@Dutchmassive

nah b

 JunkPlanet
linktr.ee/peacepeacegawd
Joined November 2008
  • Tweets43.9K
  • Following793
  • Followers2.7K
1.3KMedia
Dutchyyy retweeted
m//A@AntonJayy17h
People say that they are disappointed that they dont own a house at this age but I definitely thought I'd have an NTS show by now. (a house would be cool too, I'm sure).
1
1
15
509
한잔의 추억 너무 좋아 😬 오늘 수민 슬롬 애플 쇼케이스 ㄴㅁㄴㅁ 좋았다
16
4
16
6,756
I also got these, be careful out there. Report for phishing
Darko the Super@DarkoTheSuperOct 19
Replying to @Bandcamp
@Bandcamp I received 8 bandcamp messages this morning from agentbc@gmail posing as bandcamp support. Obviously I didn’t click the links. I’m sure you know already, but the scammers have hit our beloved independent music platform.
1
1
43
Talking Heads - “Once In A Lifetime” Brian Eno borrows Fela Kuti's and Tony Allen's rhythmic genius for Talking Heads’ most enigmatic Song. When I first heard the Talking Heads classic “Once In A Lifetime” (1981), I immediately knew that it would have a profound effect on me musically (and culturally). Although at that time I’d only had some minimal familiarity with African multiple rhythmic styles, I hadn’t yet gotten into Fela Kuti, the towering Nigerian figure and creator of Afrobeat. So hearing “Once In A Lifetime” was like being smacked with five walls of rhythm, all at once. Also, “Once In A Lifetime” is one of those examples of when musical borders collide beautifully.
1
8
36
987
Twenty years later. Still fully loaded. Reveal October 20.
17
27
2
189
2,872
Dutchyyy retweeted
TEK.LUN
@tekdotlunOct 14
Bro…I haven’t chopped anything this surgically in AGES
20
54
8
692
14,715
Dutchyyy retweeted
Dutchyyy@DutchmassiveSep 1
Consistency has no value, and now even those willing to compromise and pivot to content farm, what's actually being achieved on that quest for "success" or growth, when you have the data available these platforms don't even show that content to the audience you already have?
Kaii2kewl4skewl@Kaii2kewl4skewlSep 1
If you're a digital artist, you have to become a content farm to succeed because people can't just appreciate art from a distance anymore. It's almost like we're seen as content rather than artists atp, just because we use screens.
3
3
273
Just updated my Spotify bio.
3
1
12
354
I miss monoculture this shit sucks. The good thing about mono culture was it still allowed for sub-cultures, but it also gave us at least one major platform to relate to eachother. Now nobody got SHIT in common with eachother
37
311
41
2,529
46,478
Dutchyyy retweeted
SE-JI
@Kowaii114Oct 13
New inspiration
4
14
359
Dutchyyy retweeted
Dutchyyy@DutchmassiveOct 10
The Replies / Quotes are 💀 Distrokid wasn't / isn't my only DSP I've been DTC for Decades The Problem is Systematic & bigger than one DSP and I just don't want to participate in it Cassette Version: dutchmassive.bandcamp.com/al… Digital / Deleted Version: dutchmassive.bandcamp.com/al…
Dutchyyy@DutchmassiveOct 9
Distrokid deleted Traversal from existence. album uploaded since Dec 31 2015. No notification/email. I've paid over $100 a year to distrokid since and have made Total earnings $985.33 I'm pulling all my music from DSP and canceling distrokid. signal boost please. I'm out
1
2
1
11
839
DJ’s used to be an artists distribution
22
44
13
220
12,642
Dutchyyy retweeted
Z
@BrianZisookOct 9
Gone are the days where "everyone knows" a popular recording artist or hit TV show or rising film star or best-selling book. This isn't because music, TV, film, and novels suddenly turned to shit. It's because the modern version of our internet killed monoculture. The end.
Tyler@TylerKutozOct 9
Replying to @_aaronlederer
Geese? Peso Pluma? Grupo frontera? Like what lol no one knows who half of that shit list is you should be able to name 100s of artists that everyone knows like previous decades but you can’t basically proving my point lmfao.
24
102
12
715
80,957
The whole point of art, in fact the point of engaging with another person's thoughts in any capacity, is to expand your very limited individual perspective on the world, not to live in a tiny box perfectly catered to your adolescent personal tastes
This quoted post is unavailable.
Try viewing anyway · View on X
62
1,892
22
13,008
119,184
Replying to @Dutchmassive
Being passionate about music, art, culture as both a creator and a consumer feels so so so bad in the present at the digital layer. unfathomably traumatic like Groundhog Day feeling the same pain as a breakup or losing family. If you can’t relate I envy you. <x3
1
3
565
Dutchyyy retweeted
K— F—@kennyfreshOct 9
one of the many dark sides of A.I. – those sample detection bots are a menace to so much of the music i love most. samples were already one of the toughest minefield to navigate, automating the detection & reporting now is one of the worst things that could happen to music
TUAMIE@tuamie_Oct 8
4 beat tapes of mine were removed from @DistroKid due to lack of evidence of sample clearance( 4 beats) , instead of removing the individual track that was "marked" the entire record/tape is removed. I'll be re-uploading them asap, without the "marked" beats.
1
11
28
1,640
Dutchyyy retweeted
Dibiase@darealdibiaseOct 8
NYC tomorrow at the new Roland store . Ya’ll should definitely pull up.
2
21
65
1,313
Dutchyyy retweeted
Dusty Ohms@DustyOhmsOct 7
There's about a week left on the playback of 'A Circular History of the Loop', if anyone who missed fancies checking it out. It's an immersive / ambisonic Radio 3 programme, featuring myself and a lot of other musicians spanning many fields and genres. bbc.co.uk/programmes/m00318h…

BBC Radio 3 - Between the Ears, A Circular History of the Loop

An immersive exploration into the history of the music loop.

bbc.co.uk
1
1
3
93
Dutchyyy retweeted
MusicTech@MusicTechMagOct 6
Multi‑platinum producer, multi-instrumentalist, and sample pack maker Kaelin Ellis (Vince Staples, Kaytranada, TOKiMONSTA, and more) takes on the My Forever Studio challenge. This time, hear how NBA Street helped lead him to jazz and producer credits, how he develops “pocket”in his drumming, and how an upright piano he found backstage at a show made for one of his most vibey sample packs.⁣ ⁣ As always, expect in-depth gear chat, and difficult decisions, studio stories and at least one obnoxious airhorn.⁣ musictech.com/shows/podcasts…

My Forever Studio: Kaelin Ellis is guided by video games

Ellis brings nostalgic gear to his Forever Studio, along with some surprising twists.

musictech.com
1
3
8
1,016
Dutchyyy retweeted
Elaquent™@ElaquentOct 3
Reminder that when you buy music, you’re not at the mercy of the platform removing it whenever they want
Melodies & Masterpieces
@SVG__CollectionOct 3
Slum Village’s Fantastic Vol. 2 has been completely removed from @Spotify. Because apparently we can’t have nice things?!
11
81
309
7,811
Load more