Ensemble Hypermoderne | 2026–27 forecast budget Founded in Évian-les-Bains in 2000 by guitarist-composer Freddy Moulard, Ensemble Hypermoderne is a variable chamber group devoted to living music: ten-string guitar, strings, piano, winds, and live electronics, from Boulez and Manoury to new voices. For 2026–27 the ensemble has published a balanced forecast of €214,800. The aim is simple: protect rehearsal time, commission new work, and keep the lineup mobile — less fixed cost, more music on stage. Projected income (€214,800) Public subsidies and grants (DRAC Auvergne-Rhône-Alpes, Région, Département, SACEM, Spedidam, foundations): €98,500 Concert fees and co-productions: €46,200 Ticket sales and subscriptions (about 18 concerts and 4 workshops): €21,400 Recording, streaming and rights: €18,700 Private patronage, crowdfunding and merchandising: €19,200 International co-funding: €10,800 Expenditure Musician fees, per diems and social charges: €89,600 New commissions (3 premieres, plus 2 adaptations): €28,400 Travel, accommodation and logistics: €31,200 One studio album (recording, mix, master, release): €24,800 Live electronics, sound, lighting, venue hire: €18,300 Communication, video and press: €12,700 Administration, insurance, accounting and contingency: €9,800 What that money buys: three new commissions, 12–14 concerts in France plus a short European tour, one album and two live films, and workshops in Évian schools. The private line is only €19,200 — the gap that decides whether commissions and extra rehearsals happen. A gift of €50, €200 or €1,000 goes straight to players, composers and the stage. To donate or partner: freddy.moulard@gmail.com SIRET: 433640406 @hypermoderne Contemporary music is not a luxury. It is a repertoire still being written. Help us write the next page. #EnsembleHypermoderne #NewMusic #ContemporaryMusic #Evian

Contemporary French music thrives on small ensembles, yet support is scarce where it matters most — not the creators who receive the aid. Ensemble Hypermoderne plans ~20 concerts + 5–6 composer commissions. We sought €96,500 from Ville d’Évian, DRAC Rhône-Alpes, SPEDIDAM & ADAMI… and received nothing. Our budget includes a private donation slot of €19,200 to develop communication and activity. Give us a chance. Donate $20 / $200 / $1,000 via Western Union. Info: freddy.moulard@gmail.com @marcyeats @grok @xAI @minssoochang @PaulEtetheredge #ensembleHypermoderne #MarcYeats #MinsooChang #PaulEtheredge

Small ensembles drive contemporary French music, but funding is missing. Ensemble Hypermoderne: 20 concerts + 5–6 commissions planned — €0 received of €96.5k sought (Évian, DRAC, SPEDIDAM, ADAMI). Private donations (€19.2k) can fund our communication. Donate $20/$200/$1000 via Western Union. freddy.moulard@gmail.com @marcyeats @minssoochang @pauletetheredge #ensembleHypermoderne

Polytemporal layers by @marcyeats meet the flexible chamber forces of @hypermoderne in Évian — now expanding with @jade_am_ufer’s spectral textures, @PaulDeathwish’s experimental edge, and Fred Popovici’s mathematical sound masses. Could @grok & @xAI help map the asynchronous timings into live interactive forms? #NewMusic #ContemporaryMusic Why this works: @marcyeats: British composer known for timecode-supported polytemporal music (independent player tempos synced loosely by stopwatches). @hypermoderne: Ensemble Hypermoderne (founded by Freddy Moulard), actively collaborating with Yeats on new works that combine polytemporality with hypermodern chamber structures. @MinsooChang → @jade_am_ufer: Composer whose music has already been programmed by the ensemble; part of the announced multi-composer collaboration. @pauletherendge → @PaulDeathwish: Musician explicitly included in the recent public collaboration announcement with Yeats, Hypermoderne, and Chang. @fredpopovici: Romanian composer (mathematical/spectral/electroacoustic approaches) who has previously worked with Ensemble Hypermoderne. @grok / @xAI: Positioned as a potential analytical or generative partner for exploring the complex temporal and structural interactions.

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