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CFP: reviews @MIRAJournal deadlines Jan & Jun 2024 & on a rolling basis for 2025. Contact: [email protected]
Call for Papers
Spectral Cinema and Contested Landscapes symposium
23–25 April 2025
University of São Paulo
Confirmed Keynote Speaker: Roz Mortimer (UK)
Deadline: 8 Nov 2024
More information: drive.google.com/file/d/1_vk…
Call for Papers: Spectral Cinema and Contested Landscapes - Brazil
23-25 April 2025
University of São Paulo
Organising committee featuring MIRAJ Issue 12.2 Guest Editor @RozMortimer plus Cecília Mello, Renato Trevizano
Deadline: 10 December 2024
CFP ~ Spectral Cinema & Contested Landscapes.
23-25 April 2025 ~ University of São Paulo
Call for Papers
.
drive.google.com/file/d/1_vk…
The Editorial team is currently accepting contributions for Issue 13.2
We seek scholarly articles and opinion pieces, feature articles and interviews, from art historians and critics, film and media scholars, curators and practitioners
Deadline: 1/9
cream.ac.uk/publications/cal…
MIRAJ retweeted
Highly recommended! Screenings & talks with Alia Syed & Juanita Onzaga to celebrate the launch of the MIRAJ journal
Please join us at @RCA's Battersea on 14 March, 5-9pm, to celebrate the launch of issues 11.1, 11.2, 12.1, & our special guest-edited issue 12.2 'Spectral Cinema and Contested Landscapes'
Featuring screenings & talks with Alia Syed & Juanita Onzaga
eventbrite.co.uk/e/launch-of…
Join @luxmovingimage on 23 March 2-4pm for a screening of films by Will Pham. The films explore intergenerational care, community building and refugee narratives in the UK + Q&A with the artist, Dr Diana Yeh & Dr Tamsin Barber
Book: lux.org.uk/event/new-work-sc…
Please join us at @RCA's Battersea on 14 March, 5-9pm, to celebrate the launch of issues 11.1, 11.2, 12.1, & our special guest-edited issue 12.2 'Spectral Cinema and Contested Landscapes'
Featuring screenings & talks with Alia Syed & Juanita Onzaga
eventbrite.co.uk/e/launch-of…
MIRAJ retweeted
‘Women in Revolt!’ speaks back to mainstream feminist art history as well as forward to new generations of feminist activists, who are galvanising around the desire to contribute to the creation of more equitable lives on planet earth. The work of ‘revolting’ women is never done.
MIRAJ retweeted
Grazia Ingravalle’s new book, Archival Film Curatorship (@AmsterdamUPress, 2024), is now out in both hard cover and open access!
aup.nl/en/book/9789463725675….
MIRAJ retweeted
Cinema Parenthèse #44: Vicky Smith - Experimental Animation Films. December 17th, 19h - iMAL, Brussels expcinema.org/site/en/events…
MIRAJ retweeted
This winter, I was asked to curl under a blanket and surround myself with great, fresh writing from Ireland and abroad. It was such a hardship.
@IrishTimesBooks
@stingingfly
@tolka
@Paper__Lanterns
@ThePigsBack1
irishtimes.com/culture/books…
MIRAJ retweeted
Your regular reminder to read the many sticky, spiky and generally excellent texts in ArtReview from our ever expanding roster of writers >
Closing out my first full year commissioning for @ArtReview_ and have been glad to work on some great writing by equally great writers, a few of which I thought I'd collect here ↓
As ever, I'm already excited on what's to come next year with @benson_louise + @oritgat
MIRAJ retweeted
Image Fees - there's an important development after a recent Court of Appeal ruling. It's Good News for historians and art historians (and art lovers generally).
Long thread. >
Screening #1 of the series 'Through a Radical Lens', programmed by MIRAJ Co-Editor Lucy Reynolds, accompanying the exhibition Women in Revolt @Tate.
Featuring rarely screened campaigning films of the London Women’s Film Group.
Tate Britain
6 Dec, 7–9pm
tate.org.uk/whats-on/tate-br…
MIRAJ retweeted
Spotlight on: 'Stalactite' by Dorothy Cross, in the artist's own words.
'Stalactite' is a video installation, currently projected on an immense monolith. You might even hear its beautiful soundings from the outside, before entering our gallery.
#TheRecent
#TalbotRice
MIRAJ retweeted
In September I finished a film about Ali Sultan Issa, a man at the centre of an uneasy marriage between afrofuturism and sinofuturism in the 1950s and '60s. You can watch the whole thing here: thetourist.ggyu.art/ 🧵
MIRAJ retweeted
"Opens a new pathway in aesthetic discourses." - Visual Studies
Therapeutic Aesthetics by Maria Walsh is now in paperback!
More info: bit.ly/3QJrwzM
Read a preview: bit.ly/3Pk4A98
MIRAJ retweeted
We are delighted to announce that Rehana Zaman is the recipient of the 2023 Film London Jarman Award.
Rehana is an artist who puts humanity & community at the centre of her practice, creating powerful films that navigate issues of social injustice.
filmlondon.org.uk/latest/reh…
MIRAJ retweeted
Join video and performance artist Liz Magic Laser for her first UK screening of Convulsive States! The film delves into the shaking body as both a symptom and a remedy for psychic distress. 🖥️ 🧠
🎟️ 22 November at Tate Modern ➡️ bit.ly/3FYqT1T
📣Call for Papers/ participation
A two-day conference (22 & 23 March 2024) bringing together papers engaging with Women in Revolt @Tate
a major survey of feminist 1970s and 1980s art practices in the UK
cream.ac.uk/events/cfp-women…
📷Deadline: 19 December
Organised by @UoW_CREAM































