In Folge 2 verschaffen wir uns einen breiten Überblick über ein paar im DnB geltende Konventionen, wie man kreativ damit umgeht und was das für unser Leben bedeutet: trommel-bass.de/perspektiven…
So apparently the mixture of sped up hip hop beats and reggae basslines is cultural appropriation, so we better refrain from partaking anymore. Allegedly we can keep those shitty chipmunk vox though, and most of our piano chords...
#1 der neuen Subsphere Selection Serie auf @trommelbassblog, heute mit dem freshesten nëuen Shite von @phace_ , @jonathansignal, @eneimusic & @kasracritical ----> trommel-bass.de/subsphere-se…
Questions & answers with @smylastyle: subsphereblog.wordpress.com/… @mute8recordings
DNB - week 23 :) -> subsphereblog.wordpress.com/… @NZDose @SevaAudio @SurveyDnb @Fre4knc @NickBeeAudio @DeepFieldAudio_ @InvisibleRecs @d1agr4m
A glimpse into the Asylm! -> subsphereblog.wordpress.com/… @mute8recordings @smylastyle
Bass, Breaks, Monkeys, Madness. -> subsphereblog.wordpress.com/… @im_detail @VandalRecordsHQ @TAMP3CORDS
Chanisaws on acid and other sonic oddities... -> subsphereblog.wordpress.com/…
A little back to the roots review of the new Kelle single on @ProgramMusicLTD: -> bit.ly/Subsphere2014-16
A critical thought and review of the Hello World EP: subsphereblog.wordpress.com/… @CriticalMusic @EmperorDNB @martinmefjus
Caught up with week 8! -> bit.ly/Subsphere2014-08 @icicle @PlasmaColab @Operondnb @dub_head @bestamrecords
Bleep bleep time for a new revue and some headbanging! -> bit.ly/Subsphere2014-07 @nymfoDNB @Kluteuk
