TV/Film. The Avengers, The Prisoner, Rising Damp, M*A*S*H, Cheers, Shoestring, Hitchcock, De Palma. Used to enjoy going to the cinema. Back for a while.

County Antrim, N Ireland
Joined February 2009
In remembrance of Morena Kernohan, 17/6/1939-11/6/2019.
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So how come films have got worse? There's no 'Road to Damascus' here, thanks to Netflix. The industry is on its knees. Two monster hits this summer hasn't changed that.
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Leave it out, Tucker! retweeted
The email Larry David sent when he caught wind that @blakejharrisNYC wanted to write his biography.
Larry David is one of America’s unlikeliest icons, and one of history’s purest founders. In our latest profile, Correspondent-at-Large @blakejharrisNYC—who spent six years talking to Larry for his new book—explains what makes Larry so special, and why it took him so long to break through. Larry was a mediocre student with a middling social life. His first two jobs—selling bras and driving cabs—ended quickly. At 25, he called his mother from a hotel room: “Ma, nothing good is ever gonna happen to me.” She urged him to become a mailman. Soon after, he found what he thought would be his calling: stand-up comedy. His material was funny, but he rarely finished a set. If somebody in the audience looked at their watch, or didn’t laugh when he thought they should, Larry stormed off. 14 years later, aged 39, he got a break. He was asked to write his first sitcom script for a big new Showtime series. Only an eighth of what he wrote survived the edit, but the episode was still his. He was broke, and the writing credit could have sparked his career. But Larry refused to put his name on it. Even with Seinfeld, Larry nearly hit self-destruct. The pilot performed worse than almost any other show NBC had ever tested. Still, the network ordered four episodes, one of the smallest orders in TV history. Larry barely made it through them. When the studio installed a showrunner to oversee the scripts, Larry endured the man’s notes, then said “NO. I’m not doing one thing,” and walked out. In the summer of 1991, with the show finally starting to work, NBC wanted Jerry and Elaine to get married and have a baby. Larry quit in the parking lot and wished everyone good luck. Jerry stood with Larry, and NBC caved. Larry’s friend and comedian Bill Scheft put it this way: “He doesn’t [act this way now] because he has fuck-you money. It’s the opposite. He has the fuck-you money because he’s always acted this way.” Read the full profile by Blake, author of Emperor of Nothing: The Making of Larry David. colossus.com/article/many-fa…
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Leave it out, Tucker! retweeted
Larry David is one of America’s unlikeliest icons, and one of history’s purest founders. In our latest profile, Correspondent-at-Large @blakejharrisNYC—who spent six years talking to Larry for his new book—explains what makes Larry so special, and why it took him so long to break through. Larry was a mediocre student with a middling social life. His first two jobs—selling bras and driving cabs—ended quickly. At 25, he called his mother from a hotel room: “Ma, nothing good is ever gonna happen to me.” She urged him to become a mailman. Soon after, he found what he thought would be his calling: stand-up comedy. His material was funny, but he rarely finished a set. If somebody in the audience looked at their watch, or didn’t laugh when he thought they should, Larry stormed off. 14 years later, aged 39, he got a break. He was asked to write his first sitcom script for a big new Showtime series. Only an eighth of what he wrote survived the edit, but the episode was still his. He was broke, and the writing credit could have sparked his career. But Larry refused to put his name on it. Even with Seinfeld, Larry nearly hit self-destruct. The pilot performed worse than almost any other show NBC had ever tested. Still, the network ordered four episodes, one of the smallest orders in TV history. Larry barely made it through them. When the studio installed a showrunner to oversee the scripts, Larry endured the man’s notes, then said “NO. I’m not doing one thing,” and walked out. In the summer of 1991, with the show finally starting to work, NBC wanted Jerry and Elaine to get married and have a baby. Larry quit in the parking lot and wished everyone good luck. Jerry stood with Larry, and NBC caved. Larry’s friend and comedian Bill Scheft put it this way: “He doesn’t [act this way now] because he has fuck-you money. It’s the opposite. He has the fuck-you money because he’s always acted this way.” Read the full profile by Blake, author of Emperor of Nothing: The Making of Larry David. colossus.com/article/many-fa…
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Del is hassled by a mistrustful punter at the market. "How can they be 'too cheap'? You plonker." "'ere, I'm not a plonker!" "What're you doing then, an impression?" 😁 #OnlyFoolsAndHorses #ARoyalFlush
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Del's date June, the worst for wear: "Sorry Del, I dunno what came over me" 🤮 "Neither did the woman in front of you!" 😂 'A Royal Flush' (1986) is a controversial ONLY FOOLS. I think it's fantastic, amongst the best work they ever did. Always push characters to their limits. 👊
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50th anniversary of THE NEW AVENGERS! 🥂 (In fact worldwide TV premiere was 3 weeks earlier. RTE in Ireland debuted the series Thu 28 Sep 1976). Thank you to Brian Clemens, Albert Fennell-but also producer Rodolphe Roffi (1934-2011) of IDTV for raising the finance to make it! 🙏
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Diana Rigg, Patrick Macnee THE AVENGERS 'The Hour That Never Was' (1965) w. Roger Marshall d. Gerry O'Hara Steed, Mrs Peel investigate a 'Mary Celeste' style mystery when they find themselves at a completely deserted RAF camp. 🔍 One of the very best. Have seen a squillion times.
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This was the final SUMMER WINE series recorded (partly) in front of a studio audience. From 1992 onwards, all on film with completed eps shown to an audience for the laughter track.
#OnThisDay 18 October 1991 📺TV Listings LAST OF THE SUMMER WINE returns for its 14th series. Alma celebrates her birthday with Ken in #CoronationStreet. More madcap humour in THE RUSS ABBOT SHOW and #BellaEmberg also pops up in YOU BET! Edna Doré guest stars in #Casualty.
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Leave it out, Tucker! retweeted
"All I want is to earn enough to get out of television and build a home." Ben Murphy spoke to @RadioTimes when Gemini Man began in the UK #OTD 50 years ago.
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Leave it out, Tucker! retweeted
50 years ago today, #TheNewAvengers made its UK debut on HTV. #ShotAtPinewood, the series saw Patrick Macnee return as John Steed alongside new agents Johanna Lumley as Purdey and Gareth Hunt as Gambit, pictured here in the Pinewood Gardens in 1976.
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CATWEAZLE 'The Telling Bone'! 🦴☎️ I audio recorded this ep, from this broadcast. Guest starring Brian Wilde, as a bemused vicar. One of the best, very funny.
TV📺17/10/82 ITV 3.25:Film - Swanee River 5.0:Bullseye 5.30:Catweazle 6.0:Credo 6.30:News 6.40:Topping on Sunday 7.15:Film - Hanover Street 9.15:Tales of the Unexpected 9.45:News 10.0:Laurence Olivier - A Life 11.30:Nero Wolfe
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Saw this @ QFT Belfast, I think. It's a little depressing. For Mike Leigh enthusiasts only, I'd say. Tim Spall went straight from this to the AUF WIEDERSEHEN, PET revival.
On this day, October 18th, 2002, Mike Leigh's ALL OR NOTHING opened in London..
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Enjoyable romcom. Early 90s were good days for cinema.
DOC HOLLYWOOD, starring Michael J. Fox, opened in London on this day October 18th, 1991..
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Good film. I've not seen the sequel to this day. Curly (Jack Palance) having an identical twin seemed the worst idea ever.
On this day October 18th, 1991, CITY SLICKERS opened in London..
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This movie is better than MAD MAX: FURY ROAD. It's not up for discussion.
On this day October 18th, 1985, MAD MAX BEYOND THUNDERDOME, starring Mel Gibson and Tina Turner, opened in London..
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Leave it out, Tucker! retweeted
40 years since making The Color of Money. I had the privilege as a young artist, to have a general meeting with Paul Newman and separately with Martin Scorsese years before making this film, where they shared some of their wisdom on cinema. Of course, I’d seen their films, but prior to meeting them for the first time, I set up a personal study course where I would watch their films in sequence from the beginning of their careers, up until that point in time. After being cast in The Color of Money, I once again studied all of their films in sequence. Having studied their work, then being able to see firsthand these incredible artists, the towering legends of our field, at work on set, I was able to observe their practical application in every aspect of acting and filmmaking from their point of view. I will always be grateful for this opportunity and for the generosity that Newman and Scorsese showed me with their knowledge of cinema and insight throughout the entire process. To Marty, Paul, and the enormously talented cast and crew, it was a pleasure and an honor to be part of this film with you all! I have carried this experience and knowledge with me my entire career.
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