Elizabeth retweeted
Today @ehorkley chats with Matt Wolf about his new art book, Marion Stokes’ legacy, and the reciprocal impact of media’s messaging.
Read the interview:
dirt.fyi/article/2024/01/inp…
I watched 'straight cut' so you don't have to.
screenslate.com/articles/irr…
Elizabeth retweeted
“Every woman who enjoys horror films has at some point felt the need to explain herself.” Elizabeth Horkley revisits Kier-La Janisse’s House of Psychotic Women.
lithub.com/revisiting-kier-l…
Lately I've been thinking about why depictions of self harm in cinema are so much harder to watch than other types of violence. Dans Ma Peau is no exception, but at its core it's a story of radical, alienating self–love.
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Woke up to THIS published alongside my wee little write–up. Ms. de Van, your candor...swoon.
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Elizabeth retweeted
Film at Lincoln Center’s “Beware of Dario Argento” will be screening 20 of the Italian master’s works with a chance to meet him in the flesh. hyperallergic.com/738980/dar…
“If her behavior is cruel…it’s because children are cruel. Much more pernicious is the lack of forgiveness we extend to young mothers, whom we expect to mature naturally and completely through the experience of being isolated with tiny humans.” @thelostdaughter @mgyllenhaal
Creepy dolls and dark impulses: @ehorkley considers the horror of "The Lost Daughter." lithub.com/is-the-lost-daugh…
"Nonetheless, I agree with Mann’s contention that “Sunday Bloody Sunday becomes political by its sheer apoliticality: [Schlesinger] was not asking for tolerance; he was assuming that among people of intelligence it was already there.” cineaste.com/summer2021/a-qu…
Elizabeth retweeted
Another Screen, the new, free “irregular streaming” platform from feminist film journal Another Gaze, specializes in underseen, difficult-to-access work by women filmmakers. buff.ly/3vkQ9bv
Cannot wait to rewatch Saw with the POV that this was deliberate.
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On Vampir Cuadecuc (1971) and Horklé family home VHS MVP Dracula, Dead and Loving It ('95). screenslate.com/articles/vam…
