There are 750 screens in the film market labeled "the Caribbean". A majority Black audience and Black-led films do well there. Not tracked by Box Office Mojo or The Numbers. Should b under international If tracked, it'd prove Black-led casts to be more lucrative & we'd get more

FilmNation head Glen Basner argues the biggest challenge from the indie film distribution space these days is a too traditional approach to packaging — this name actor means this much money and this director and it has to have X, Y and Z to make sense. hollywoodreporter.com/movies…

Elliot Page says he has received NO role offers despite the huge success of “The Odyssey”, and believes being transgender has made it harder for him to get cast as Hollywood still needs to ADAPT 😲 He also opens up about feeling deeply UNCOMFORTABLE while working on Inception and other projects before his transition, but believes his BIGGEST successes are still ahead of him 👀 “I was seen in a certain way before and it’s different now, so maybe there is something to reaching out to people and trying to create projects that way. But it’s a little tricky for me to get cast now, for obvious reasons.”

How did a Gen Z filmmaker make one of the year's best movies for just $150,000 and a car? @CaseyMLoving goes behind Alex Ullom's debut feature “It Ends,” a Neon horror film made with four actors, a car and a scrappy group of collaborators that included a magician, a “Grand Theft Auto” CGI artist and Letterboxd. thewrap.com/creative-content…

My latest short film was shot during the solar eclipse of 2024 and asked if we could repurpose billionaires for something greater. EAT THE RICH premiered at Morbido Fest, and it's now on @BloodStreamTV: bloodstreamtv.com/show-detai…

You know what’s actually overdiagnosed? Anxiety. Let’s talk about that, because without that label, doctors wouldn’t have a way to dismiss and control patients. It’s a modern-day hysteria diagnosis.

Be careful with obsessive, mean men who are "creatives" Not only are they strategic about backstabbing friends & pulling from women's work to be crowned "genius", they have no creative vision beyond "transgression". They archive & reproduce fragments, bits of everyone elses soul

Happy Holidays to all - and to all a good fright! Disaster Capital’s mission is to transform the industry by funding & producing groundbreaking films from underrepresented voices. If you’re looking for just the right holiday fright, we’d love to share more about our horror slate.