@ARTANDVAULT

A contemporary art organization. Exhibitions, conversations, acquisitions & editorial projects. ART VOICES: https://nitter.cf/t.co/0MV3jwwbST

New York, NY
Joined January 2023
VAULTED Season One is now live. VAULTED is an acquisition initiative by @ARTANDVAULT for contemporary digital art. Season One · Art on Tezos Artists are invited to submit available works for consideration for acquisition into the ART & VAULT collection. There is no prescribed theme. Season One Acquisition Partner: @artontezos_ Open Call Partner: @theHUGart Powered by: @Art_Domains Full details + submissions ↓ Apply: hug.art/open-calls/vaulted-s…
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Thank you for sharing your work with us here. Keep posting and tagging us. Just a reminder: to be eligible for VAULTED Season One, works must also be submitted through HUG. Submit your work → hug.art/open-calls/vaulted-s…
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Collecting the present. Building a collection of contemporary digital art in dialogue with the cultural and technological shifts of our time. An evolving record of the works, ideas, and practices emerging now. Season One · Art on Tezos
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Independent 20th Century inside @Sothebys in New York. An interesting moment when the boundaries between auction house, art fair, and exhibition are becoming less fixed.
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gm gm ☀️ ■ of Absence, a 1/1 now lives with its collector @FARRAHCARBONELL at @ARTANDVAULT . Thank you! For a generation, the test signal meant nothing was coming through. In the Intelligence Age, that image returns as technological nostalgia: even absence needs a signal to be communicated. To say nothing is there, the system must remain on. on @networkeddotart: networked.art/averylake/0x73… companion site: absence.averylakeofficial.co…
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Up next on ART VOICES Adam M. Levine of @ToledoMuseum x @JustinGilanyi
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There are art fairs, and then there is Art Basel Paris at the Grand Palais. 🗓️ October 23–25, 2026 🎟️ Tickets: bit.ly/4h18K6X
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what should art schools actually prepare artists FOR now? serious question
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#ArtMarketReport: As the autumn gallery season in New York – the art world’s version of back-to-school – is off to a lively start. New York’s galleries are becoming increasingly nimble in how they occupy the city: sharing premises, joining forces on exhibitions and art fairs, and turning to temporary spaces to test new locations and audiences – and keep overheads down. Read full article: bit.ly/3T3lfWr
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