News, views and video on production and post from StudioDaily.
New York, NY
Joined March 2009
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Seems reasonable.
£48,087.98
Not including 20% tax.
Arriving ‘late Autumn’ - 30 Jan-5 Feb
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Ed Lachman not bothering to conceal his annoyance while explaining why DARK WATERS is the first all-digital Haynes feature filmmakermagazine.com/108602…
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Fellow film nerds: @StudioDaily just released this article on visual authorship in #KnivesOut.
studiodaily.com/2019/11/stev…
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The director of this broadcast knew instantly that this ball was coming back. Never switched from the wire-cam. Amazing live TV production. 💯
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🎚️ Mixing sound for film — 1951 vs 2019
▶️ avid.com/s6
⠀
#avids6 #filmsound #audiopost #daw #protools #avid
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Never thought this would happen....
RIP TELEVISION CITY 👁 – at West Hollywood, CA
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DaVinci Resolve 16 Public Beta 3! Get better font rendering, improved elastic wave alignment for audio, timecode output for driving external audio applications, improved H.264 and H.265 encoding on AMD hardware, smart bin enhancements and much more! bmd.link/oR9awV
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James Mathers of Digital Cinema Society @DCSCharlene interviews #CookeOptics Chairman Les Zellan at @NABShow 2019 with @StudioDaily. Just a clip, watch in full here bit.ly/2GQEpGR
The latest update on the lens metadata standard #itechnology plus Cooke product news
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Great @Nabshow '19 interview with James Mathers of Digital Film Society @DCScharlene @StudioDaily and @Cinnafilm's Ernie Sanchez on our latest products and exciting partnerships! #technicolor #ownzones #tachyon #pixelstrings #darkenergy #HDR #SRHDR bit.ly/2VFsfWz
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Download some great looking data-driven motion graphics templates for Adobe Premiere Pro from @FluxVFX for FREE.
bit.ly/FreeMOGRT
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It is with profound sadness we announce the passing of ACE Member and beloved colleague Norman Hollyn, ACE. There are truly not enough words to pay tribute one of the most wonderful and talented humans we’ve had the honor to know.
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"The technical aspect of finding our way visually was hard. That was the biggest challenge. You start with a blank piece of paper and have to design a world in such detail." @readyplayerone VFX Supervisor Roger Guyett speaks with @StudioDaily: bit.ly/2tfZJ0V
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Check out @StudioDaily's interview with TFI Sloan Filmmaker fund grantee @darabratt. studiodaily.com/2019/01/five…
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Steven Soderbergh did a pre-movie Q&A before High Flying Bird and former collaborators sent in questions. Christopher Nolan asked when he’ll leave the dark side and return to celluloid. Soderbergh said he would when Nolan writes his next script with a pencil.
