Once again, the @SECNetwork punishes VU by assigning @tom_hart, the most annoying play-by-play announcer in America, to call the game with OU tonight. The guy refuses to call the damn game. It's a total clown show. How @tom_hart keeps his job is one of sports' great mysteries.
Daryl Sanders retweeted
Producer-engineer Elliot Mazer, who died last week, helped Nashville evolve as a recording center in the ’60s and ’70s. Daryl Sanders offers a remembrance.
nashvillescene.com/music/fea…
This is a long, but excellent read on the state of music journalism.
cjr.org/analysis/music-journ… via @cjr
Replying to @KIngramSports
@KIngramSports Kevin, any idea what happened to your broadcast of today's game on SEC Network Plus? I was watching you guys in the first inning and then suddenly the broadcast stopped.
@KIngramSports Kevin, I just realized it's not you and Andrew today. Sorry about that.
Daryl Sanders retweeted
Great interview with my buddy Daryl Sanders and legendary guitarist Wayne Moss! #nashville #musiccity #theothersideofnashville
'That Thin Wild Mercury Sound' author Daryl Sanders tells the stories behind Bob Dylan’s ‘Blonde on Blonde’ rol.st/2Q7gLZ0
Thanks to the @LAReviewofBooks for the review of my book, "That Thin, Wild Mercury Sound: Dylan, Nashville, and the Making of Blonde on Blonde."
“Bob Dylan’s ‘Blonde on Blonde’ (1966) isn’t so much an album as a series of worlds through which the disoriented, mesmerized listener stumbles, hypnotized by each new sonic texture and pile-up of words.” ow.ly/QFCA30mwDgO
I had the pleasure of appearing with senior writer Brian Hiatt and guitar legend Wayne Moss on Rolling Stone Music Now, the mag's SiriusXM show, a couple of weeks ago. In case you missed it and are interested, you can hear the show here: rollingstone.com/music/music…
@RollingStone
For anyone in the Nashville area who's interested, I'll be at Barnes & Noble Vanderbilt this Saturday, Nov. 10, at 2 p.m., discussing my book, "That Thin, Wild Mercury Sound," and reading from it, as well as taking questions about the book and Blonde on Blonde. @ChiReviewPress
Thanks to Eric Gudas at the Los Angeles Review of Books for his review of my book, "That Thin, Wild Mercury Sound: Dylan, Nashville, and the Making of Blonde on Blonde." You can read it here:
lareviewofbooks.org/article/…









