Thinking about translation from a many-to-many perspective to foster India's multilingual ethos @ashokauniv.

Joined January 2022
Ashoka Centre for Translation retweeted
Who gets to decide who we are? Translated by Saba Mahmood Bashir, Razia Sajjad Zaheer’s Darkness and Other Stories examines the habits and prejudices that construct the identities of perceived and perceiver. Explore this incisive essay: buff.ly/AS4SH23
1
11
697
Ashoka Centre for Translation retweeted
Why AI can’t completely replace translators? At the inaugural panel of Bhashavaad 3.0, writers, translators, editors and scholars came together to explore a question that feels increasingly urgent: 'Are Translators Redundant?' The conversations examined what might be gained and lost as AI becomes an increasingly visible part of the translation process. The larger consensus was that AI can’t be simply written off, and the ethical boundaries have to be decided. Read More: indianexpress.com/article/ci… (@IndianExpress) #AshokaUniversity
1
1
6
1,336
Ashoka Centre for Translation retweeted
On Panel ‘Are Translators Redundant?’, translator and author Nishat Zaidi: “Would you then ask will literature become redundant, will authors become redundant. The assumption is that translation is a secondary job, translators reproduce, authors produce and the assumption is that reproductive labor is always secondary to productive labor. I see translators as co-producers of knowledge and then AI can never take that job”. Join us at Bhashavaad 3.0 at the India International Centre this weekend.
4
1
10
599
Ashoka Centre for Translation retweeted
One of the foremost voices in contemporary Bengali literature, Anita Agnihotri creates flesh-and-blood women and men, making them confront the cataclysms that come their way. Translated by @arunava, this collection is now in bookstores and online. @TranslationAtAU
4
7
942
Ashoka Centre for Translation retweeted
Can technology replicate cultural nuance? 'Using AI to simplify a classic for a 5-year-old is fine. But as publishers, we want to retain the nuance, empathy and shared imagination that AI lacks,' said Karthika VK, Publisher, Westland Books, while speaking at a session titled ‘Writing and Publishing in the Age of AI’ at Bhashavaad 3.0, organised by the Ashoka Centre for Translation, part of the Harish and Bina Shah School of Humanities, in partnership with New India Foundation. Read More: timesofindia.indiatimes.com/… (@timesofindia, @TranslationAtAU, @newindiafndtion) #AshokaUniversity
1
1
835
Ashoka Centre for Translation retweeted
"Which of the five stages of grief are publishers and authors in when it comes to AI and publishing"? Asks @matthan at Bhashavaad @TranslationAtAU @newindiafndtion
1
2
1
9
1,076
Ashoka Centre for Translation retweeted
The Ashoka Centre for Translation (a part of the Harish & Bina Shah School of Humanities), and The New India Foundation invite you to Bhashavaad: The National Translation Conference, taking place on 29-30 August 2026 at the India International Centre, New Delhi. Register Now: translation.ashoka.edu.in/bh… (@TranslationAtAU, @newindiafndtion ) #AshokaUniversity
1
7
16
1,445
Ashoka Centre for Translation retweeted
(2/3)
1
1
1
149
Ashoka Centre for Translation retweeted
(1/3) When translator Banani Chakravarty started translating Gunabhiram Barua’s 1880 biography of Ananda Ram Dhekial Phookan, she encountered something surprising: many phrases sounded as if they’d been thought in English and then translated into Assamese. Gunabhiram knew English, the biography was among the first modern nonfiction prose in Assamese and much of the source material was from Ananda Ram’s personal notebooks, perhaps written in English. With the understanding, her whole approach shifted. Banani was not translating from Assamese to English, but trying to recall what Gunabhiram had meant by the English words he had in mind. Selections from 'Being Modern: A Biography of Ananda Ram Dhekial Phookan' by Gunabhiram Barua, translated from Assamese by Banani Chakravarty (Penguin, 2025). @TranslationAtAU
1
1
1
334
Ashoka Centre for Translation retweeted
India speaks in hundreds of languages, and every translation bridges us. We are inviting undergraduate students from Delhi-NCR to be part of the Bhashavaad Edit-a-thon 2026, a hands-on session to build India's growing database of translations (bhashavaad.in). Come celebrate India's multilingual heritage with us. Scan the QR or click the link below to access the guidelines and register by July 31st. docs.google.com/forms/d/e/1F… @TranslationAtAU
3
2
303
Ashoka Centre for Translation retweeted
(1/4) Between 2001 and 2009, eleven Indian language books were translated into Swedish, not from the original languages, but through English, French, and German. None of the Swedish translators knew Kannada, Tamil, Malayalam, or Hindi. And yet the series, Indiska Biblioteket, did something most publishers avoid: it disclosed the indirectness openly and made the case for it. Cecilia Alvstad's research asks the question worth sitting with: what is lost if we never translate a given text at all? What do you think: should indirect translations be treated as compromises, or as bridges?
1
3
12
634
Ashoka Centre for Translation retweeted
(1/3) He couldn't afford college fees and sold an early novel for 200 rupees, yet Saratchandra Chattopadhyay became one of the most widely read writers in Indian literary history. His stories travelled from Bengali into a dozen languages and found new life on stage and screen through works like Devdas and Parineeta. Translation carried his words across worlds long before cinema did. On his 150th birth anniversary, selections from Saratchandra Chattopadhyay: Selected Stories, translated by Anchita Ghatak (An Ashoka Centre for Translation Series)
1
2
5
341
Ashoka Centre for Translation retweeted
(1/2) Before he reformed India's economy, PV Narasimha Rao was already building bridges — between languages, literatures, and peoples. A polyglot who spoke 13+ languages. A translator who carried novels across linguistic borders. A lifelong learner who picked up Spanish at JNU while serving as an MP. Most people know him for 1991. We want you to know the rest. This is our new series, India in Translation — where we will bring you stories of the people and journeys that have connected India's many languages. Stay tuned.
1
2
8
329
Ashoka Centre for Translation retweeted
Summer afternoons with classics! This collector's edition of Saratchandra's short stories is now in bookstores and online. @EkadaWestland @TranslationAtAU
1
2
5
305
Ashoka Centre for Translation retweeted
The Montreal International Poetry Prize is open now. Enter your best ones. Deadline: 15 May 2026. montrealpoetryprize.com/
3
19
1,080
Ashoka Centre for Translation retweeted
Simple words. Deep wounds. Timeless truths. Saratchandra Chattopadhyay Short Stories — where every story still feels uncomfortably real. Meet the voice of Saratchandra Chattopadhyay. You won’t forget it. Get it here - amzn.to/4sUbt4M @WestlandBooks #books
2
6
62
Ashoka Centre for Translation retweeted
It's Friday and we are ready to go into the weekend with our classics! This special edition is part of the @TranslationAtAU & @EkadaWestland Translation Series. Now in bookstores and online.
1
1
8
240
Ashoka Centre for Translation retweeted
"I also want to applaud Banani Chakravarty for piecing together contexts, idioms, and nuances that would otherwise be lost to readers unfamiliar with 19th-century Assam," Diya Sengupta reviews. scroll.in/article/1088795/be… #bookreview
2
4
343
Ashoka Centre for Translation retweeted
Rohan Wagle (UG’27) from the Arts & Culture desk writes on Chronicles, a collaborative project between the Ashoka Centre for Translation and Penguin Random House which aims to translate non-fiction texts from various Indian languages to English. the-edict.in/post/chronicles…
1
2
3
276
Ashoka Centre for Translation retweeted
Translation series by Ashoka University, Westland Books to bring Indian fiction to global audiences.
3
16
981