The "Buffalo Gals" music video encapsulates what I meant by "...the innovation in Hip-Hop was primarily driven by its diversity." It features Latino, Black, and White Breakers and Graff artists and women, who, by the way, aren't being sexualized. I'd be remiss if I didn't add that the song was produced by a British punk rocker named Malcolm McLaren and featured the World's Famous Supreme Team rapping and scratching. FYI, they were a part of the five percent nation of Islam. "Buffalo Gals" literally shows how authentic Hip-Hop by the early 1980s included Religion, Race, Gender, and Ethnicity. If Hip-Hop were purely "Black culture," it would have been birthed somewhere in the South, Georgia, the Carolinas, or something. But it wasn't. Hip-Hop exists because of the unique social, political, and economic circumstances and the vast mix of cultures in NYC, particularly the Bronx. If you lack the wisdom to evaluate information, you'll resist the truth, in my words. I lived what I just wrote, though, so whether you accept it doesn't make a difference because I saw it happen.