So how come films have got worse?
There's no 'Road to Damascus' here, thanks to Netflix. The industry is on its knees.
Two monster hits this summer hasn't changed that.
Edward Berger Talks Filmmaking in a Streaming Age: "The Movie Industry Needed Netflix to Wake Up" hollywoodreporter.com/movies…
Leave it out, Tucker! retweeted
The email Larry David sent when he caught wind that @blakejharrisNYC wanted to write his biography.
Larry David is one of America’s unlikeliest icons, and one of history’s purest founders.
In our latest profile, Correspondent-at-Large @blakejharrisNYC—who spent six years talking to Larry for his new book—explains what makes Larry so special, and why it took him so long to break through.
Larry was a mediocre student with a middling social life. His first two jobs—selling bras and driving cabs—ended quickly. At 25, he called his mother from a hotel room: “Ma, nothing good is ever gonna happen to me.” She urged him to become a mailman.
Soon after, he found what he thought would be his calling: stand-up comedy. His material was funny, but he rarely finished a set. If somebody in the audience looked at their watch, or didn’t laugh when he thought they should, Larry stormed off.
14 years later, aged 39, he got a break. He was asked to write his first sitcom script for a big new Showtime series. Only an eighth of what he wrote survived the edit, but the episode was still his. He was broke, and the writing credit could have sparked his career. But Larry refused to put his name on it.
Even with Seinfeld, Larry nearly hit self-destruct. The pilot performed worse than almost any other show NBC had ever tested. Still, the network ordered four episodes, one of the smallest orders in TV history. Larry barely made it through them.
When the studio installed a showrunner to oversee the scripts, Larry endured the man’s notes, then said “NO. I’m not doing one thing,” and walked out. In the summer of 1991, with the show finally starting to work, NBC wanted Jerry and Elaine to get married and have a baby. Larry quit in the parking lot and wished everyone good luck. Jerry stood with Larry, and NBC caved.
Larry’s friend and comedian Bill Scheft put it this way: “He doesn’t [act this way now] because he has fuck-you money. It’s the opposite. He has the fuck-you money because he’s always acted this way.”
Read the full profile by Blake, author of Emperor of Nothing: The Making of Larry David.
colossus.com/article/many-fa…
Leave it out, Tucker! retweeted
Larry David is one of America’s unlikeliest icons, and one of history’s purest founders.
In our latest profile, Correspondent-at-Large @blakejharrisNYC—who spent six years talking to Larry for his new book—explains what makes Larry so special, and why it took him so long to break through.
Larry was a mediocre student with a middling social life. His first two jobs—selling bras and driving cabs—ended quickly. At 25, he called his mother from a hotel room: “Ma, nothing good is ever gonna happen to me.” She urged him to become a mailman.
Soon after, he found what he thought would be his calling: stand-up comedy. His material was funny, but he rarely finished a set. If somebody in the audience looked at their watch, or didn’t laugh when he thought they should, Larry stormed off.
14 years later, aged 39, he got a break. He was asked to write his first sitcom script for a big new Showtime series. Only an eighth of what he wrote survived the edit, but the episode was still his. He was broke, and the writing credit could have sparked his career. But Larry refused to put his name on it.
Even with Seinfeld, Larry nearly hit self-destruct. The pilot performed worse than almost any other show NBC had ever tested. Still, the network ordered four episodes, one of the smallest orders in TV history. Larry barely made it through them.
When the studio installed a showrunner to oversee the scripts, Larry endured the man’s notes, then said “NO. I’m not doing one thing,” and walked out. In the summer of 1991, with the show finally starting to work, NBC wanted Jerry and Elaine to get married and have a baby. Larry quit in the parking lot and wished everyone good luck. Jerry stood with Larry, and NBC caved.
Larry’s friend and comedian Bill Scheft put it this way: “He doesn’t [act this way now] because he has fuck-you money. It’s the opposite. He has the fuck-you money because he’s always acted this way.”
Read the full profile by Blake, author of Emperor of Nothing: The Making of Larry David.
colossus.com/article/many-fa…
THE KING OF COMEDY is still relevant, always will be.
Man charges at Martin Scorsese
youtu.be/qENDbUmd080?si=BpaX…
Del is hassled by a mistrustful punter at the market.
"How can they be 'too cheap'? You plonker."
"'ere, I'm not a plonker!"
"What're you doing then, an impression?"
😁
#OnlyFoolsAndHorses #ARoyalFlush
Del's date June, the worst for wear:
"Sorry Del, I dunno what came over me" 🤮
"Neither did the woman in front of you!"
😂
'A Royal Flush' (1986) is a controversial ONLY FOOLS.
I think it's fantastic, amongst the best work they ever did. Always push characters to their limits. 👊
Exclusive: Your first look at unseen ONLY FOOLS AND HORSES....
A new documentary exhumes lost and cut moments from the classic sitcom
telegraph.co.uk/tv/2026/10/1…
Exclusive: Your first look at unseen ONLY FOOLS AND HORSES....
A new documentary exhumes lost and cut moments from the classic sitcom
telegraph.co.uk/tv/2026/10/1…
Emperor of Nothing by Blake J Harris review – the definitive portrait of Larry David
theguardian.com/books/2026/o…
50th anniversary of THE NEW AVENGERS! 🥂
(In fact worldwide TV premiere was 3 weeks earlier. RTE in Ireland debuted the series Thu 28 Sep 1976).
Thank you to Brian Clemens, Albert Fennell-but also producer Rodolphe Roffi (1934-2011) of IDTV for raising the finance to make it! 🙏
Diana Rigg, Patrick Macnee
THE AVENGERS
'The Hour That Never Was' (1965)
w. Roger Marshall
d. Gerry O'Hara
Steed, Mrs Peel investigate a 'Mary Celeste' style mystery when they find themselves at a completely deserted RAF camp. 🔍
One of the very best. Have seen a squillion times.
This was the final SUMMER WINE series recorded (partly) in front of a studio audience.
From 1992 onwards, all on film with completed eps shown to an audience for the laughter track.
#OnThisDay 18 October 1991 📺TV Listings
LAST OF THE SUMMER WINE returns for its 14th series.
Alma celebrates her birthday with Ken in #CoronationStreet.
More madcap humour in THE RUSS ABBOT SHOW and #BellaEmberg also pops up in YOU BET!
Edna Doré guest stars in #Casualty.
Leave it out, Tucker! retweeted
"All I want is to earn enough to get out of television and build a home." Ben Murphy spoke to @RadioTimes when Gemini Man began in the UK #OTD 50 years ago.
Leave it out, Tucker! retweeted
50 years ago today, #TheNewAvengers made its UK debut on HTV. #ShotAtPinewood, the series saw Patrick Macnee return as John Steed alongside new agents Johanna Lumley as Purdey and Gareth Hunt as Gambit, pictured here in the Pinewood Gardens in 1976.
TAKE IT OR LEAVE IT (1981, dir. Dave Robinson)
#Madness film, on Bluray from BFI tomorrow. 💿
More 16mm in HD, yay! 🎞️🥳
shop.bfi.org.uk/take-it-or-l…
CATWEAZLE 'The Telling Bone'! 🦴☎️
I audio recorded this ep, from this broadcast.
Guest starring Brian Wilde, as a bemused vicar. One of the best, very funny.
Leave it out, Tucker! retweeted
40 years since making The Color of Money.
I had the privilege as a young artist, to have a general meeting with Paul Newman and separately with Martin Scorsese years before making this film, where they shared some of their wisdom on cinema.
Of course, I’d seen their films, but prior to meeting them for the first time, I set up a personal study course where I would watch their films in sequence from the beginning of their careers, up until that point in time.
After being cast in The Color of Money, I once again studied all of their films in sequence.
Having studied their work, then being able to see firsthand these incredible artists, the towering legends of our field, at work on set, I was able to observe their practical application in every aspect of acting and filmmaking from their point of view.
I will always be grateful for this opportunity and for the generosity that Newman and Scorsese showed me with their knowledge of cinema and insight throughout the entire process.
To Marty, Paul, and the enormously talented cast and crew, it was a pleasure and an honor to be part of this film with you all! I have carried this experience and knowledge with me my entire career.











































