Layer is an artist-first company, bringing curated fine art into everyday life. Welcome to a New. Art. World.

Joined March 2025
Layer Grade – The Standard for Displaying Digital Art Digital art deserves the same reverence as any fine art piece hung on a wall. We created Layer Canvas because we couldn’t find a display that presented digital art as it was meant to be seen: with presence and precision. In doing so, we set a new standard for defining the visual quality of a device. Layer Grade is our technical standard that defines what it means to be a museum-quality digital canvas—a display worthy of presenting fine art. It is not a single specification. Layer Grade is a system of requirements – visual, computational, and environmental – that together ensure digital artwork is experienced as the artist intended, without compromise. Every component has been carefully considered, tested, and calibrated to meet this standard.
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"Soft Continuum" by Anton Dubrovin (MCHX) on Layer Canvas. 🔥🙂‍↕️
My work out there irl
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Digital art has long lived on devices designed for everything else. Layer Canvas gives it a place of its own: a dedicated canvas for living art, built for presence, depth, and time. Read more in @VentureBeat: bit.ly/3Tt7nEr
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One piece, infinite variants. 🎨 "PHYYSAARUUM" by Andreas Nicholas Fischer (@studioanf).
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One piece, infinite variants. 🎨 "Blind Spots" by Arttu Koskela (@shaderism).
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For the Human Attention Summit, Layer commissioned artist Jeremy Schoenherr (@heyjeres) to create “Disinformation (SE)” — a series of one-of-one digital works generated from each attendee's unique data profile. No two pieces are alike.
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Each guest received an etched aluminum edition of their work, bringing a personal digital original out of the vault and into the hand. This is the idea behind Layer: digital fine art given a real place in the world.
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An art full life. 🎨 "Malformed" by Lake Heckaman.⁠
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A new movement in modern art: 250+ generative and moving works, curated to live, breathe, and evolve in your space.
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Artists are paid through ViewTime™, our recurring royalty model. It measures every second a work is lived with and converts that attention into artist revenue. 🎨 "New Feeder III" by Andreas Nicolas Fischer (@studioanf).
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One piece, infinite variants. "Aura" by Andy Duboc (@andyduboc).
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Critic in residence. 🐾 "Cone Gradients" by Zach Lieberman (@zachlieberman).
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Replying to @MeetLayer
I suspect this will one day be seen as a significant moment for digital art. If only you knew what all was happening here.
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Artist, Casey Reas, in his studio.
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"If you're an architect who's sketching, you're going to work with cardboard or chipboard. If you're a musician who's sketching, you’re going to work with the instrument that you’re most expressive with."
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"If you're coding and sketching, it's not enough to make diagrams and to draw and to plan. You actually need to experience things running as code." —Casey Reas
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