
We talk about shot design - because shot design isn’t just how it looks and feels, it’s how it works. || Produced by @stuwillis & @mehlsbells and @draft_zero
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Shot Zero retweeted
Excalibur (1981) is peak Terry English' armor.
You can nit-pick aplenty, but it was one of the last times and entire cast of Knights hit the screen in full, polished armor.
Notice the Grail embossed over Lancelot's plackart, plenty of nice details like this.
Shot Zero retweeted
every time i watch the exorcist i get to this scene and i'm like yeah man that is some of my favorite looking 40 seconds of film ever
Shot Zero retweeted

edgarwright@edgarwrightOct 20
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United KingdomConnected via WebAccount-level information, not a live location or per-post device.
We shot the aftermath first. Then redressed everything to shoot the 'before times' after. The ace steadicam operator was Paul Edwards. It was the first day of the shoot on the film too!
Shot Zero retweeted
ALICE'S ADVENTURES IN WONDERLAND (1972) contains an unbroken 30-second shot that shows Alice magically shrinking in the frame after eating a magic mushroom, which continues to baffle people for over 50 years.
What you see really happened in one take with no cuts. There were no green screens, no compositing shots together and no digital VFX or CGI. It was captured in camera.
How do you think this incredible shot was accomplished?
Shot Zero retweeted
It's spooky season, which also means some of the most gorgeous movies ever made!
Today on our substack we look at five of our favorite shots from the SUMPTUOUS 1964 horror The Masque of the Red Death.
Just LOOK at this set design!
buff.ly/lqp3nXs
Shot Zero retweeted
How #CARRIE uses split diopter shots to convey information and add to our sense of unease. mehlsbells.wordpress.com/201…
Shot Zero retweeted
Hitchcock uses a sequence of images of the architectural space as a transmitter of a specific musical message. It's a reverberating space, which "transports" the melody to its destination.
The Man Who Knew Too Much (1956)
Shot Zero retweeted
The genius to the original theatrical opening is that the studio logo plays out like you'd usually see. There is a pause for exactly one second before the synth of the song begins over black. And, then a millisecond later you're straight into it.
Replying to @bdgrabinski @BeyondFest
I absolutely thought the projectionist skipped a reel on first viewing. I was flabbergasted. Legendary.
Shot Zero retweeted
It's not often one gets the opportunity to make a pro-piracy case about film preservation, and yet here we are!
Thrilled this piece is out. Go read it.
[Thanks @vrizov and @danielkasman for being terrific editors.]
"When an informal network of amateurs questions the work of industry standard-bearers, it is rarely a matter of raw technical superiority but rather a fundamental difference in constraints..."
@SadHillDevan writes on piracy-based film preservation. mubi.com/en/notebook/posts/p…
Shot Zero retweeted
the shot when she turns around and brittany comes into focus is one of the greatest of the show
Shot Zero retweeted
all of them sound exactly like pacino this is insane
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