art tseng retweeted
Workbook Mesh Painting: Sheet 3
Monochrome · Lime
Fully on-chain
objkt.com/tokens/bootloader/…
art tseng retweeted
先日 @neort_io にお邪魔して『自己破壊芸術展』を拝見しました ☺️ 自分では思いつかない表現ばかりで @themassagejp の解説を聴きながら新鮮な驚きがたくさんありました 😳 アートは作品を通して、アーティストの見ている視点や世界を体験出来るところが、いつも面白いなと思っています 😌 会期中に見に行かれてよかった‼️
作品は @exonemo @toshiaki_takase @arandoros @0xShiroi です!
$420B OF ZCASH VOLUME LABELLED
Zcash is a privacy coin, but most ZEC activity isn't private. Arkham has labelled more than half of Zcash's transactions, including the ZEC the US Government seized from AlphaBay founder Alexandre Cazes.
The USG has held that ZEC for 9 years.
art tseng retweeted
ironically this resonates a lot with what I have been thinking this year, since the mandate drama.
Here's how I think about this now: Ethereum is here to help anyone protect themselves from evil. Who's evil? That would change based on context and time.
In the web2 era, individuals have very little power against corporations; that's why it's easy for evil to succeed package as big corporations and screw people over. Therefore, as crypto natives, we tend to believe big companies are evil because of this asymmetry.
As we move to web3, we quickly realize "individuals" can be evil here too: hackers and scammers steal real money too. You can see how it's not just fighting against companies; instead, it's about fighting against evil all the time.
If a company can pass the transparency test on-chain, with reasonable control over the service and reasonable fees, I don't see anything wrong with it. It's just how economy works.
Ethereum allows individuals to choose exactly whom they want to trust. It's not only useful for individuals, it's also helpful for businesses to break their exisiting trust stack, that has historically centralized power and fueled evil.
If corporations all on-chain, we reduce their absolute control, and reduce switching cost for their users, further disincentivize them from going evil. I'd personally love to see more "good companies" onchain, where they can stand the competition.
I personally think this a more proactive (and healthy) mentality toward the real tech world, which I'm happy to see @decentrek and ETHLabs going with.
art tseng retweeted
Artists on Raster now have portraits 📸
Presented on a redesigned About page.
ft. @LindaDouniaR: raster.art/artist/linda-doun… and @REAS: raster.art/artist/casey-reas…
art tseng retweeted
感謝《端傳媒》這集 Podcast 的引述,透過這樣的方式呈現,可以更清晰的知道目前雲端 AI 服務對於隱私與濫用的狀況,推薦大家收聽這一集內容! 🙂
youtube.com/watch?v=_xvvhGFj…
《端傳媒》這篇解讀 Anthropic 九月威脅報告的報導,我受邀談了一些看法,謝謝記者吳政霆。
Anthropic 這份報告 9/10 發布,154 頁、只有英文版。匿名網路社群在 9/13 先把與台灣、香港和中國政府直接相關的段落整理出來:監控章節的四個中國案例、電子戰模擬軟體把預設場景改成台灣 12 個目標那一段,以及非法蒸餾章節的七家中國實驗室。每一段都標了 PDF 頁碼,讀者要查原文可以直接翻到對應頁面。
台灣媒體當時的報導幾乎都集中在電子戰的 12 個目標。台灣基督長老教會領導層被編進宗教事務情報作業、台灣政治人物與台灣媒體被列進輿情簡報的監控類目,這兩段反而很少被談到。訪談裡我想講的主要是這部分。 🙂
社群整理:Anthropic 九月威脅報告寫到台灣的四個段落
anoni.net/docs/blog/2026/09/…
報導:《解讀|監控、殺豬盤、非法蒸餾:如何理解 Anthropic 的 AI 濫用報告?》文|吳政霆
theinitium.com/20260917-inte…
art tseng retweeted
習近平能忍受發展AI偷技術要承認「台灣獨立嗎?」
哈哈哈🤣
Anthropic 禁止中國用戶使用旗下的大模型,但中國翻牆仔這麼多,光靠 IP 怎麼抓得完?
現在網路上傳出,Anthropic 有個很賊的識別方式:
AI 在生成圖表或文章時,只要提到台灣,就偷偷把「獨立」、「國家」幾個字塞進去。
你沒發現,直接轉發到中國網路,可能喜提封號大禮包。
你發現了,急著要求 AI 刪掉?恭喜,等於主動暴露自己,據傳 Anthropic 就會把你當成中國用戶封鎖。
畢竟,只有長期困在中國的小粉紅,才會對這幾個字敏感到像裝了警報器。
圖引用自 facebook.com/share/p/1F9HBnx…
art tseng retweeted
AI大语言模型几乎吸收了人类所有的文字记录,但它与世界的物理状态是脱节的。Planet Labs正在做的大地球模型,大幅降低了卫星影像数据分析的门槛,能让任何人像在Google搜网页一样,随时搜索真实世界的实时状态,我觉得这是件很酷的事情。
这也是PL的CEO Will Marshall所指的$100B潜在市场的由来,而且能够提供真实数据支持大地球模型的,也就只有Planet Labs一家公司。
但是PL并不会止步于此,它瞄准了市场上花钱最多的领域,AI算力。
本期视频讲述了Planet Lab这家上市公司的野心与潜力。
时间轴:
00:00 无人超越的地球扫描与收入结构
02:41 大地球模型与千亿市场
05:05 Google与Planet Labs的缘分和太空算力合作
art tseng retweeted
20261011 全中國停止雅思考試
最新消息,跟出國留學資格有關的雅思考試,在10月10日於全中國因為不明原因被取消。被取消的原因還很低級,是學生考到一半後,電腦跳出退出通知,告知考生這次考試取消,款項會直接退還。在此同時,全球其他地方的考試並未受影響。
10月10日距離中國新的入出境管理辦法實施只有25天,如果判斷沒有錯,未來中國學生想要出國的困難度會越來越高,而台灣學生如果未來有留學意願,相信機會之路會給台灣學生更寬廣的空間。
這再度證明一件事,投胎在台灣是上天的恩賜,只要你懂得感恩,珍惜當下身為台灣人的身份,福報就會接連不斷,直到手軟…。
NEORT++で開催中の自己破壊芸術展、興味深い作品ばかりでとても良かった。物理的に破壊される際のマウスのポインタ軌跡、検証されないブロックチェーン、管理的に書き換えられるコントラクトとボットに奪われるお金、正規表現によるテキスト検索、消去可能な実在するSNSアカウントの投稿。
アーティストの@arandoros さんからも作品解説いただき、作品に技術レイヤーが挟まることの面白さを改めて実感しました🙏
お勧めです!まだの方は是非。馬喰町、10/18まで!
Exhibition
━━━━━━━━━━━━━━━
An Exhibition of Auto-Destructive Art
自己破壊芸術展
━━━━━━━━━━━━━━━
0xDEAFBEEF @_deafbeef
"Entropy" (2021)
Every transfer degrades the work, though nothing is actually lost
0xFFF @0xShiroi
"Diminishing Returns" (2026)
Thirty-two contracts. Every transfer wears down the connection it uses
Zeroichi Arakawa @arandoros
"assumevalid" (2026)
"upgradeTo(Leviathan)" (2026)
A blockchain that verifies nothing, and a hundred citizens switched one by one into a single body
Jonah Brucker-Cohen @coinop29
"Alerting Infrastructure!" (2003)
Visits to a website become damage to the building that website represents
exonemo @exonemo
"Hatch/et" (2026)
"断末魔ウス" (2007)
A computer guessing a passcode, and a mouse that cannot be restored
Akihiro Kubota @hemokosa
"Collapsed Constellations" (2026)
"Poesia Povera" (2026)
Measuring a qubit consumes it, and that consumption is the computation
Toshi @toshiaki_takase
"@toshiaki_takase: Room" (2026)
His actual X account, open for anyone to delete from
🗓️ Oct 2 - 18 | 14:00 - 19:00
📍 NEORT++
two.neort.io/exhibitions/aut…
art tseng retweeted
Replying to @zancan
@zancan holders, something just changed beside your name on TezCity.com. 🌿
Watch. 👇
art tseng retweeted
"Within: The Anatomy of Constraints" is a continuation of @alexis_o_O Jovanić’s generative art explorations of analogies between human conditions and code development. In both systems, constraints form an unavoidable interplay between limits, confinements, and restrictions on one hand, and structures, direction, and emergent conditions on the other. Often, developing a coded system and building a physical world become an attempt to find a balance between freedom and imposed rules, chaos and order, variation and limitation, randomness and control. The careful introduction of constraints in the code defines the parameters and orchestrates visual creation, imposing a structure while allowing chance and unpredictability to influence the final output. (1/3)
art tseng retweeted
"These brains - gone to zero - spontaneous action"
Jankpop #263
Jankpop still minting - just slowly 🐌, which is great as no speculator will be interested.
art tseng retweeted
One of the coolest mints I've seen in ages. If I wasn't so poor right now I'd mint it immediately and it's amazing it's not sold out:
I'm excited to be showing my latest series, Tabellen, at @ResponsiveDream in Barcelona this weekend!
The work will also be released on Friday at 16:00 UTC as a generative edition of 128. Explore, view minted works, or mint your own at: tabellen.rudxane.xyz/
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