@jpraup

marketing: @filmlinc / @thenyff / @ndnf | founder & editor: @thefilmstage

 New York, NY
Joined October 2012
  • Tweets19.2K
  • Following759
  • Followers5.6K
1.1KMedia
Jordan Raup retweeted
Stephanie Zacharek@szacharek7h
Ann was a fantastic critic, and a warm, lovely person. This is just terribly sad news. washingtonpost.com/obituarie…

Ann Hornaday, longtime Washington Post film critic, dies at 66

Ann Hornaday, who helped Post readers understand the enduring magic and occasional disappointment of movies, died Sunday at her home in Baltimore. She was 66.

washingtonpost.com
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Jordan Raup retweeted
The Kentman™@the_kentman7h
At a time when people are flocking to theaters for docs like YCSE and Hist of Concrete, I hope this truly special film doesn't get left behind.
The Film Stage 📽
@TheFilmStageOct 15
William and David Greaves’ unearthed cinematic treasure 'Once Upon a Time in Harlem' is an immersive and masterfully rendered documentary that presents a living, breathing oral history of the Harlem Renaissance. Read @the_kentman's Critic's Pick review: thefilmstage.com/sundance-re…
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Jordan Raup retweeted
Jake Kring-Schreifels@jakeks199h
Had a great time speaking with David about the *other* great documentary released over the weekend. ⬇️⬇️
The Film Stage 📽
@TheFilmStage9h
"Symbiopsychotaxiplasm gave us the license to do whatever we wanted." David Greaves talks to @jakeks19 about bringing 'Once Upon a Time in Harlem' to life, memories of working with his father, and learning more about a foundational era of Black history: thefilmstage.com/i-couldnt-s…
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Nathan Fielder and Lance Oppenheim in conversation with Dennis Lim at @TheNYFF is now available to watch. youtube.com/watch?v=6gn0QeqY…

Nathan Fielder and Lance Oppenheim on You Can See Everything

At the 64th New York Film Festival, Nathan Fielder and Lance Oppenh...

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Jordan Raup retweeted
Will@SilentDawnLBOct 15
They're calling it the greatest double feature of all time
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Jordan Raup retweeted
Nick Newman@Nick_NewmanOct 15
I finally saw Ken Russell's The Devils and had a long, spirited conversation with Mark Kermode about it that you can listen to or read now: thefilmstage.com/i-cant-quit…
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Screen Slate@ScreenSlateOct 15
Nathan Fielder, Ari Aster, Lance Oppenheim, and Abigail Rowe at the Screen Slate Gala in June 35mm photo by John Wilson
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As #NYFF64 comes to a close, we are delighted to share a gallery of portraits from legendary photographer @avant_GODLIS, who has been capturing the festival for more than 40 years. Explore: filmlinc.org/godlis 📸
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For those near NYC, you have 21 chances to catch one of the great films of 2026 before it officially opens next year.
Film at Lincoln Center
@FilmLincOct 15
We're thrilled to announce that Sandra Wollner's #NYFF64 selection and Cannes winner EVERYTIME will have a one-week run at @filmlinc beginning November 6! 🎟️ are now on sale at filmlinc.org/everytime After a shocking accident befalls a teenage girl in Berlin, her mother, younger sister, and boyfriend drift into a state of suspended grief in Sandra Wollner’s atmospheric, constantly surprising new film. Germany’s entry for Best International Feature Film at the 2027 Academy Awards, EVERYTIME will return to FLC next year, opening in our theaters in February 2027.
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Anyone have accommodations and looking for a roommate for Sundance 2027? Will be attending Jan. 21-25, feel free to reach out. 👋
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Jordan Raup retweeted
Nick Newman@Nick_NewmanOct 14
Really good movie.
The Film Stage 📽
@TheFilmStageOct 13
Nathan Fielder and Lance Oppenheim's 'You Can See Everything' is an extraordinary, troubling work in the spirit of Abbas Kiarostami. Read @Nick_Newman's review: thefilmstage.com/you-can-see…
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Jordan Raup retweeted
courtney!@thefilmcorgiOct 14
NYFF film developed which means it’s officially over
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The Devils has hit a record for the highest pre-sales in @FilmLinc history, including all new releases. The movies are, indeed, back.
Film at Lincoln Center
@FilmLincOct 14
🔥 👿 Eternal damnation feels good in a place like this: we're thrilled to reveal that our upcoming 35mm 🎞️, one-week-only run of Ken Russell's THE DEVILS (1971) has officially secured the highest 🎟️ pre-sales for a theatrical run in @filmlinc's history! This newly restored version of THE DEVILS is at long last available in its full, uncensored splendor. Experience it at FLC from October 15-22. 🎟️: filmlinc.org/devils
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The first trailer for Paul Thomas Anderson’s 'Cameron Winter at Carnegie Hall' introduces a stunning concert. Watch: thefilmstage.com/first-trail…
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Author Daniel Kraus talks with @djmecca about #Whalefall, survival at sea movies, building a cetacean story, and life after winning a Pulitzer Prize. Listen to the conversation: thefilmstage.com/daniel-krau…
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At the 64th New York Film Festival, Damon Albarn with Brooklyn Youth Chorus and Mike Smith perform The Saddest Song from Luca Guadagnino's ARTIFICIAL ahead of the world premiere of the film, which features an original score and songs by Albarn.

Damon Albarn w. Brooklyn Youth Chorus & Mike Smith - The Saddest Song

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Don't miss THE DEVILS on a newly restored 35mm print beginning this Friday for one week only! 🎟️: filmlinc.org/devils On a special podcast, listen to a never-before-published conversation with Ken Russell and Vanessa Redgrave on the making of THE DEVILS from our 2010 director retrospective, followed by a discussion with Mark Kermode from #NYFF64. Listen: filmlinc.org/nyff2026/daily/…
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This beautifully rich, stunningly lush 35mm 🎞️ print contains acts of depravity your mind can’t even imagine: Ken Russell’s restored, uncensored cut of THE DEVILS is playing on 35mm for one week only beginning this Friday! 🎟️ going fast: filmlinc.org/devils
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Nathan Fielder and Lance Oppenheim's 'You Can See Everything' is an extraordinary, troubling work in the spirit of Abbas Kiarostami. Read @Nick_Newman's review: thefilmstage.com/you-can-see…
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LAIKA Studios' 'Wildwood' is among the best animated films in recent memory—more Brothers Grimm by way of Tolkien than Disney. Read @YesitsAlistair's #LFF review: thefilmstage.com/bfi-london-…
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