PhD student @KU_Leuven FRIABLE project https://xitter.cf/t.co/JAP3h1YIfk | Art historian, curator, printmaker | French Amsterdammer in Brussels

Brussels, Belgium
Joined February 2013
"Il faut être très court et un peu salé" [pour être lu du public] écrivait #Voltaire en 1763. #TraitéDeTwittologie au Siècle des Lumières.
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🔥The Art Bio Matters conference is a unique opportunity to share your research on biological materials in cultural heritage! Abstract submission deadline extended until May 10. #ABM2023 #culturalheritage #heritagescience #conference #community artbiomatters.org/meetings
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📣Registrations are now open for the 2024 "Symposium for the Study of #Underdrawing and Technology in #Painting. Cross-Media Perspectives"! This edition will be hosted in Leuven and Brussels🧇#VisitBelgium #HeritageScience #TechnicalArtHistory 👉technicalartstudies2024leuve…
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It was great to host the second of our emerging #HeritageScience researcher virtual seminars with @IconSci yesterday! Thanks to our speakers, to the chair @lomecreu, and to everyone who came for making it such a great event.
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Join us and @IconSci on 9th June for our next #HeritageScience emerging researcher virtual seminar! Full details: heritagescienceforum.org.uk/… Info on talks:🧵
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📣Exciting news! On June 9, my colleagues and I will be presenting about our research project, "A global infrastructure for heritage science", as part of the ICON-NHSF Talk Series. Thanks to @Conservators_UK & @HertSci_UK for this opportunity to share and connect with the field🙌
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‼️ JOB ALERT -- I had the incredible chance to be part of this 2-year apprenticeship program and this changed my life forever. Apply now to the @FondCustodia & @rijksmuseum joint position of Junior Curator of #prints and #drawings! werkenbijhetrijksmuseum.nl/e…
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Why do we digitize? How? And for whom? This outstanding paper reflects critically on two decades of digitizing #manuscripts and advocates for qualitative, "slow digitization" #codicology #libraries #bookscholarship archivejournal.net/essays/wh…
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Ever dreamt of exploring #Rembrandt's #NightWatch thru a virtual microscope from the comfort of your home? Well grab a drink and enjoy the ride! @erdmann's record-setting 5 micron resolution image has just been released for everyone to enjoy! 🤩 #NewYearsResolution #HiResMonday
New Year's Resolution: 5 µm The hyper-res image of Rembrandt's Night Watch @Rijksmuseum is now online: hyper-resolution.org/Nightwa… 97 rows × 87 cols (8 439) @Hasselblad H6D-400c MS images Size: 925 000 px × 775 000 px (717 GP) Res: 5 µm (5080 ppi)
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Marie-Noëlle Grison retweeted
#jobopprtunity as a Conservation Scientist at @UniBarcelona Deadline for submission 21 July 2021 bit.ly/36E5DN4 @ErihsEu @ErihsGr @ERIHS_si @RihsPt @ERIHS_DK @rihs_e @ErihsIt @ERIHSuk
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Marie-Noëlle Grison retweeted
📢📗📚🏫#jobalert #bookconservation #conservation Love #books? Love sharing? Come and join us @UvA_Humanities @UvA_Amsterdam as part-time book conservation lecturer to train future conservators! #education More info: uva.nl/en/content/vacancies/…
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When art, science and #AI meet @rijksmuseum: digital reconstruction by @erdmann gives new insights into Rembrandt's #NightWatch and what the painting looked like before it was cropped. Now on view for three months! #OperationNightWatch
I designed a sequence of three artificial neural networks to make a computer reconstruction of the missing parts of the Night Watch from a small copy that was made before it was cut down. The result is now hanging around the painting for the next three months @rijksmuseum!
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Marie-Noëlle Grison retweeted
I'll give an overview of the many components needed to capture, process, and assemble a 925 000 px × 775 000 px (5 µm res.) photo of Rembrandt's Night Watch at the @rijksmuseum. Afterward I'll be available to answer questions on the live Q&A Zoom session.
Replying to @pycon
And shortly thereafter for our FIRST keynote of the conference from @erdmann at 11:20AM Eastern.
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Marie-Noëlle Grison retweeted
I'm excited to give a keynote at this year's @pycon about the challenging process of making an insanely high-resolution 717 gigapixel (!) photo of Rembrandt's Night Watch at the Rijksmuseum, and the key role played by Python and the scientific Python stack throughout the process.
This year, our first keynote speaker will be Robert Erdmann (@erdmann)! Robert uses Python to help the world better understand its cultural heritage. Check back to Hubilo Friday May 14th at 11:20amET/15:20 UTC to watch his presentation!
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Marie-Noëlle Grison retweeted
This year, our first keynote speaker will be Robert Erdmann (@erdmann)! Robert uses Python to help the world better understand its cultural heritage. Check back to Hubilo Friday May 14th at 11:20amET/15:20 UTC to watch his presentation!
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Registration to the 35th congress of the International Association of Paper Historians (June 7-11, 2021) is now open! With @erdmann and @SauvageLeila we will be presenting AI-based tools to study the materiality of #handmadepaper. Curious to know more? paperhistory.org/index.php
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At the @FondCustodia, Old Master drawings are preserved between the leaves of these precious albums, some dating back to the 16th C. Discover how much passion, expertise and craftsmanship goes into restoring these! #restoration #bookbinding #handmadepaper youtu.be/DmkEhR2eJNA
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Marie-Noëlle Grison retweeted
António Horta-Osório - Chair of the Wallace Collection's Trustees: Save the Wallace Collection Library and Archive - Sign the Petition! chng.it/7SCVbXyB via @Change
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Couldn't make it to this exciting multidisciplinary webinar on the #PlantinMoretus collection of woodblocks? Don't panic! It's recorded and will be made available soon #printmaking #bookhistory #digitization
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Hoping I'll get to use my beloved ICOM card⁩ much more often in 2021 than in 2020... ⁦@IcomOfficiel⁩ #museums #byebye2020
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De la cuve du papetier à l'algorithme : un grand écart méthodologique ? Pas tant que ça ! Avec @SauvageLeila, nous montrons comment savoir-faire papetier, imagerie avancée et #IntelligenceArtificielle peuvent nous aider à percer les secrets du #papier 📜🕵️‍♀️🔬
Publication des actes de deux journées d'étude : « Les filigranes, une marque à explorer » (2018) et « Histoire du papier et de la papeterie – Actualités de la recherche » (2019) #HiCSAEditionsEnligne, sous la direction de Claude Laroque bit.ly/39jthAT
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