Kayla 📐🛠🇺🇲🇸🇪 retweeted
Mulher afirma que a natureza tem as melhores combinações de cores para criar looks.
Kayla 📐🛠🇺🇲🇸🇪 retweeted
The only chart you actually require to understand the nature of what's happening.
We live in a soap opera, in hell, that's on fire.
Kayla 📐🛠🇺🇲🇸🇪 retweeted
For four and a half centuries the world has been getting its geography from a Flemish mapmaker named Gerardus Mercator, who in 1569 produced a chart that was splendid for sailing ships and terrible for almost everything else. It made Greenland look roughly the size of Africa, which is a bit like drawing a house cat and a rhinoceros at the same scale, and it flattered any country that had the good fortune to sit far from the equator.
On Friday the UN General Assembly voted, 164 to one, to retire Mercator in favour of the Eckert IV projection, which shows continents at something close to their true size. Togo led the charge on behalf of the African Union, and France signed up before the ink was dry.
The lone dissenter was the United States, which also shrinks, and evidently minded.
Readers added context they thought people might want to know
The post incorrectly claims the UN voted to adopt the Eckert IV projection; the resolution endorses Equal Earth and equal-area projections, with France choosing Eckert IV separately.
documents.un.org/doc/undoc/ltd/…
theguardian.com/world/2026/sep…
reuters.com/world/africa/u…
We’re seeing the ramping of the agent economy. A new population... still early, still mostly directed by humans, but gaining autonomy, running longer tasks, and beginning to transact.
x402 and protocols like it exist because agents need to move money at machine speed.
But at machine speed, things we treat as fixed start breaking apart.
Politics doesnt work because it moves faster than we can regulate. Faster than we can even understand. The financial economy takes on a velocity we’ve never had. Billions of economic agents will be doing things we don’t even see.
Gone are the days of websites and front ends... what’s coming is machine readable, made for machines, by machines. An invisible economy at a scale vaster than we can comprehend.
Thats what my Economic Singularity framework describes. The point where the economy starts moving beyond human speed and human comprehension, and the old ways of running the world stop working.
Kayla 📐🛠🇺🇲🇸🇪 retweeted
You don't grow plants
You create an environment in which they grow themselves
Applies elsewhere
Kayla 📐🛠🇺🇲🇸🇪 retweeted

Rohan Paul@rohanpaul_aiAug 27
South Asia
South AsiaConnected via South Asia Android AppAccount-level information, not a live location or per-post device.
AI will create jobs they said, starting here 😅
Kayla 📐🛠🇺🇲🇸🇪 retweeted
I don’t know your problems, I don’t know what you’ve been through, but I know Jesus is the solution.
Kayla 📐🛠🇺🇲🇸🇪 retweeted
“𝘈 𝘩𝘶𝘯𝘵𝘦𝘳 𝘸𝘩𝘰 𝘴𝘤𝘳𝘦𝘢𝘮𝘴 𝘣𝘦𝘧𝘰𝘳𝘦 𝘳𝘦𝘭𝘦𝘢𝘴𝘪𝘯𝘨 𝘩𝘪𝘴 𝘣𝘰𝘸 𝘳𝘦𝘵𝘶𝘳𝘯𝘴 𝘩𝘰𝘮𝘦 𝘩𝘶𝘯𝘨𝘳𝘺.”
— 𝘔𝘢𝘳𝘤𝘶𝘴 𝘈𝘶𝘳𝘦𝘭𝘪𝘶𝘴
Kayla 📐🛠🇺🇲🇸🇪 retweeted
Dolly Parton casi chocó su automóvil la primera vez que escuchó a Whitney Houston cantar “I Will Always Love You”.
La canción había nacido casi 20 años antes, cuando Dolly decidió separarse profesionalmente de Porter Wagoner, el hombre que había impulsado su carrera.
Como él se negaba a dejarla marchar, ella escribió una despedida y se la cantó.
Porter terminó llorando.
Tiempo después, Elvis Presley quiso grabarla. Para Dolly era un sueño, hasta que su representante le exigió entregar la mitad de los derechos de autor. Aunque necesitaba el dinero, se negó.
Aquella decisión cambió su vida.
En 1992, Kevin Costner eligió la canción para “The Bodyguard” y Whitney Houston la convirtió en un fenómeno mundial. Dolly escuchó la versión por primera vez mientras conducía y tuvo que detenerse: estaba tan emocionada que temió sufrir un accidente.
“Tomó mi pequeña canción y la convirtió en algo enorme”, recordaría después.
La versión le generó cerca de 10 millones de dólares en regalías. Dolly invirtió parte de ese dinero en un complejo de oficinas situado en un barrio históricamente afroamericano de Nashville.
Lo llamó «la casa que Whitney construyó».
Dolly escribió la canción. Whitney la hizo volar. Y entre las dos crearon una despedida que el mundo nunca pudo olvidar.
Ahora las dos nos han dejado, pero juntas hicieron que una canción de despedida se volviera eterna.
Replying to @EricSpracklen
Yes, in March 2026 Chinese customs rejected a 22-ton beef shipment from Argentina’s ArreBeef plant after detecting chloramphenicol. This antibiotic has long been banned in food animals worldwide due to its link to aplastic anemia, a rare but severe and potentially fatal blood disorder that can occur even at low exposure levels in susceptible people. Argentine authorities investigated possible false positives or contamination, but the rejection by China is documented.
































