Animation / Experimental Films / Ephemera. Handmade film studio. πŸ“½οΈπŸ’€πŸ–€ Latest work: https://xitter.cf/t.co/u0GGeO4ujg #SupportIndieFilm #NonFilms

New York, NY
Joined October 2013
𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
On this date in 2002, the mind-bending Anime, TAMALA 2010: A PUNK CAT IN SPACE, was released in Japan. The twisting, hyper-complex story of Tamala and her twin adventures to 1. uncover the secrets of shadowy mega-corporation Catty & Co., and 2. have a great time at everything she does remains every bit a fascinating enigma two decades later. We're still stoked beyond words that we were able to bring this incredible film to Deaf Crocodile fans and we can't wait for you to see our release of the follow-up, TAMALA 2030: A PUNK CAT IN DARK, in the first half of 2027! #deafcrocodile #bluray #onthisday #anime #tol #tamala2010 #physicalmedia #cultmovies
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
Nathan Fielder and Lance Oppenheim in conversation with Dennis Lim at @TheNYFF is now available to watch. youtube.com/watch?v=6gn0QeqY…
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
After a little summer vacation "Revelations of Divine Love" is going back on the road! Oct 29 - Nov 4 at @wfgcinematheque with yours truly in person for a Q&A following the final screening! Nov 8 at @indiememphis for my triumphant return! Tix & info: linktr.ee/cinemafirmament
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
The best animators in New York will be at MoMA this Wednesday: George Griffin, Candy Kugel, John Canemaker, J.J. Sedelmaier, Jeff Scher, Emily Hubley and Skip Blumberg, will join animator and historian Robby Gilbert for a screening of their work followed by a conversation on stage! moma.org/calendar/events/118…
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
Upcoming πƒπšπ«π€π‘π¨π¨π¦ Screenings, film recommendations, festival deadlines, and more πŸ“Ί nonfilms.substack.com/p/afte…
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
The Faust Bible is here. A lost artifact of film history. A remarkable visual diary. Step inside Murnau’s masterpiece through some 400 photographs and illustrations, compiled by the film’s set designer inside a prop Bible during production in 1926. Published in full for the first time in the film’s centenary year by MUBI Editions, in collaboration with La CinΓ©mathΓ¨que franΓ§aise. Order your copy now β†’ mubi.io/the-faust-bible FAUST is now streaming on MUBI.
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
Working with self-imposed limitations (practical effects that would have been possible in the silent era), Coppola produced a cascade of lush horror imagery in his rendition of the Dracula story. See BRAM STOKER'S DRACULA in 35mm this Friday. 🎟️: movingimage.org/event/bram-s…
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
Love Dame Vanessa Redgrave, who has always been a class act, and this mental image of her occupying herself between takes of THE DEVILS
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
Dennis Lim on DRY LEAF, per his Instagram β€œone of the key films of our time”:
Cinema Guild@CinemaGuildApr 23
"Experienced as cinema, every frame of DRY LEAF enacts a drama of form." Dennis Lim (!) on Alexandre Koberidze's film, for @nybooks. nybooks.com/articles/2026/05…
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
TODAY ONLY! Pop up shop at @giantroboteric 2017 Sawtelle Blvd Exclusive Artist's Edition Frankenstein slipcover and more! – at Marina del Rey, CA
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
There has never been another Derek Jarman, and there will never be another Derek Jarman.
Rep audiences get clowned a lot, but during The Devils last night, the β€œSets Designed by Derek Jarman” end credit got a crowd pop like it was 1998 Stone Cold Steve Austin, and I think that's beautiful
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
Been thinking of Lee Chang-dong's Secret Sunshine lately; completely blown away at how it manages to portray a whole world and society on a foundational level, without once leaving the emotional subjectivity of its principal character
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
Counterpoint: the profound and enduring unknowability of other people’s interiority is a large part of what makes life interesting and art beautiful
Every recent Nathan Fielder project expertly touches the deep existential horror of not being able to ever fully know or understand another human being or their actions.
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
20 years from now there's gonna be a "Fall of '26" series that shows Harlem, Concrete, Digger, Primetime, YCSE, NAZA, The Devils uncut, and Resident Evil, plus The Social Reckoning, which misguided young people will for some reason argue is the true misunderstood masterpiece.
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
Also in The Devils lore: opening week of @SpectacleNYC in Oct. 2010 was Ken Russell's The Devils with Andrzej Ε»uΕ‚awski's The Devil
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
People showing up 30 mins late to the Hong Sang-soo.... Bruh, the movie's halfway done. He's already made another by now.
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
Rep audiences get clowned a lot, but during The Devils last night, the β€œSets Designed by Derek Jarman” end credit got a crowd pop like it was 1998 Stone Cold Steve Austin, and I think that's beautiful
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
Good news for people who said they wanted more of ONCE UPON A TIME IN HARLEM: all of the conversations are going to be available to watch in an archive. I spoke with director David Greaves for this month’s Operation Restoration for @TheAVClub. avclub.com/once-upon-a-time-…
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
omg this is HUGE
Radiance Films finally putting out some early Tsai Ming-Liang movies here ah fuckin yeah
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𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ retweeted
See THE DEVILS the way Ken Russell intended it to be screened… at a drive in with a Jim Brown/Lee Van Cleef western.
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