In 1996, Pac walked into Death Row and put the whole industry on notice. “All Eyez on Me” wasn’t just a double album. It was a statement, recorded like a man who had just got his freedom back and refused to waste a second of it. The title track with Big Syke still sounds like a warning and a flex at the same time. That Johnny “J” production. That sample. Pac sounding like he already knew the cameras, cops and rivals were watching. He wasn’t predicting the pressure. He was living it. All eyes were on Pac then. They never really left. Was “All Eyez on Me” the greatest rap album ever recorded under pressure?