Dr. Emmanuela Wroth (@EmmanuelaWroth) header
Dr. Emmanuela Wroth (@EmmanuelaWroth) profile picture

Rhymes with 'both'. Leverhulme ECF @Cambridge_Uni working on ‘Diasporic Divas’ + ‘Courting Celebrity’ in 18th/19thC Western Europe + the Atlantic. she/her/elle

London, England
Joined April 2019
Photo by Dr. Emmanuela Wroth (@EmmanuelaWroth)Photo by Dr. Emmanuela Wroth (@EmmanuelaWroth)Photo by Dr. Emmanuela Wroth (@EmmanuelaWroth)Photo by Dr. Emmanuela Wroth (@EmmanuelaWroth)Photo by Dr. Emmanuela Wroth (@EmmanuelaWroth)Photo by Dr. Emmanuela Wroth (@EmmanuelaWroth)Photo by Dr. Emmanuela Wroth (@EmmanuelaWroth)Photo by Dr. Emmanuela Wroth (@EmmanuelaWroth)Photo by Dr. Emmanuela Wroth (@EmmanuelaWroth)Photo by Dr. Emmanuela Wroth (@EmmanuelaWroth)
Now the contract is officially signed I’m excited to share that I’ll be publishing my first monograph ‘Courting Celebrity: Creating the Courtesan on the Popular Parisian Stage, 1831-1859’ with Oxford University Press. Thank you to everyone who got me here, you know who you are!
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I do have a question for many of my academic & writer friends on here. How have you been watching all this for the last 1.5 years & counting, & just remained utterly silent except for promoting your books/appearances/blogs? How do you do it? It can't be that you don't see.
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when asked why i didn't make the deadline
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If you want to hear about my new “Diasporic Divas” research on the 18th-century Afro Italian singer Vittoria Tesi then please sign up to the below, in person or online at the end of the month!
Meet our first panel speakers for the 2nd European Researchers in the UK event: PANEL 1: Staging Identity: A Historical Perspective
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Anticolonial resistance will always be portrayed as savagery to hide the very real savagery of the colonizer.
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This is a sick joke.
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It's outrageous that they've renamed a magazine that's been running since 1925? What a woke centenary!
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Aww right back at you @ClareSiviter excited for future collaborations and conversations 🤩
At the end of a long week, it is wonderful to have this in my hands. Clare Finburgh-Delijanj has been a brilliant editor and ⁦@EmmanuelaWroth⁩ the most amazing coauthor. Interviewing Eric Ruf ⁦@ComedieFr⁩ was also the stuff of dreams✨
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'This ...signals a cultural shift that risks leaving future generations without the critical, empathetic and intellectual tools provided by literature.'> The Guardian view on humanities in universities: closing English Literature courses signals a crisis theguardian.com/education/20…
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296 pages of evidence added to thousands of others.
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My exclusive for Observer today: For 1st time FOI data from Oxford colleges shows majority of tutorials taught by early career academics struggling to manage on low pay & ‘Deliveroo-style’ contracts. FT profs only taught a third of tutorials last year. theguardian.com/education/20…
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in an exceptionally crowded field i don’t think there’s ever been a more embarrassing man than elon musk
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So the NY Times decided to delete the evidence rather than describing it correctly
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“I recognize that the colour of my skin brings me privilege, so until that is no longer the case, I will use that privilege to effect positive change.” - @FranceskAlbs at the University of Montreal
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“And your Lord never forgets”
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So excited that @ClareSiviter and my chapter "New Approaches to Women Actors and Celebrity in Nineteenth-Century France" has been published in the new edited volume "A New History of Theatre in France". DM me if you would like access to it. cambridge.org/core/books/new…
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Interviewer: “How do you explain this gap in your resume?” Me: “I was trying to connect with eduroam”
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When you're really proud of the work you've done this year, exhausted and ready for the Christmas break, but it's October
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I’ve been all over the country in the last month. And I get asked the same question, over and over again: “I disagree with Kamala’s position on the war in Gaza. How can I vote for her?” Here is my answer:
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