
Archiviste, responsable du Lab aux @ArchivesnatFr, digital humanist. #dh, #archivalscience, #metadata, #linkeddata, #AI, ...
Joined January 2015
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Florence Clavaud retweeted
#ZeroParrainagePourMelenchon
Enfin la #chanson !
Pour votre maire et montez le đ
Florence Clavaud retweeted
Pierre Portet nâest plus. Ts ceux qui lâont connu en prĂ©pa Chartes Ă Fermat, dans sa carriĂšre se souviennent de lui : homme des lumiĂšres, passionnĂ© de tout excessif en tout, secret de tout. Pour moi, il Ă©tait tout cela et bien plus . Pierre, pourquoi nâai je pu te dire Adieu ?
Florence Clavaud retweeted
PremiĂšre mondiale !
LâESPCI Paris PSL - CNRS, lâUniversitĂ© de Limoges, IMT Atlantique et le LIMMS Ă lâUniversitĂ© de Tokyo ont utilisĂ© des clĂ©s ADN pour sĂ©curiser une communication numĂ©rique.
Vous avez bien lu : un document complet a Ă©tĂ© chiffrĂ© et dĂ©chiffrĂ© avec de lâADN.
Cette prouesse ouvre des perspectives nouvelles pour la protection des tĂ©lĂ©communications sensibles et plus largement pour lâutilisation de lâADN comme nouveau support dâinformation et de stockage.
Avec seulement quelques grammes, on pourrait conserver durablement lâĂ©quivalent des donnĂ©es dâun data center avec une consommation Ă©nergĂ©tique extrĂȘmement faible.
Félicitations aux équipes pour cette avancée majeure au croisement des biotechnologies et de la sécurité des télécommunications.
Florence Clavaud retweeted
The Ontology Layer of Design
Why words are the most important design tool in the AI era
Designers deal in user flows and wireframes, motion curves and design tokens. While the tools and processes of the discipline have evolved over the years, the job remains the same: turning technical complexity into something simple to use.
The advent of generative AI doesnât change the goal of simplifying the complex, but the territory is now different. Many designers are no longer designing rigid, deterministic computing experiences, and the old playbook of mapping products around predefined user scenarios no longer fits. Instead, the probabilistic nature of large language models (LLMs) gives users something like a teleportation device, and design process must adapt accordingly.
Language models put incredible levels of intelligence in the hands of users â the model truly does become the product, as many have noted â but this raw intelligence still needs an environment in which to take shape.Â
Itâs the role of the designer to define the conceptual world these models operate in, and the first step in doing this is to define a productâs ontology: the basic objects, relationships, and concepts that define what exists in the system.
AI does not eliminate the need for designers, but it does require the discipline to adapt as the technology evolves. The field has already undergone several step changes as it has grown from pixel pushers to experience designers. Now itâs time to take another step â shifting from designing screens and flows to crafting semantic worlds.
As designers evolve into âfull-stack makers,â understanding the role of ontologies in product creation becomes essential to the task of turning technical complexity into something simple to use.
In this piece, Jens Jorgenson gives an overview of product ontologies as they relate to the design process, shows how to spot a good ontology from a bad one, and explores how this emerging vocabulary is reshaping the design process in the AI era.
figureandground.substack.comâŠ
#DesignThinking #ArtificialIntelligence #Semantics #ProductDesign #UserExperience
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Florence Clavaud retweeted
LâAllemagne vient de bannir les formats Microsoft (.docx, .xlsx) de toute son administration.
DĂšs 2028, un seul format autorisĂ© : lâODF â open source, libre, non contrĂŽlĂ© par une entreprise privĂ©e.
Ce nâest pas un dĂ©tail technique. Câest un acte de rĂ©bellion numĂ©rique.
La France suivra-t-elle ?
Florence Clavaud retweeted
Social scientists working with materials requiring digitization can only study what machines can read. In practice, that means printed Latin-script documents from well-funded archives. In a new working paper, I show that Vision Language Models used zero-shot outperform every existing OCR system across every script evaluated, and I propose a pipeline for deploying them on new collections. I apply it to six archival collections spanning 1.8 million pages across six countries for under $1,900.
Florence Clavaud retweeted
Portrait dâOlivier Guyotjeannin, professeur Ă©mĂ©rite dâArchivistique, diplomatique et histoire des institutions de lâĂ©poque mĂ©diĂ©vale Ă lâĂcole des chartes chartes.psl.eu/gazette-chartâŠ
Florence Clavaud retweeted
đźđč The speech that all of Italy heard. And that the world must hear.
In a country that will host the Olympic Games, Italian Senator and Vice President of the Human Rights Commission Filippo Sensi took the floor and said what should have been said out loud long ago.
He called it a disgrace that the International Olympic Committee disqualified Ukrainian skeleton athlete Vladyslav Heraskevych.
Not for doping.
Not for violating fair play.
But for⊠memory.
For a helmet bearing the faces of Ukrainian athletes â his friends, colleagues, champions â killed by Russia.
The IOC stated that the helmet âdid not comply with regulations.â
And then Sensi asked a question that brought silence to the chamber:
Does aggressive war comply with regulations?
Is there a separate technical protocol for it?
The correct angle of a missile strike?
The permissible size of a crater?
An athlete prepares for the Olympics for years.
A Ukrainian athlete trains between air raid sirens, in shelters, under news of the dead.
He overcomes fear, exhaustion, and loss.
And he steps to the start line not only for a medal â but for the right to exist.
And he is suspended⊠for remembering.
Because memory is the most dangerous substance. It is hard to add to a prohibited list. But apparently, someone would very much like to.
The senator named names. Just a few among more than 650 Ukrainian athletes killed by Russia:
âȘïž Yevhenii Malyshev, 19, biathlete â killed in Kharkiv.
âȘïž Mariia Lebid, 15 â missile strike in Dnipro.
âȘïž Dmytro Sharpar, 25, figure skater â killed in Bakhmut.
âȘïž Volodymyr Androsiuk, 22, track and field athlete â also Bakhmut.
âȘïž Daria Kurdel, 20 â missile strike in Kharkiv.
âȘïž Alina Perehutova, 14 â standing in line for water with her mother in Mariupol.
âȘïž Maksym Halinichev, 22, boxer â killed defending Luhansk region.
âȘïž Viktoriia Ivashko, 9, judoka â missile strike in Kyiv.
âȘïž Kateryna Diachenko, 11, gymnast â airstrike on Mariupol.
âȘïž Karina Bakur, 17, world kickboxing champion â shielded her father with her body.
These were the faces Heraskevych wanted to carry with him to the start line.
So that they would âcompeteâ alongside him.
So that their dream would not die with them.
And for that, he was punished.
Because it turns out that the faces of murdered athletes violate regulations.
But their absence on the track does not.
In his speech, Sensi said the most important thing:
The Olympic Committee did not lose an athlete.
It lost its most valuable medal â its conscience.
Sport without memory is just a show.
Sport without humanity is just decoration.
Sport that fears truth is not about peace.
The Olympic movement was born from the ideals of honor, dignity, and unity.
Yet today Ukrainian athletes must prove not only their strength â but their right to remember their fallen.
And if memory becomes a violation of regulations â then the problem is not the helmet.
The world must hear this.
Because silence is also a position.
And indifference is also a choice.
Memory cannot be disqualified.
And conscience cannot be added to a prohibited list.
đșđŠ We remember every one of them.
And we will not allow their names to be erased.
Florence Clavaud retweeted
ICA-SUV co-sponsored a webinar on Records in Context (RiC) with the IAAS) of SAA in July 2025, featuring Florence Clavaud and Carina McDowell as they discussed their work with the Records in Context (RiC) standard. Please see the recording of the event:
youtube.com/watch?v=Qrfbo201âŠ
Florence Clavaud retweeted
Alors chez vous je ne sais pas, mais chez moi, "Questions pour un champion" c'est l'émission que je regarde avec ma (vieille) mÚre quand je vais la voir, dans sa maison sous les arbres.
C'est (la seule) émission qu'elle a fait regarder à mes mÎmes, qui a contribué à les rendre
Demain vendredi sera diffusé le dernier Questions pour un Champion inédit en semaine, aprÚs 37 ans de présence
(cet été, QPUC sera en rediffusion).
Soyons nombreux Ă le regarder pour lui dire au-revoir.
Je lance ici un dernier appel Ă la direction de France TĂ©lĂ©visions, au vu de lâimpressionnante mobilisation pour appeler au maintien de notre beau jeu en quotidienne.
Encore une fois, séparez-vous de moi si vous le souhaitez, mais je vous en implore, laissez QPUC à son public, si fidÚle, et si nombreux !
Je veux remercier tous ceux et toutes celles qui ont pris la parole pour regretter cette décision, nous pourrons nous dire que nous avons fait ce que nous pouvions.
Prenez soin de vous !
Ps : QPUC Ă©tait encore numĂ©ro 1 en audience hier soir dans sa case horaire en nombre de tĂ©lĂ©spectateursâŠ
Florence Clavaud retweeted
California will keep fighting on behalf of all our people including in the courts.
If some of us can be snatched off the streets without a warrant, based only on suspicion or skin color, then none of us are safe.
Authoritarian regimes begin by targeting people who are least able to defend themselves. But they do not stop there. Trump and his loyalists thrive on division because it allows them to take more power and exert even more control.
Florence Clavaud retweeted
A sobering message from a history teacher:
Iâve spent years teaching American and international government â from strong democracies like the UK to authoritarian regimes like russia and China.
But lately, the most alarming lesson comes from home.
1/n
Florence Clavaud retweeted
Merci Ă Christophe ClavĂ© pour cet Ă©clairage sur lâappauvrissement de la langue et la ruine de la pensĂ©e đ
"La disparition progressive des temps (subjonctif, passĂ© simple, imparfait, formes composĂ©es du futur, participe passĂ©âŠ) donne lieu Ă une pensĂ©e au prĂ©sent, limitĂ©e Ă lâinstant, incapable de projections dans le temps.
La gĂ©nĂ©ralisation du tutoiement, la disparition des majuscules et de la ponctuation sont autant de coups mortels portĂ©s Ă la subtilitĂ© de lâexpression.
Supprimer le mot «mademoiselle» est non seulement renoncer Ă lâesthĂ©tique dâun mot, mais Ă©galement promouvoir lâidĂ©e quâentre une petite fille et une femme il nây a rien.
Moins de mots et moins de verbes conjuguĂ©s câest moins de capacitĂ©s Ă exprimer les Ă©motions et moins de possibilitĂ© dâĂ©laborer une pensĂ©e.
Des Ă©tudes ont montrĂ© quâune partie de la violence dans la sphĂšre publique et privĂ©e provient directement de lâincapacitĂ© Ă mettre des mots sur les Ă©motions.
Sans mot pour construire un raisonnement, la pensée complexe chÚre à Edgar Morin est entravée, rendue impossible.
Plus le langage est pauvre, moins la pensée existe.
Lâhistoire est riche dâexemples et les Ă©crits sont nombreux de Georges Orwell dans « 1984 » Ă Ray Bradbury dans « Fahrenheit 451 » qui ont relatĂ© comment les dictatures de toutes obĂ©diences entravaient la pensĂ©e en rĂ©duisant et tordant le nombre et le sens des mots.
Il nây a pas de pensĂ©e critique sans pensĂ©e. Et il nây a pas de pensĂ©e sans mots.
Comment construire une pensĂ©e hypothĂ©tico-dĂ©ductive sans maĂźtrise du conditionnel ? Comment envisager lâavenir sans conjugaison au futur ? Comment apprĂ©hender une temporalitĂ©, une succession dâĂ©lĂ©ments dans le temps, quâils soient passĂ©s ou Ă venir, ainsi que leur durĂ©e relative, sans une langue qui fait la diffĂ©rence entre ce qui aurait pu ĂȘtre, ce qui a Ă©tĂ©, ce qui est, ce qui pourrait advenir, et ce qui sera aprĂšs que ce qui pourrait advenir soit advenu ? Si un cri de ralliement devait se faire entendre aujourdâhui, ce serait celui, adressĂ© aux parents et aux enseignants : faites parler, lire et Ă©crire vos enfants, vos Ă©lĂšves, vos Ă©tudiants.
Enseignez et pratiquez la langue dans ses formes les plus variĂ©es, mĂȘme si elle semble compliquĂ©e, surtout si elle est compliquĂ©e. Parce que dans cet effort se trouve la libertĂ©. Ceux qui expliquent Ă longueur de temps quâil faut simplifier lâorthographe, purger la langue de ses «dĂ©fauts», abolir les genres, les temps, les nuances, tout ce qui crĂ©e de la complexitĂ© sont les fossoyeurs de lâesprit humain. Il nâest pas de libertĂ© sans exigences. Il nâest pas de beautĂ© sans la pensĂ©e de la beautĂ©."
Christophe Clavé
Florence Clavaud retweeted
đ€đ What happens when archives meet artificial intelligence?
Step into the unknown at AI and the Archives â the 29th Archival Science Colloquium hosted by the Archivschule Marburg (Germany).
From transforming workflows to shaping historical research, AI is beginning to leave its mark on archival practice. Whatâs already happening? Whatâs next?
đïž 20â21 May 2025
đ Online | Open to all
Explore first-hand experiences, emerging applications, and big questions at the intersection of AI and archives.
Register now! đ archivschule.de/DE/forschungâŠ
#NewsFromICAMembers
Florence Clavaud retweeted
Encore une superbe adresse de lâexcellent @ClaudeMalhuret Ă nos amis.. le peuple amĂ©ricain .. Ă©coutez.. câest savoureux đ
Florence Clavaud retweeted
When words fall short, symbols speak.
Like the motifs Ukrainians paint on Pysanky, their traditional Easter eggs â symbols of resilience and hope, unbroken by Russian aggression.
The EU supports Ukraine in the war and along its European path.
For a prosperous, peaceful future.
Florence Clavaud retweeted
RDF vs. LPG: Graph Databases Demystified. đ§ Jeremy Debattista's new article cuts through the hype and provides an objective comparison of RDF and LPG data models.
towardsdatascience.com/lets-âŠ





























