came to the academy to find love (the material text) | editor of @OxonianReview
Joined November 2022
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excited to share!
¡¡New cluster dropping later this week!!
“Reading with Algorithms,” edited by:
@brouillettese & @susannalsacks
ft:
@cparnell_c
@DrDFuller & @Dr_Rehberg_Sedo
@J_T_Bowen, Isobelle Cherry, @kathgr8, @_Adam_Guy, @HingleyTheory, @BenAPhilipps, & @mls2288
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maya sibul retweeted
New Poem -- The Subjunctive
oxonianreview.com/articles/t…
we’re open! now accepting submissions & pitches @OxonianReview & would love to read your work!
we publish both emerging and established writers & are especially excited about experimental submissions & contributions to our series on note-taking and the state of criticism today
We are now open for submissions and pitches! Send us your work at editors@oxonianreview.com
For more info, and to get a sense of what we publish, visit oxonianreview.com
maya sibul retweeted
We're volunteer-run and don't have the money to pay writers at present, but it's a priority of ours to do so once we are able.
maya sibul retweeted
We are looking for cultural criticism, memoir, non-academic essays, and reviews that tackle literature, philosophy, politics, history, and the arts. We also welcome submissions of original works of fiction, poetry, and translation.
maya sibul retweeted
We are now open for submissions and pitches! Send us your work at editors@oxonianreview.com
For more info, and to get a sense of what we publish, visit oxonianreview.com
“Like an alien I say, ‘I come in peace,’ when really I come with friendship. Friendship is a painting by Agnes Martin in which gold leaf has a grid scratched into its surface: reflective and fragmented. This is the flag we plant.”
thanks for sharing w us, ted - thrilled it’s out
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maya sibul retweeted
"[W]e are narrative creatures. We became social beings due to the ways we narrated ourselves."
Explore the British Museum's Latin American collection as writers Cristina Rivera Garza and Velia Vidal discuss the afterlife of objects with Georgie Fooks: bit.ly/41ZSCrJ
“Sometimes things disappear, but that’s what happens; it’s a cultural dynamic. I’m not too nostalgic about it.”
finally out, in translation! @georginamegan_ interviews @criveragarza and @veliamares
many thanks to @CharcoPress for facilitating
oxonianreview.com/articles/t…
maya sibul retweeted
Sign up for our occasional newsletter to receive highlights, staff picks, and more! eepurl.com/ipmmoM
thrilled this is finally out: “When people write in their journals, they are still writing for an audience … very few people write with the belief that no one will ever read their words.” @kathgr8
‘I see personal writing as a way of framing a complicated, universal question: Can we ever figure out what the original source of distress was?’ New online, @kathgr8 interviews @RachelAviv
oxonianreview.com/articles/a…
maya sibul retweeted
Join us today at the RAI with @DebFriedell!
Happening next Monday at the RAI! Join the Oxonian Review Seminar in A Conversation with Deborah Friedell, contributing editor at the London Review of Books. The event is in person only. More details here: rai.ox.ac.uk/event/oxonian-r…
but ofc it’s more active to tell people you’re an anagonist than to sit there saying you’re an Actor @kathgr8 duh
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maya sibul retweeted
Join us on Monday for a workshop and conversation with @magsrdoherty on criticism and essays! eventbrite.co.uk/e/workshop-…
maya sibul retweeted
‘I always take notes with a Bic mechanical pencil in my hand because my fingers have grown spoiled by the smoothness of plastic.’ New online, the twelfth installment of On Notes with @AarthiVadde oxonianreview.com/articles/t…
maya sibul retweeted
Ok, so because me’s is Fresh, Oxford University's magazine #OxonianReview invited me to publish my notes on how to write, with a peek at an early draft of the intro to my book…
oxonianreview.com/articles/t…