
It's been fun, mostly. Find me @davepentecost.bsky.social
Adirondacks, NYC, Mexico
Joined March 2007
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The devil you say…
In celebration of our FastH3-Omni launch, I vibecoded a pre-visualization studio. Now today, I'm down in LA showing it to studios.
What you're seeing here is generated all in real-time, just from reference images and prompts. ⚡️
Open Source repo is in the comments to get started with this on the Reactor API!
Dave Pentecost retweeted
The best UI components ready to use, save this 👇
- originkit.dev free animated component library
- orbs.jakubantalik.com Animated thinking orb component
- transitions.dev essential transitions for web apps
- beautiful-ui-five.vercel.app crafted UI for AI-native interfaces.
- 21st.dev/ huge community library
- ui.aceternity.com The React component library
- component.gallery patterns from 95 design systems
- agentation.com Annotate your UI. Guide your coding agent
What Did I Miss?
Dave Pentecost retweeted
ANTHROPIC ACABA DE MATAR EL “AI SLOP” EN DISEÑO WEB
Se llama Frontend Design.
• 167.000 estrellas en GitHub.
• 758.000 instalaciones.
• open source y mantenida por Anthropic.
El problema que resuelve es común:
Le pedías una web a la IA y siempre salía lo mismo.
→ Inter como fuente
→ gradiente morado
→ layout genérico de startup
→ el mismo hero de siempre
Frontend Design lo corta de raíz.
Obliga al modelo a comprometerse con una dirección estética ANTES de escribir una sola línea de código.
y ahí cambia todo.
le puedes pedir:
→ brutalista
→ editorial
→ retro-futurista
→ lujoso
→ maximalista
→ orgánico
Y te devuelve HTML, CSS, JS, React o Vue listos para producción.
Tipografía, color con variables CSS, motion y composición coherentes entre sí.
Cómo instalarla:
1.npx skills add github.com/anthropics/skills --skill frontend-design
2.describe la web o componente
3.elige la dirección estética
4.Claude monta el sistema visual completo
Una instalación. disponible en todas tus sesiones.
Funciona en Claude Code, Codex, Cursor, Gemini CLI, OpenCode y más.
758.000 instalaciones dicen más que cualquier review.
Enlace al repositorio abajo👇
Before the rain, Fuente de Cibeles, Mexico City.
Gaussian splat from my Domebase360 app.
App contains ffmpeg, COLMAP, Brush training - one drop of the 360 video -> splat. No CLI. All macOS pipeline. Part of a complete workflow for planetariums. #fulldome #claudecode #agentic
Dave Pentecost retweeted
Walking inside a 5,000 year-old Neolithic burial site, perfectly preserved in 3D. 🏛️✨
This is the Kleinenknetener Steine II in Germany - a megalithic site from 3500 BC. Thanks to Gaussian Splatting, you can now explore these ancient monuments with stunning realism in your web browser.
[1 / 2]
Dave Pentecost retweeted
Starting with Unity 6.4, the Web platform supports the Burst compiler with C# job multithreading. This greatly improves the performance of simulation-heavy tasks like this.
discussions.unity.com/t/burs…
Dave Pentecost retweeted
We have to remember that what we observe is not nature herself, but nature exposed to our method of questioning.
-- Werner Heisenberg
Hey @AnthropicAI Your status page shows no downtime today, but we've been in a service disruption for an hour or so. What's up?
Dave Pentecost retweeted
George Harrison's last video. He's playing
"Put A Shine On Your Shoes" on ukulele, a song made popular by Fred Astaire.
Dave Pentecost retweeted
An introduction to Ethio-Jazz in 20 records - A thread🧵
Dive into the vibrant world of Ethio-Jazz, a unique fusion born from the cultural crossroads of Ethiopia and the improvisational spirit of jazz...
1. Mulatu Astatke - Mulatu of Ethiopia
Dave Pentecost retweeted
The first photo of #TheBeatles, 22nd August 1962 VS the last photo of #TheBeatles, 22nd August 1969
Carina on life language music is always a joy. And credit also to her musical mom, my college pal, @amoripaz
For my New Yorker debut (and the magazine's first feature about salsa!) I profiled my all-time favorite Nuyorican musician Eddie Palmieri. Featuring comments from Rubén Blades, Spike Lee, iLé, & more, we all agree... he's the GOAT: newyorker.com/culture/person…

























