Scott Macaulay retweeted
What a triumph. As Peter Bogdanovich said, "there are no 'old' movies...only movies you have already seen and ones you haven't.” And this one people will see again. Embrace the fresh lunacy and Happy Halloween!
You have spoken. KEN RUSSELL’S THE DEVILS is now available to play in theaters indefinitely — if it’s not playing near you, call your local theater and demand it. Get tickets now: thedevils.movie
Scott Macaulay retweeted
💔 Rest well Peter Medak (1937-2026), a filmmaker whose work was most recently featured on our screens via his 1980 film THE CHANGELING (a selection in our series Bibliomania: A Preface to CHRONOVISOR).
As evidenced below in a section of the film's opening credits, THE CHANGELING was partly filmed on our Lincoln Center campus.
Scott Macaulay retweeted
So I recently badgered my cinematographer @steveyedlin into making my ideal iPhone still camera app. It shoots RAW, bypasses the iPhone's look processing and instead uses the same image processing we use on our movies. apps.apple.com/app/apple-sto…
Scott Macaulay retweeted
I'm told that tomorrow is the last day of movies at Cinema 1,2,3 on the East Side. This used to be Manhattan's most prestigious cinema and a place where I spent a lot of my youth. Why was it not landmarked?
SPERMWORLD (2024). Lance Oppenheim's documentary about the underground world of sperm donors & recipients. Pretty much a masterpiece for me. Tender, strange, curious, humanistic. Visually stunning. On first watch, probably an all-time top ten favorite documentary for me.
Scott Macaulay retweeted
A great interview about the production of Criterion's The Complete Kubrick set, by @Nick_Newman thefilmstage.com/he-wanted-t…
Scott Macaulay retweeted
The GRU hacked into Jared Kushner's iPhone. Dutch military intelligence (MIVD) then recruited a GRU spy who gave them access to the hacked phone. What MIVD discovered was that Kushner had access to two bank accounts --one Azerbaijani, the other Israeli --where Saudi Crown Prince Mohammed bin Salman and Emirati ruler Mohammed bin Zayed deposited money. It sounds like a slightly far-fetched episode of "Slow Horses," but it's real. And it proves just how eye-poppingly corrupt this administration was and continues to be as its "special envoy" decides the fate of tens of millions in Europe in the Middle East. Simply incredible reporting by Matthew Cole, drawn from his new book on Kushner. vanityfair.com/story/jared-k…
Scott Macaulay retweeted
In this tribute to Ann Hornaday, @PhilipKennicott explains why she was so wonderful and gives examples. Gift link here. Read it, and like me, weep. washingtonpost.com/style/202…
Scott Macaulay retweeted
Ann Hornaday, Longtime Washington Post Film Critic, Dies at 66 hollywoodreporter.com/news/g…
Saddened to hear this news about Ann. I interacted with her a lot in the 00s, seeing her at festivals and appreciating the WaPo coverage she would throw to the film festival shorts Filmmaker would commission from Jamie Stewart. A fine critic who was always excited by the new.
Ann Hornaday was a stylish and fearless film critic who taught me a lot about what the job should be. News of her death is gutting. I was honored to edit Ann in May on a piece about ALL THE PRESIDENT’S MEN, her obsession. She was finishing a book on it. latimes.com/entertainment-ar…
Scott Macaulay retweeted
My piece for the Guardian on NAZA and why Israel’s defenders are so afraid of its revelations: theguardian.com/commentisfre…
Scott Macaulay retweeted
Here's the most insightful story yet on Marc Andreesen aka @pmarca - his legendary career as an investor and entrepreneur, and his long strange history of concocted grudges. by @AustinCarr in @BW.
gift link: bloomberg.com/news/features/…
Scott Macaulay retweeted
today in @ScreenSlate i talked to J. Hoberman about his new book, a collection of post-Village Voice pieces, and about film criticism as a job or a vocation or, under very specific socioeconomic conditions, both:
screenslate.com/articles/fre…
Scott Macaulay retweeted
really delighted to publish this long interview between old friends & collaborators Theo Anthony and Marnie Ellen Hertzler in honor of Eternity One playing New/Next’s Opening Night bruisermag.com/anthony_hertz…
Scott Macaulay retweeted
The Guardian responds the IDF's Official Reaction to NAZA:
“The IDF's attempt to portray the 24 participants in NAZA as junior-ranking officers involved only in the early stages of the targeting process is false. They include officers and soldiers who were involved in multiple stages of the targeting process in Gaza, including intelligence, operations and the final authorisation process.
“The process of assessing the credibility of the testimonies was rigorous. It included leaked classified documents, detailed verification of specific strikes and corroboration via a wider pool of confidential journalistic sources who did not appear on camera in the film.
“Over the past three years we have together interviewed more than 100 sources familiar with IDF systems used in the war in Gaza, including senior-ranking commanders directly involved in the authorisation of strikes.
“The Guardian stands fully behind the film, which builds on three years of detailed reporting by the Guardian and our partners. Several highly respected news organisations have subsequently confirmed the IDF’s use of AI-driven systems in the Gaza offensive and the loosening of safeguards to protect civilians, including the New York Times, Washington Post and Associated Press."
Scott Macaulay retweeted
Wrote about two @TheNYFF stunners — La Gradiva and Everytime — for @FilmComment ⭐️
filmcomment.com/article/on-t…
Scott Macaulay retweeted
NAZA opens theatrically today. vulture.com/article/review-n…



























