@CriticsChoice Member | 🍅-approved | Film Critic/TV Host @ROGERStvDurham | @untitled_movies Co-Host | PO: @TheArtsGuildCA, @chuddotcom, @ThatShelf, & @TheTFS.

Toronto, Ontario
Joined January 2010
And that’s a wrap on #TIFF26, or is it a burrito?  @GurveerBrah of @ScreenOffScript and @ShakExcellence, @CGMagonline film writer, join me on #CinemaSeen to recap the last 11 days. Full Episode: bit.ly/3VywQNT
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finally seeing EVERYTHING tonight
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Listen to me ↓ ↘ → + HP @EM6211 in this episode.
On this episode, @mattrorabeck, @EM6211 and @Brrrning review #CLAYFACE, #STREETFIGHTER (2026), #WHALEFALL and #THESOCIALRECKONING as well as discuss the stuff they’ve been watching this October. Full Episode: lnk.to/354QAK
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The most heated we’ve ever gotten as a trio is a debate about STREET FIGHTER, lmao We also review CLAYFACE.
On this episode, @mattrorabeck, @EM6211 and @Brrrning review #CLAYFACE, #STREETFIGHTER (2026), #WHALEFALL and #THESOCIALRECKONING as well as discuss the stuff they’ve been watching this October. Full Episode: lnk.to/354QAK
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On this episode, @mattrorabeck, @EM6211 and @Brrrning review #CLAYFACE, #STREETFIGHTER (2026), #WHALEFALL and #THESOCIALRECKONING as well as discuss the stuff they’ve been watching this October. Full Episode: lnk.to/354QAK
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Incredibly proud to have worked on this magnificent film.
A shared love for art. A life-changing friendship. LOOK BACK A film by Hirokazu Koreeda In select theatres in North America December 30 In theatres nationwide January 15 brnw.ch/21x6b20
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My favourite film from this year’s TIFF. It’s easily one of the most beautifully shot films I’ve seen in years and you should definitely check it out in theatres if you get the chance. I love this film so much!
A shared love for art. A life-changing friendship. LOOK BACK A film by Hirokazu Koreeda In select theatres in North America December 30 In theatres nationwide January 15 brnw.ch/21x6b20
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The beauty of Jean-Pierre Melville 💙 From ‘Le Samouraï’ and ‘Le Cercle Rouge’ to ‘Army of Shadows’ or ‘Bob le Flambeur’, the cinema of Jean-Pierre Melville, the undisputed master of French polar films, immersed us in a world of precision, silence, and moral codes.
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Rawhead Rex is in this trailer.
What you can’t remember will haunt you. Halloween is only the beginning in Jeremy Saulnier’s run-like-hell thriller SLAYGROUND, in theaters January 29.
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What you can’t remember will haunt you. Halloween is only the beginning in Jeremy Saulnier’s run-like-hell thriller SLAYGROUND, in theaters January 29.
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This is Humber Polytechnic erasure. Fielder studied Comedy Writing and Performance program in 2006 after the commerce degree. Also, recently learned from the new Norm: The Tale of Norm Macdonald documentary that both he and Tom Green went to Algonquin College.
Be Nathan Fielder: > grow up in Vancouver, Canada > join your high school improv group alongside Seth Rogen > graduate with a commerce degree in 2005 > decide accounting isn't for you > start doing comedy > land a correspondent role on This Hour Has 22 Minutes > create a segment called Nathan on Your Side > give real people increasingly ridiculous advice with a completely straight face > turn the concept into Nathan for You on Comedy Central in 2013 at 29 > spend four seasons convincing real businesses to try increasingly absurd marketing schemes > sign an overall production deal with HBO in 2019 > convince them to fund The Rehearsal > build an exact replica of a New York bar so one man can practise a conversation > co-create The Curse with Benny Safdie and cast Emma Stone > return to The Rehearsal in 2025 and spend over two years learning to fly >actually pilot a Boeing 737 carrying more than 100 actors >secretly spend three years filming convicted Theranos founder Elizabeth Holmes > co-direct You Can See Everything with Lance Oppenheim > convince A24 to release the nearly three-hour documentary > make it for roughly $7 million > open in 2026 to $15 million from just 855 cinemas > sell out more than 2,000 screenings in one weekend deliver the biggest non-music documentary opening in over 20 years nice
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I know us Fielder heads are going to be very annoying about You Can See Everything for the rest of the year, but it’s going to have that same undeniable impact that Twin Peaks: The Return had in the 2010s. It will be a key reference point for film moving forward. It’s how it goes
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CLAYFIGHTER (2026)
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CLAYFIGHTER Double Feature Night (Film #1/2)
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✨ Announcing Criterion's JANUARY 2027 titles! ✨ bit.ly/2jXMD3N One of the most harrowing survival thrillers ever made; a tender, bittersweet ode to female friendship; a piercing examination of the psychology of colonialism; and four long-awaited restorations from around the globe.
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Line, and delivery, of the year.
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