Pinned Tweet
this website will eventually destroy itself
go ahead & smash that “connect” button so we can network in the post-apocalypse
linkedin.com/in/round
Maxim Leyzerovich retweeted
Seeing someone use software you designed on the train is the best feeling in the world. Better than any metric.
Maxim Leyzerovich retweeted
“Like the coffee shops of 2016, widespread AI adoption is generating a massive amount of content & products that share an eerie sameness.”
—Aaron Horwath
noemamag.com/now-entering-th…
Maxim Leyzerovich retweeted
New in @ScienceMagazine tomorrow with @glenweyl: “In the Image of Their Tools.” Our claim: institutions, not models, are now the binding constraint on what AI does for society. science.org/doi/full/10.1126…
Maxim Leyzerovich retweeted
recently i learned there are entire online communities dedicated to archiving those patterns inside of envelopes that exist to obscure the information, so when you hold it up to light, you can't read the contents. people even make art out of it (creds in alt text)
ALT more than i could have imagined 1 by amber williams
Maxim Leyzerovich retweeted
Interesting paper w compelling concrete proposals. “If we do not deliberately engineer institutions capable of absorbing AI’s architecture, we risk .. leaving this technology’s transformative potential unrealized. Reverse alignment is not a theoretical exercise but a prerequisite for AI-driven prosperity by unleashing new levels of collective consciousness and capacity.”
New in @ScienceMagazine tomorrow with @glenweyl: “In the Image of Their Tools.” Our claim: institutions, not models, are now the binding constraint on what AI does for society. science.org/doi/full/10.1126…
Maxim Leyzerovich retweeted
I've started publicly listing the recordings from my Agentic Creativity course on my YouTube channel youtube.com/watch?v=TWAApJ77…
Maxim Leyzerovich retweeted
TLにMarc Ngui氏によるドゥルーズ＝ガタリ『千のプラトー』のダイアグラムが流れてきて、かっK〜と思ったので、試しにシェーダにしてみたら結構イケてるbumblenut.com/drawing/art/pl…
Maxim Leyzerovich retweeted
feel so lucky to *finally* have a copy of ted nelson’s 1974 computer lib/dream machines, thanks to amazing friends like @ojoshe who bump into acolytes of ted nelson and mail books halfway across the world!
first stumbled across this rare book through a professor back in college. to think that such brilliant, enormous thoughts were siphoned straight from the mind of nelson!
"Either later this year or next year we'll see Chernobyl." bit.ly/4zsMCZH
Maxim Leyzerovich retweeted
Intriguing: infinitegarden.com/ (via @itsjulespark)
Maxim Leyzerovich retweeted
the coolest thing i learned in design school wasn't what good design is. it was how to sell an idea.
take bjarke ingels as an example, people give him billions to make buildings that are almost satirically efficient solutions to large problems.
he is living proof that the way to win someone over isn’t convincing them that your idea is the “best”. but showing people it is absurd that your idea doesn’t already exist.
Maxim Leyzerovich retweeted
Again, Flickr is the last remaining font of magic on the internet
flickr.com/photos/josephking…
recently i learned there are entire online communities dedicated to archiving those patterns inside of envelopes that exist to obscure the information, so when you hold it up to light, you can't read the contents. people even make art out of it (creds in alt text)
ALT more than i could have imagined 1 by amber williams
Maxim Leyzerovich retweeted
Digital storytelling doesn’t have to follow a straight line. 🧶 Tapestries, a new digital storytelling tool, lets you bring text, images, audio and video together on a shared digital canvas.
Create dynamic, interconnected stories, curate digital materials and preserve the things that matter, all on your own terms.
Learn more 👉 blog.archive.org/2026/10/29/…
#InternetArchive
ALT Two stacked screenshots. The top has a sage green background, the yellow title “Exploring Seed Catalogs at the Internet Archive,” and rows of vintage seed catalog covers labeled Flowers, Fruits and Vegetables. The bottom has a black background and white text reading “Proposition: That the American Dream is at the expense of the American Negro,” with video stills, portraits, book covers and web pages about the 1965 Baldwin and Buckley debate.
