"There isn't anything AI in our movie. It is pertinent timing to show the world something that is definitely human." - Deborah Cook (Costume Design) "The hundreds of people who have created something; this means something to them. It wasn't a prompt; it wasn't a push of a button." - Oliver Jones (Head of Character and Practical Effects) 🎤 @ChamatkarSandhu #Wildwood @LAIKAStudios

You can watch the full interview on our YouTube channel ▶️ youtu.be/k7Jg1KUwT64

Zach Cregger is teaming up with Jennifer Lawrence for his next film, The Flood, and he couldn’t be more hyped about it 🌊 Could The Flood be the project that earns Jennifer Lawrence her second Oscar? 👀🏆 Presented by @Kalshi_Film

Anthony Ippolito describes the "weight of the responsibility" of playing a young Sylvester Stallo in Peter Farrelly’s I Play Rocky 🥊

Nathan Fielder and Lance Oppenheim’s ‘You Can See Everything’ is earning high praise, but could it make Oscar history and become the first documentary ever nominated for Best Picture? 🏆 Presented by @Kalshi_Film

Adia on her biggest takeaway from her first feature film, Your Mother Your Mother Your Mother, where she stars alongside Mahershala Ali: "Trust in myself. Trust in my instincts. It's been a wonderful ride thus far, and I'm so happy to be here right now, man. It's just wonderful."

Marc Maron: “This is the thing about movies that are art. They’re not meant to be understood in the same way you’re gonna understand a narrative entertainment, right? So, like, that means it’s operating on some other level, and I’ve got to figure out what that is.”

Jesse Eisenberg admits he "couldn't get into studio movie parts" after winning a Razzie for playing Lex Luthor 😳 His latest feature film, The Debut, is generating tons of buzz heading into award season 🏆 Presented by @Kalshi_Film

Seth Rogen praises Curry Barker's follow-up to Obsession, Anything But Ghosts: "It’s even better" 😯 Rogen also had high praise for Obsession, saying: "It showed a level of cinematic intuition many directors will never have. We were on a ride. It was also technically impeccable, beautifully performed, expertly written, all for around $750,000, and by a very nice guy in his early 20s. Curry Barker didn’t set out to make a cultural phenomenon, he set out to make a movie with his friend. But a phenomenon is the result."

Nathan Fielder and Lance Oppenheim’s documentary 'YOU CAN SEE EVERYTHING' is a certified HIT 💰 The Elizabeth Holmes doc pulled in a massive $15 MILLION in its opening weekend, marking the biggest documentary debut in over 20 years and the largest opening for a film playing in fewer than 1,000 theatres since Borat (2006). Around 70% of opening weekend crowds were under 35 years old, and according to exit polls, 90% of ticket buyers would “definitely recommend” the film and 80% said it was “even better than expected.”

Street Fighter is the No. 1 movie at the box office 👊 💰 Presented by @Kalshi_Film

40 years later, Tom Cruise is reflecting on the lessons he learned from Paul Newman and Martin Scorsese while making THE COLOR OF MONEY 💵