i seem to be the only person who saw "you can see everything" and didn't like it. a few reasons why: - the tone felt wrong. the audience was laughing for much of the film, but i don't find the subject matter particularly funny. made it feel like the film was making light of a serious situation, intentionally or not. - i couldn't tell what was real. how much of this was scripted, rehearsed, or manipulated in the editing room? everyone spoke a little too perfectly for it to be entirely unscripted. the ambiguity made it difficult for me to trust what i was watching. - nathan felt like an unreliable narrator. his relationship with elizabeth blurred the line between observer and participant, making me question his motives and the film's perspective. - so many layers of performance...i understand that blurring reality and performance is part of the point, but at some stage, the cleverness started getting in the way of the story. it's one of the most confusing documentaries i've watched from an audience perspective. - i'm simply tired of elizabeth holmes having a platform. i'll also be the first to admit that i fell asleep during the middle of it and knew absolutely nothing about nathan fielder going in. both definitely influenced my experience & i will watch it again to see what i missed the first time. was it interesting and provacative? yes, of course. i'm not arguing with that. but i seem to have missed the genius everyone else saw, but i left feeling like the film was more interested in being clever than in saying something meaningful.

Elizabeth Holmes' partner Billy Evans admits "she looks insane" in the "You Can See Everything" trailer and says "I might think this is the dumbest thing I have ever done" when he finally sees the movie. "There's been a lot of media produced on her. There's been a lot of people who have told her story. That narrative is pretty ossified. The whole idea was here she is, see her and make up your own mind. It's not to re-litigate the case. It was to have people see who she is. I have gone through this consistent experience with the people who love me most, from my grandmother to my best friends. They'd hear I knew [Elizabeth Holmes] or I was falling for this person and now we're going to have a kid... in the beginning, every single one of these people thought I was crazy. 'Do you know who she is?' I would tell them, 'I understand why you feel that way but just meet her.' And they would meet her and spend time with her and see her in a totally natural environment, like going on a hike or helping a friend. Every opinion of her would radically shift. That was the intention of the film. To help scale that up and allow other people to sit with her and make up their own minds." "Am I nervous [for the movie to be seen]? I have been through so many intense, surreal experiences that it takes a bit to raise my blood pressure. With this there's certainly concern but it's ultimately our decision." (via All-In Podcast) variety.com/2026/film/news/b…

Disney Animation’s ‘HEXED’ will feature a traditional hand-drawn 2D animated prologue depicting the creation of the Kingdom of Hexe — a refuge for witches and wizards persecuted in the real world. One of the studio’s few remaining 2D animators, Tyler Pacana, animated the sequence. (Source: cartoonbrew.com/feature-film…)

"Obsession" is competing as a comedy at the Golden Globes, which has reignited "category fraud" debates. The current Globes rulebook states a movie “primarily intended to have a serious or dramatic tone” with “comedic overtones or elements” belongs in the drama. category. variety.com/2026/film/awards…

Greta Gerwig says faith in her ‘NARNIA’ film is very much present both in front & behind the screen. “Film and faith have always gone hand in hand… The very act of making a film is an act of faith. Shooting on celluloid is faith.”