Weathering, feathering, tiding, abiding. Writer on art and culture in Glasgow; @SGSAH funded PhD at @univofstandrews, studying Nigerian art

Glasgow, Scotland
Joined May 2018
Glasgow made the Clyde, the Clyde made Glasgow...and then they promptly forgot each other. Great getting out on the water for this article for @theglasgowbell , exploring the strange disconnect between river and city – and what's being done to try and bridge that gap
The sight of passenger ferries crossing the Clyde – and economic barriers – used to be a familiar one. Now there's one service left. As new bridges open,@SamuelReilly9 takes a ride on the last Clyde vessel for our weekend longread. glasgowbell.co.uk/the-last-r…
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Just wanted to say how sorry I was to hear about the death of Dr Elspeth King over the weekend. Via her work at the People’s Palace Dr King had an enormous impact on Glasgow’s culture. What she achieved there was impressive, particularly in the face of the museum possibly being swept away for Glasgow’s motorway expansion and relentless urban renewal and how she was unfairly treated by the Glasgow Museum’s hierarchy. To bravely hire Alasdair Gray for the Continuous Glasgow Show and to retrieve artworks and material from condemned buildings during the Comprehensive Development Area, in the face of questioning, deserves respect especially for how this added to Glasgow’s civic collection. For the People’s Palace to be European Museum of the Year in 1981 and then British Museum of the Year in 1983 is a huge achievement. I hope that is reflected in the refurbishment of the People’s Palace and her key role is acknowledged as it deserves to be. It is sad that Yorgos Lanthimos’s version of Poor Things omitted those key details from Alasdair Gray’s book as they absolutely summed up that era in Glasgow’s history. My condolences to Michael Donnelly and her family and friends.
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Deplorable. Forcing people who want to live and work in the UK to undertake compulsory unpaid labour. This is a dark path Labour is taking down. But there IS an alternative. Join me in building a welcoming country. join.greenparty.org.uk/
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This. Please please please can @thisisyourparty just throw in the towel now and not lumber about like a fatally wounded bull in a china shop for the next three years?
Everyone on the left should join the Greens, including Jeremy and Zarah. We are on the cusp of a far-right government taking control of Britain. We haven’t got time for faffing around
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Just published – the official website of Peter de Francia, best described simply as an artist you really should know. Been a joy to put this together with his estate, and so pleased to have so many of his paintings and his incisive texts in one place. peterdefrancia.co.uk/
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The art critic David Sylvester was born #otd 100 years ago - for @Apollo_magazine I wrote about his sparring with Francis Bacon, his warring with John Berger and the substantial rewards of rereading his encounters with modern art today apollo-magazine.com/david-sy…
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Very sad news. Pleased that I got to speak to him in his massive warehouse of a studio – formerly a leather factory – while he smoked continual cigarettes and pressed my knowledge of Yeats, Blake, Douglas Dunn to and past its limit. An incredible artist, won't see his like again
Norman Ackroyd died earlier this week at the age of 86. In 2018, @SamuelReilly9 spoke to the artist about the way his etchings capture the mood and meaning of Britain’s remotest landscapes

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In light of the decision by Creative Scotland to close the Open Project Fund for Individuals this Friday, we have compiled the following document of support currently being offered to artists, alongside campaigns that have been set up. You can view it here:
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Samuel Reilly retweeted
A few recent contenders, but I think the moment of both excruciating embarrassment & utter humiliation has arrived for the Scottish Government over the treatment of an industry which is one of the country’s biggest assets. Lots more of this to come without a change of direction.
🚨 Biffy Clyro, Paolo Nutini, Franz Ferdinand, The Proclaimers, Karine Polwart, Mogwai, Young Fathers, Glasvegas, Frightened Rabbit, Honeyblood, Kathryn Joseph, Julie Fowlis & Fergus McCreadie join the rebellion against Scotland’s arts funding cuts. 🚨 scotsman.com/arts-and-cultur…
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The new @PerthMuseumUK is a great home for the Stone of Destiny - largely because it seems aware of how weird it is that a big old stone should attract such reverence. Had an excellent visit to this really cleverly put together museum for @Apollo_magazine apollo-magazine.com/perth-mu…
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What do (or don't) Martin Boyce and John Donne have in common? Enjoyed reviewing a thought-provoking show @fruitmarket for @Apollo_magazine apollo-magazine.com/martin-b…
In Martin Boyce’s first major show in Scotland in two decades, the Turner Prize-winner’s sculptures are best viewed at something of a remove, writes @samuelreilly9

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For @ArtReview_, I reviewed an extremely interesting new book on Gauguin's time in Tahiti – one which manages adroitly to walk the very narrow rope of neither lionising nor damning this most difficult of artists artreview.com/gauguin-and-po…
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Lovely to have this piece in my last issue on staff at @Apollo_magazine – these sculptures carved out of single thorns are amazing, and will form a part of my research into the @hunterian collections, so it's a nice segue between worlds.
The miniature sculptures of the Nigerian artist Justus Akeredolu are a major achievement, writes @SamuelReilly9 – and you can now appreciate every detail at the Hunterian Art Gallery in Glasgow, where they are on show until the end of May apollo-magazine.com/thornwoo…
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'Frank Jellicoe' – very pleasing transcription software flub for a certain 15th-century painter...
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We launched our archive section, interactive oral history videos and further updates, including new object photography from the National Museum of Lagos and Benin on digitalbenin.org - over the next 3 years we continue with more updates and further research. Stay tuned!
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I'm sad to say that I've left the editorial team of @Apollo_magazine after six wonderful years. Ineffable pleasure to have worked with such talented colleagues and so many brilliant art writers; it will all be sorely missed./
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Keen to keep an eye in writing for papers and magazines, from a new base in Edinburgh – editors, my email is [email protected]./
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Personal highlights of six years at Apollo are many – talking to Yinka Shonibare, James Barnor, Jaune Quick-to-See Smith; getting stuck into Félix Fénéon, Picasso; visiting the new Burrell – but the undisputed winner is learning how to magnet fish: apollo-magazine.com/magnet-f…
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