
Author of CARRY THE ROCK, editor of CHARLES PORTIS: COLLECTED WORKS from https://xitter.cf/t.co/TjIE2DDPc2. Former editor at @oxfordamerican. Opining all mine.
Little Rock, AR
Joined May 2011
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Some news: My screenplay adapted from Kate Kruimink's historical novel A Treacherous Country has won the top prize at the Byron Bay Film Festival in Australia. I'm gobsmacked. filmink.com.au/public-notice…
Jay Jennings retweeted
While on tour with Lisa Walker from Wussy, I’ve been negligent about promoting many things I’m thrilled with. First is the 2nd season of my podcast “Known Associates” starting with the wondrous raconteur Jonathan Lethem. Dylan, Portis and gossip. Jump in. southwestreview.com/known-as…
I understand intellectually that we have a global economy but this bag of frozen smoothies fruit really drove it home.
With the publication of a translation of The Dog of the South into Spanish by Barcelona-based @dirtyworksedit, Charles Portis is getting some love from this leading literary site. The writer dives into the @LibraryAmerica edition (and name checks yours truly as well).
"Por qué las editoriales han prescindido durante tantos años de Charles Portis (salvo por la reciente publicación de El Perro del sur) sigue siendo un misterio".
Charles Portis: el secreto mejor guardado de la literatura americana, por Manuel Moreno. zendalibros.com/charles-port…
Perfectly describes our Arkansas summer.
“He stirs up grief among magnolia branches.” A poem by Geoffrey Brock.

ALT THE VAIN SUMMER after Carlo Betocchi's "D'estate" And it grows, the vain summer, even for me with my thinning hair and gray sins: behold the sly guest, the wind, as he stirs up grief among magnolia branches and hums his immodest tune into the ear of every leaf— and then is gone, leaving the leaves still there, the tree still green, but breaking the heart of the air.
Ted Gioia (@tedgioia) goes beautifully long on Glen Campbell. He rightly cites the film Norwood as embarrassing. Charles Portis told me he stopped in Houston to see it on his way back from Mexico but couldn’t sit through it. open.substack.com/pub/tedgio…
From the looks of this last instruction on my Halloween inflatable, it seems they left out one “Do”: Fire up some herb and enjoy.
In 1977 I was a sophomore at Vanderbilt, a not-quite-weirdo besotted by poetry, comedy, and pointed lyricists like Zevon. I remember sitting in dorm room with other not-quite-weirdos listening to this and being gobsmacked with Anglophilia. @paranoiacs nails the moment here.
“Trapped between the doctor and the magistrate!” ICYMI! Over at Pitchfork, I gave my final ruling on Elvis Costello’s brilliant ‘My Aim Is True' on the occasion of its box set reissue for its 49th anniversary. pitchfork.com/reviews/albums…
Jonathan Lethem on Masters of Atlantis: “Science fiction writers pass along that book like it’s the Bible.”
Over at my amazing podcast Known Associates, Season 2 starts with a prismatic chat with the great Jonathan Lethem. Topics include: film-noir, Charles Portis, profiling Dylan and James Brown, the ecstasy of influence and his rad new band the Disassociation. southwestreview.com/known-as…
Jay Jennings retweeted
"I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means.”
Joan Didion
The head of the philosophy department at Williams College downplays the pedagogical value of writing:
“What if we are mistaken in treating writing as the highest cultivation of thought? The evidence that supports this belief is thin at best. Writing can be useful cognitive scaffolding for memory and self-regulated learning, but the notion that it is the best process for developing thinking skills is a fairly recent idea, traceable to the 1970s writing-across-the-curriculum movement.”
Jay Jennings retweeted
Over at my amazing podcast Known Associates, Season 2 starts with a prismatic chat with the great Jonathan Lethem. Topics include: film-noir, Charles Portis, profiling Dylan and James Brown, the ecstasy of influence and his rad new band the Disassociation. southwestreview.com/known-as…
From the great @tedgioia, a fan of the great Charles Portis. He includes both True Grits in his list. open.substack.com/pub/tedgio…
And John Wayne was a fan, too. encyclopediaofarkansas.net/m…
Terrific interview. First week US Open on the outer courts is my favorite sports spectating experience. No substitute for seeing the game up close.
Jay Jennings retweeted
Another great Cunningham’s Law move — love seeing people bring up Charles Portis, etc.
Americans can’t write funny novels. After 250 years, they still don't have a sense of humour. spectator.com/article/why-am…
Since everyone's chiming in on their favorite funny American novels and novelists: of course Charles Portis, but I'll add @elmckenzie1, Lorrie Moore, Ed Park, Peter De Vries and Gilbert Rogin.
Jay Jennings retweeted
“American novels aren’t funny” okay explain this. explain why the funniest novel ever written is about a man from Little Rock, Arkansas
The Great Flatsby: why American novels aren’t funny 🇺🇸😐
✍️ me in @spectator
spectator.com/article/why-am…
Jay Jennings retweeted
“All I need to write is to run in the morning, to have coffee and a Coke at hand, and to be able to take a nap. The siesta is crucial.” —Javier Cercas buff.ly/U8hB0RG
Jay Jennings retweeted
Tomorrow!! Commit to your writing—day by day, panel by panel, strip by strip.
Join @gelgud in a six-week, online workshop on the art of the daily comic and strengthen your writing practice in the process. Save your seat now: lareviewofbooks.org/event/ho…





















