Triple Canopy is a magazine that publishes digital works of art and literature, books, and software, among other media and experiences.
New York, NY
Joined December 2008
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Announcing issue 29, Our Bad, which considers sabotage as a method of analysis, principle of action, and force of chaos. We’ve just launched the issue with contributions by Rachel Ossip, @nightsmove, and @blk_blk_blk_blk. bit.ly/4cWtc3L
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Feral File and @Triple_Canopy are pleased to announce StarQuest, an installation and performance-lecture showcasing a new body of work by artist @mayaonthenet ✩
November 18th in NYC! ahead of her solo exhibition with Feral File coming soon...
RSVP below ✧
ALT Purple poster with an image of a dancer on stage with text that says: StarQuest with Maya Man & Nora O’ Murchú, November 18th, 2025, 6 to 9 PM, Gibney, 53A Chambers Street, NYC
Technically, we can’t endorse all of these methods. But we do find it useful to examine models of upending status quo, whatever form they take.
Featuring writing by John Barker on thwarting a housing auction and blowing up the central computer of the London police; Nikita Gale on a protest at Anne Imhof’s DOOM; Andreas Petrossaints on a commuter uprising in Turin; and Jasmine Sanders on Attica’s unsung arsonist.
Our Bad! “Scheming on a Thing, Part 2” continues our series on subtle and spectacular instances of sabotage.
bit.ly/4eHQJHZ
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"The subject that gazes out from Farah’s canvas was the face of the most ambitious, even audacious attempt to censor and punish support, within the arts, for Palestinian freedom."
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“The face in the painting was, for a moment, the face of the pro-Israel vanguard within the German state. That’s saying something.” Incredible new essay from @tobihaslett.
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new @tobihaslett from the heartland of imperial obliviousness (germany) canopycanopycanopy.com/conte…
"The subject that gazes out from Farah’s canvas was the face of the most ambitious, even audacious attempt to censor and punish support, within the arts, for Palestinian freedom." @tobihaslett on a painting by Hamishi Farah: canopycanopycanopy.com/conte…
one of many secrets revealed in can u digg it by james n kienitz wilkins
canopycanopycanopy.com/conte…
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📢 Tour announcement! Don't miss @therakhahimself discussing THE DISSENTERS in DC, NYC, Minneapolis, and Seattle 📚
graywolfpress.org/events
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.@Triple_Canopy have published James N. Kienitz Wilkins's “Can U Digg It?,” a three-part project recounting the filmmaker's attempt to adapt Percival Everett’s novel "Telephone" (presented as a lawyer-approved screenplay, an essay, and a dossier.) canopycanopycanopy.com/conte…
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really wacky really fun piece from jnkw that inspired me to crack open a 0% abv lager in the office yesterday <3
"What does a man do when he discovers he has no rights?" James N. Kienitz Wilkins on his unauthorized Percival Everett adaptation, Hollywood lawfare, Shrek, NA beer, and “the capital-B Black experience” as premium IP.
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The Baffler will be at @Triple_Canopy TONIGHT (11/20) for a panel on the future of college education in America. @dennismhogan will moderate a discussion with @erikmbaker, @lilah_burke, and @catchatweetdown.
thebaffler.com/events/school…
We're having a party! Come to our office on Thursday to celebrate Our Bad with readings by @blk_blk_blk_blk, R.H. Lossin, @graysontscott, @t1ffany4scale, & Shanzhai Lyric; a dj set by @iheartkcr; dumplings from North Dumpling; mischief; mayhem; karaoke; & an open bar until 9PM😈
