Nick Clark retweeted
The film cast of Pride, including Andrew Scott, Jessica Gunning and Imelda Staunton, have a message for the stage show....
Nick Clark retweeted
There are times when you think AI has gone too far, but then there are moments when you see Uncle Phil from The Fresh Prince of Bel-Air scoring Mesut Özil's goal against Ludogrets, and suddenly it all feels worthwhile.
Nick Clark retweeted
Can we actually get AI to pick plastic out of the ocean, or do all the robots have to become screenwriters?
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Twitter used to be great.
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Multibillionaire Sir Jim Radcliffe complaining about benefits policy, reminiscing about the British Empire and describing the UK as “on the slide”, while living as a tax resident in Monaco, shows that self-awareness might not be his greatest strength.
Nick Clark retweeted
The best of us! Heroes !
Theatre fans! I ruddy love this theatre podcast and all who sail in it.
If you never know what to book then the live show in a fortnight is what you need. It helps me sort the wheat from the chaff.
chelseaartsfestival.com/even…
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Imagine that just a few days after the news came out that scientists were left stunned by how well children's lungs have recovered from ULEZ, that someone is stupid enough to suggest watering it down.
Exclusive:
James Cleverly signals he will review Sadiq Khan’s ULEZ policy if he becomes mayor of London.
He tells @Telegraph he will end Labour’s “war on the motorist” and put the cost of living ahead of Net Zero targets.
He says: “This really quite vindictive assault on drivers – both people that drive for family reasons and for people that drive for business – is causing real harm.
“So I want to look at a whole range of options to ease the costs and pressure of people getting around the city and doing business in the city.”
But he stops short of pledging to scrap ULEZ outright, warning than “chopping and changing” of policies can be frustrating for voters and businesses.
Cleverly also says he would:
- Support driverless Tubes
- Press the Met to tackle petty crime
- Back TFL staff over fare dodgers
- Forget Net Zero if it drives up bills
telegraph.co.uk/politics/202…
Nick Clark retweeted
We're all aware of Dolly Parton's coleslaw recipe, yes? It's amazing with pulled pork or fried fish
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🇮🇹 Farewell to Football’s Last Great Libero
🙏 RIP Franco Baresi (1960 - 2026)
Precious few footballers redefine the game itself. Franco Baresi did exactly that.
He never looked like the towering centre half the position tended to demand. Instead, he played with the mind of a chess master and the touch of a playmaker. Every interception felt inevitable, every tackle perfectly judged, every step taken several seconds before everyone else had realised where the game was heading.
For many of us in the early 1990s, Sunday afternoons became appointments with AC Milan, not merely to admire a great team, but to witness a footballer who treated defending as an art form. Baresi made elegance seem practical, composure contagious and intelligence the greatest physical gift of all.
His 716 appearances, six Serie A titles, three European Cups and a World Cup winner’s medal tell only part of the story. The deeper measure of the man lies in the reverence with which generations speak his name. He became woven into the fabric of Milan itself, his famous number six forever stitched into the club’s soul.
Football has always had defenders capable of stopping greatness. Franco Baresi was one of the rare few who embodied it.
The game feels quieter today. Less refined. Less graceful.
Some players are remembered because history records their achievements. Franco Baresi will be remembered because those fortunate enough to watch him never forgot the feeling he left behind.
Rest in peace, Maestro.
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Infantino tells fans not to worry, because the game won’t change. But it already has, with adverts in the middle of each half, tickets that cost more than rent, and politicians influencing outcomes.
The game cannot remain in his hands.
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This week’s London Theatre Review is OUT, with reviews of Trainspotting the Musical, Ben Platt in Midnight at the Never Get, Phelim McDermott on Philip Glass and Natalie Kassanga on the Jonathan Larson Project. Do have a listen… londontheatrereview.co.uk/

































