins CONSENT, an exhibition running from October 24 to November 8 at Wintercircus. Every day we agree to things we never read. We tick boxes, walk past cameras and hand over our faces to unlock a phone, while the terms are written somewhere else by people we will never meet. CONSENT brings together nine artists and a public programme to slow this process down and ask: what happens to the body once a machine has learned to read it? More info: portal.wintercircus.be/event…

We’re thrilled to announce a new partnership between objkt and Wintercircus. Over the coming months, we’ll bring a series of physical exhibitions to this dynamic technology and innovation hub in the heart of Ghent, connecting artists and projects from the objkt ecosystem with new audiences and contexts. We can’t wait to get started.

@_second_guess @kikanicolela @micolmicolmicol @artontezos_

Seven years and more than 400 emails later, *Dear David: A Surveillance Love Story* has reached its final chapter. Created by @madebyoona Curated by @postanika for @_second_guess Powered by @artontezos_ Discover the artworks from the previous release Dear David, I Do. Do You?on objkt ↓ objkt.com/collections/KT1BNs… 📷: Jennifer Moyes

Works from the previous two releases, including the New York Bachelorette Party, remain available on objkt. Dear David Spying in the City works still available: ✦ Off Broadway — 80 ꜩ ✦ Every Avenue is a Runway — 160 ꜩ ✦ Proof of Recklessness — 240 ꜩ ✦ You Art in Time Square! — 650 ꜩ ✦ Lost Veil — 650 ꜩ ✦ American Idol — 650 ꜩ and more. Every Stoplight, Dear David Spying in the City objkt.com/exhibitions/dear-d… ▼ OONA, Bachelorette, I'm Getting Married, 2026, still from CCTV footage, digital © OONA collected by @WAPSHOP_ETH

Throughout Dear David, OONA transformed CCTV recordings into video love letters. The footage was originally captured and held by Transport for London. By requesting and repurposing it, she turned those recordings into artworks released on Tezos. ▼ OONA, Bachelorette, Spying In The City, 2026, still from CCTV footage, digital © OONA collected by @ArtMonochrome2

“In sickness and surveillance. For better or for worse. To watch and to be watched. Until the cameras do us part.” Through humor and the language of romance, OONA questions a relationship most of us enter without choosing: being watched in public space. 📷: Anika Meier & Jennifer Moyes

The wedding turned the conventions of marriage into a performance about surveillance. OONA wore a surveillance wedding dress and exchanged a traditional ring for a functioning camera ring. David was represented by an empty space at the altar. The audience became both wedding guests and observers. 📷: Jennifer Moyes

In 2019, OONA began performing in front of CCTV cameras on the London Underground. She then exercised her legal right to request the footage. David was responsible for processing those requests. Over the next seven years, they exchanged more than 400 emails without ever meeting in person. ▼ OONA, Always Perform For the Camera, 2025 ▼ OONA, Even Though I Wear A Veil, 2025 ▼ OONA, Kiss, 2025 collected by @ArtMonochrome2 ▼ OONA, Dear David We're Alone Now, 2026 Stills from CCTV footage, digital © OONA

OONA married the surveillance state. ✦ On October 16, @madebyoona staged a wedding to David, a CCTV Data Manager at Transport for London. The performance at Shoreditch Arts Club marked the conclusion of her seven-year project, "Dear David: A Surveillance Love Story". Powered by @artontezos_ Curated by @postanika for @_second_guess. Here's how it began ↓ 📷: Jennifer Moyes