Directed by Dene Grigar 💾 A media archaeology lab used for advanced inquiry into curation, preservation, and production of born-digital literary work
Vancouver, WA
Joined September 2018
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Coming in December: A VR experience w/physical archives held in The NEXT. Imagine the beach ball Richard Holeton used in the 2000s when he performed Figurski at Findhorn on Acid, modeled as a 3D object & accessible via a Quest 2 & 3, & the Apple Vision Pro vimeo.com/1023715967
The Holly, Richard, Greg, and I with Holly and Richard's family visiting ELL today. Lots of happy people!
Electronic Literature Lab retweeted
Coming in July. A radio story and an episode connected by the word "Nightfall." The story adapts Issac Asimov's original for radio. A world with six suns prepares for the coming of darkness and the first sight of things called "stars." More info at website reimaginedradio.fm
Electronic Literature Lab retweeted
This week's Framework:afield edition revisits the second edition of the series, produced in the United Kingdom by artist, author, podcaster, and knitter Felicity Ford (knitsonik.com), first broadcast on May 19, 2006. See our website radionouspace.fm for more.
The lab just finished reconstructing Christy Sheffield Sanford's "Red Mona," a net art piece published originally in 1997. The story, based on Guy de Maupassant's "Petit Soldat," unfolds over 45 flash cards. dtc-wsuv.org/projects/red-mo… @WSUVancouver @eliterature
We gave 4 tours today to members of the WSU Advisory Committees members and had the time of our lives showing off the vintage computers and games in the lab. Thanks, @WSUVancouver for including us in this great event!
The @CMDC_WSUV students are working on Deena's uncompleted hypertext, Stone Moons, which she started years ago on Storyspace. It's a massive work, even in its current state, with 6628 hyperlinks. & yes, that is our "Molar Mac" that they are using to access the work @WSUVancouver
For the last year Deena Larsen has been serving as the Artist-in-Residence at the @ELitLab at @WSUVancouver. She leaves today for new adventures, but we thank her for all of the support she gave @CMDC_WSUV students & the great art she made while with us @eliterature
Deena was the 2023-24 Artist in Residence in the Electronic Literature Lab at @WSUVancouver
Congrats to WSU Vancouver undergrads Drew Ott and Brynna Hosszu whose born-digital art were short-listed for the "Student Prize" of the New Media Writing Prize 2024. Both works were projects for DTC 354 in Fall'23 taught by Artist in Residence Deena Larsen newmediawritingprize.co.uk/2…
We updated our lab's History page of our website. It now features a timeline and images. Thank you, @_hollyjune, for creating this gorgeous design! #elitlab dtc-wsuv.org/electronic-lite…
What every digital textual scholar loves: The original edits of a hypertext novel. Here is Richard Smyth's Genetis, edited by Cramer.
Electronic Literature Lab retweeted
This week's Framework (#887, 28 Apr-May 05), entitled "Whisper to Dragons," was produced by <orogenetics.org/>Michael Northam in the United States, using recordings made in South Asia during years of traveling and living there. Thanks for listening radionouspace.fm
ALT Framework Radio is a weekly radio art program about field recording, and its use in composition. Each Framework episode features compositions by international sound artists. Episodes are not ABOUT field-recording, rather they ARE individual field-recording compositions.
Announcing the new exhibition at The NEXT: "Art Intelligent," curated by Alexandra L. Martin, curator and co-curated by Élisabeth Savard. AI art by Joel Swanson, Aya Karpinski, & Secondary IV students: the-next.eliterature.org/exh… @eliterature @WSUVancouver
We love Re-Imagined Radio! Listen today!
TODAY, Monday = release of Re-Imagined Radio's latest episode, "Syndication." We focus on "Box 13" and "The Damon Runyon Theater," both produced by Alan Ladd's Mayfair Productions. Stream live from @kxrwvancouver or @xrayfm Visit our website reimaginedradio.fm for more info.
ALT It takes a village to produce a radio show and podcast like Re-Imagined Radio. Thanks to Marc Rose, sound design and post-production. Holly Slocum with Sydney Nguyen for the excellent graphics. KXRW-FM and KXRY-FM for their support. The Electronic Literature Lab for a creative space. Washington State University Vancouver Marketing and Communication for help with promotion. All anyone reading this, for showing interest and listening. Thank you all.
ELL has expanded into a new space for the physical archives it is holding for The NEXT. It now consists of three spaces 1) the Reading Room, 2) the Archival Space, and 3) the Sound and Video Studio @eliterature
We received the WSUV Mini-Grant for the project, “Spatial Computing for Use of Physical Artifacts Held in Museum & Library Repositories,” in support of developing XR capabilities for the Visualization space of The NEXT. We kick the project off May 6. @eliterature @WSUVancouver
Kudos for Vancouver DTC major James Lesperance who was selected for a WSU Vancouver Undergraduate Research Fellow Award. His project, "Programming a Method for Documenting NetProv," allows him to work with @Netprov_RobWit. dtc-wsuv.org/wp/ell/2024/04/… @eliterature @WSUVancouver
Happy to let you know that we've added The Rob Wittig Collection to The NEXT. Currently we're presenting the 4 early hypertext works he produced. We've written a grant that will allow us to develop a platform for showcasing his NetProv works in the future. the-next.eliterature.org/col…
Week 4 of Women's History Month & we're honoring Marisa Parham. Her ".break .dance" is a mash up of images, video, animation, & text inhabiting “spaces of possibility” around, across, and beyond the screen. We are so pleased to feature it in Vision Unbound the-next.eliterature.org/exh…
Here is the link to today's book launch for The Challenges of Born-Digital Fiction: Here is the bit.ly link to today's Book Launch: bit.ly/challenges-of-born-di… @WSUVancouver
Yesterday we received this wonderful surprise from artist Nanette Wylde. The CD-ROM contains her "flip books" from 1997-2011. The sleeve is handmade as is the insert explaining the art. Loaded in the computer, the icon matches the aesthetic. Look for it in The NEXT! @eliterature
